Pelham Wodehouse - Right Ho, Jeeves

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Maybe Mephistopheles was a bad idea after all... Reviewer:
(Austin, TX)
You know things are going bad for Gussie (Agustus Fink-Nottle) when Bertie steps in to lend a able hand in his affairs..
The premise of this ridiculously funny book is simple, Gussie has fallen in love with Madeline Basset, friend of Bertie's cousin Angela, who (Angela) has quarelled with her lover and Bertie's longtime friend (the episode at the Drones notwithstanding) Tuppy Glossop over the matter of the latter not acknowledging the former's tryst with a shark at Cannes. Simple enough right? Take all these people and confine them in a country house, add a liberal dashing of Aunt Dahlia and that man of intellect Jeeves, not to mention a few assorted cooks and uncles, and you have a tale of horror (for Bertie) or a tale of absolute joy for the rest of us.
When helping convey Gussie's love to Madeline, Bertie convices Madeline that he loves her too. So when Madeline falls out with Gussie, she comes running to Bertie, who would rather she not. Tuppy, is also convinced that some low-lying snake has stolen Angela from him, and thinking that this l.l.s is Gussie. Gussie, meanwhile, to brace himself for the gruelling task of presenting the prizes in the Market Snodsbury school (for which he is down at Brinkley Court) tanks up on alchohol, and threatens to sully the Wooster name in a gathering of Market Snodsbury's finest. When the going gets tough, the tough ring for Jeeves. Can the man save the hour and untangle this absolute mess?
This is one of Wodehouses's finest Jeeves books. I say that in a different way in every review of mine, but I cant help it. The man is so good! If you cannot read this book in its entirety (shame on you!) just read the description of Gussie presenting the prizes. That one chapter will brighten your day, suffuse you in a radiant light of good cheer and make you feel that life is one great glad song.
Don't miss this book. It's an absolute ringer!

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It was, as I say, a difficult problem to have to solve, and, left to himself, I don't know what conclusion he would have come to. Personally, I think he would have played it safe. As it happened, however, the thing was taken out of his hands, for at this moment, Gussie, having stretched his arms and yawned a bit, switched on that pebble-beached smile again and tacked down to the edge of the platform.

“Speech,” he said affably.

He then stood with his thumbs in the armholes of his waistcoat, waiting for the applause to die down.

It was some time before this happened, for he had got a very fine hand indeed. I suppose it wasn't often that the boys of Market Snodsbury Grammar School came across a man public-spirited enough to call their head master a silly ass, and they showed their appreciation in no uncertain manner. Gussie may have been one over the eight, but as far as the majority of those present were concerned he was sitting on top of the world.

“Boys,” said Gussie, “I mean ladies and gentlemen and boys, I do not detain you long, but I suppose on this occasion to feel compelled to say a few auspicious words; Ladies—and boys and gentlemen—we have all listened with interest to the remarks of our friend here who forgot to shave this morning—I don't know his name, but then he didn't know mine—Fitz-Wattle, I mean, absolutely absurd—which squares things up a bit—and we are all sorry that the Reverend What-ever-he-was-called should be dying of adenoids, but after all, here today, gone tomorrow, and all flesh is as grass, and what not, but that wasn't what I wanted to say. What I wanted to say was this—and I say it confidently—without fear of contradiction—I say, in short, I am happy to be here on this auspicious occasion and I take much pleasure in kindly awarding the prizes, consisting of the handsome books you see laid out on that table. As Shakespeare says, there are sermons in books, stones in the running brooks, or, rather, the other way about, and there you have it in a nutshell.”

It went well, and I wasn't surprised. I couldn't quite follow some of it, but anybody could see that it was real ripe stuff, and I was amazed that even the course of treatment he had been taking could have rendered so normally tongue-tied a dumb brick as Gussie capable of it.

It just shows, what any member of Parliament will tell you, that if you want real oratory, the preliminary noggin is essential. Unless pie-eyed, you cannot hope to grip.

“Gentlemen,” said Gussie, “I mean ladies and gentlemen and, of course, boys, what a beautiful world this is. A beautiful world, full of happiness on every side. Let me tell you a little story. Two Irishmen, Pat and Mike, were walking along Broadway, and one said to the other, 'Begorrah, the race is not always to the swift,' and the other replied, 'Faith and begob, education is a drawing out, not a putting in.'“

I must say it seemed to me the rottenest story I had ever heard, and I was surprised that Jeeves should have considered it worth while shoving into a speech. However, when I taxed him with this later, he said that Gussie had altered the plot a good deal, and I dare say that accounts for it.

At any rate, that was the conte as Gussie told it, and when I say that it got a very fair laugh, you will understand what a popular favourite he had become with the multitude. There might be a bearded bloke or so on the platform and a small section in the second row who were wishing the speaker would conclude his remarks and resume his seat, but the audience as a whole was for him solidly.

There was applause, and a voice cried: “Hear, hear!”

“Yes,” said Gussie, “it is a beautiful world. The sky is blue, the birds are singing, there is optimism everywhere. And why not, boys and ladies and gentlemen? I'm happy, you're happy, we're all happy, even the meanest Irishman that walks along Broadway. Though, as I say, there were two of them—Pat and Mike, one drawing out, the other putting in. I should like you boys, taking the time from me, to give three cheers for this beautiful world. All together now.”

Presently the dust settled down and the plaster stopped falling from the ceiling, and he went on.

“People who say it isn't a beautiful world don't know what they are talking about. Driving here in the car today to award the kind prizes, I was reluctantly compelled to tick off my host on this very point. Old Tom Travers. You will see him sitting there in the second row next to the large lady in beige.”

He pointed helpfully, and the hundred or so Market Snods-buryians who craned their necks in the direction indicated were able to observe Uncle Tom blushing prettily.

“I ticked him off properly, the poor fish. He expressed the opinion that the world was in a deplorable state. I said, 'Don't talk rot, old Tom Travers.' 'I am not accustomed to talk rot,' he said. 'Then, for a beginner,' I said, 'you do it dashed well.' And I think you will admit, boys and ladies and gentlemen, that that was telling him.”

The audience seemed to agree with him. The point went big. The voice that had said, “Hear, hear” said “Hear, hear” again, and my corn chandler hammered the floor vigorously with a large-size walking stick.

“Well, boys,” resumed Gussie, having shot his cuffs and smirked horribly, “this is the end of the summer term, and many of you, no doubt, are leaving the school. And I don't blame you, because there's a froust in here you could cut with a knife. You are going out into the great world. Soon many of you will be walking along Broadway. And what I want to impress upon you is that, however much you may suffer from adenoids, you must all use every effort to prevent yourselves becoming pessimists and talking rot like old Tom Travers. There in the second row. The fellow with a face rather like a walnut.”

He paused to allow those wishing to do so to refresh themselves with another look at Uncle Tom, and I found myself musing in some little perplexity. Long association with the members of the Drones has put me pretty well in touch with the various ways in which an overdose of the blushful Hippocrene can take the individual, but I had never seen anyone react quite as Gussie was doing.

There was a snap about his work which I had never witnessed before, even in Barmy Fotheringay-Phipps on New Year's Eve.

Jeeves, when I discussed the matter with him later, said it was something to do with inhibitions, if I caught the word correctly, and the suppression of, I think he said, the ego. What he meant, I gathered, was that, owing to the fact that Gussie had just completed a five years' stretch of blameless seclusion among the newts, all the goofiness which ought to have been spread out thin over those five years and had been bottled up during that period came to the surface on this occasion in a lump—or, if you prefer to put it that way, like a tidal wave.

There may be something in this. Jeeves generally knows.

Anyway, be that as it may, I was dashed glad I had had the shrewdness to keep out of that second row. It might be unworthy of the prestige of a Wooster to squash in among the proletariat in the standing-room-only section, but at least, I felt, I was out of the danger zone. So thoroughly had Gussie got it up his nose by now that it seemed to me that had he sighted me he might have become personal about even an old school friend.

“If there's one thing in the world I can't stand,” proceeded Gussie, “it's a pessimist. Be optimists, boys. You all know the difference between an optimist and a pessimist. An optimist is a man who—well, take the case of two Irishmen walking along Broadway. One is an optimist and one is a pessimist, just as one's name is Pat and the other's Mike.... Why, hullo, Bertie; I didn't know you were here.”

Too late, I endeavoured to go to earth behind the chandler, only to discover that there was no chandler there. Some appointment, suddenly remembered—possibly a promise to his wife that he would be home to tea—had caused him to ooze away while my attention was elsewhere, leaving me right out in the open.

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