Honoré Balzac - The Celibates

"My dear Bathilde," he said, while explaining to her the influence of women, and showing her the sphere of action in which she ought to work, "do you suppose that Tiphaine, a man of the most ordinary capacity, could ever get to be a judge of the Royal court in Paris by himself? No, it is Madame Tiphaine who has got him elected deputy, and it is she who will push him when they get to Paris. Her mother, Madame Roguin, is a shrewd woman, who does what she likes with the famous banker du Tillet, a crony of Nucingen, and both of them allies of the Kellers. The administration is on the best of terms with those lynxes of the bank. There is no reason why Tiphaine should not be judge, through his wife, of a Royal court. Marry Rogron; we'll have him elected deputy from Provins as soon as I gain another precinct in the Seine-et-Marne. You can then get him a place as receiver-general, where he'll have nothing to do but sign his name. We shall belong to the opposition if the Liberals triumph, but if the Bourbons remain – ah! then we shall lean gently, gently towards the centre. Besides, you must remember Rogron can't live forever, and then you can marry a titled man. In short, put yourself in a good position, and the Chargeboeufs will be ready enough to serve us. Your poverty has no doubt taught you, as mine did me, to know what men are worth. We must make use of them as we do of post-horses. A man, or a woman, will take us along to such or such a distance."

Vinet ended by making Bathilde a small edition of Catherine de Medicis. He left his wife at home, rejoiced to be alone with her two children, while he went every night to the Rogrons' with Madame and Mademoiselle de Chargeboeuf. He arrived there in all the glory of better circumstances. His spectacles were of gold, his waistcoat silk; a white cravat, black trousers, thin boots, a black coat made in Paris, and a gold watch and chain, made up his apparel. In place of the former Vinet, pale and thin, snarling and gloomy, the present Vinet bore himself with the air and manner of a man of importance; he marched boldly forward, certain of success, with that peculiar show of security which belongs to lawyers who know the hidden places of the law. His sly little head was well-brushed, his chin well-shaved, which gave him a mincing though frigid look, that made him seem agreeable in the style of Robespierre. Certainly he would make a fine attorney-general, endowed with elastic, mischievous, and even murderous eloquence, or an orator of the shrewd type of Benjamin Constant. The bitterness and the hatred which formerly actuated him had now turned into soft-spoken perfidy; the poison was transformed into anodyne.

"Good-evening, my dear; how are you?" said Madame de Chargeboeuf, greeting Sylvie.

Bathilde went straight to the fireplace, took off her bonnet, looked at herself in the glass, and placed her pretty foot on the fender that Rogron might admire it.

"What is the matter with you?" she said to him, looking directly in his face. "You have not bowed to me. Pray why should we put on our best velvet gowns to please you?"

She pushed past Pierrette to lay down her hat, which the latter took from her hand, and which she let her take exactly as though she were a servant. Men are supposed to be ferocious, and tigers too; but neither tigers, vipers, diplomatists, lawyers, executioners or kings ever approach, in their greatest atrocities, the gentle cruelty, the poisoned sweetness, the savage disdain of one young woman for another, when she thinks herself superior in birth, or fortune, or grace, and some question of marriage, or precedence, or any of the feminine rivalries, is raised. The "Thank you, mademoiselle," which Bathilde said to Pierrette was a poem in many strophes. She was named Bathilde, and the other Pierrette. She was a Chargeboeuf, the other a Lorrain. Pierrette was small and weak, Bathilde was tall and full of life. Pierrette was living on charity, Bathilde and her mother lived on their means. Pierrette wore a stuff gown with a chemisette, Bathilde made the velvet of hers undulate. Bathilde had the finest shoulders in the department, and the arm of a queen; Pierrette's shoulder-blades were skin and bone. Pierrette was Cinderella, Bathilde was the fairy. Bathilde was about to marry, Pierrette was to die a maid. Bathilde was adored, Pierrette was loved by none. Bathilde's hair was ravishingly dressed, she had so much taste; Pierrette's was hidden beneath her Breton cap, and she knew nothing of the fashions. Moral, Bathilde was everything, Pierrette nothing. The proud little Breton girl understood this tragic poem.

"Good-evening, little girl," said Madame de Chargeboeuf, from the height of her condescending grandeur, and in the tone of voice which her pinched nose gave her.

Vinet put the last touch to this sort of insult by looking fixedly at Pierrette and saying, in three keys, "Oh! oh! oh! how fine we are to-night, Pierrette!"

"Fine!" said the poor child; "you should say that to Mademoiselle de Chargeboeuf, not to me."

"Oh! she is always beautifully dressed," replied the lawyer. "Isn't she, Rogron?" he added, turning to the master of the house, and grasping his hand.

"Yes," said Rogron.

"Why do you force him to say what he does not think?" said Bathilde; "nothing about me pleases him. Isn't that true?" she added, going up to Rogron and standing before him. "Look at me, and say if it isn't true."

Rogron looked at her from head to foot, and gently closed his eyes like a cat whose head is being scratched.

"You are too beautiful," he said; "too dangerous."

"Why?"

Rogron looked at the fire and was silent. Just then Mademoiselle Habert entered the room, followed by the colonel.

Celeste Habert, who had now become the common enemy, could only reckon Sylvie on her side; nevertheless, everybody present showed her the more civility and amiable attention because each was undermining her. Her brother, though no longer able to be on the scene of action, was well aware of what was going on, and as soon as he perceived that his sister's hopes were killed he became an implacable and terrible antagonist to the Rogrons.

Every one will immediately picture to themselves Mademoiselle Habert when they know that if she had not kept an institution for young ladies she would still have had the air of a school-mistress. School-mistresses have a way of their own in putting on their caps. Just as old Englishwomen have acquired a monopoly in turbans, school-mistresses have a monopoly of these caps. Flowers nod above the frame-work, flowers that are more than artificial; lying by in closets for years the cap is both new and old, even on the day it is first worn. These spinsters make it a point of honor to resemble the lay figures of a painter; they sit on their hips, never on their chairs. When any one speaks to them they turn their whole busts instead of simply turning their heads; and when their gowns creak one is tempted to believe that the mechanism of these beings is out of order. Mademoiselle Habert, an ideal of her species, had a stern eye, a grim mouth, and beneath her wrinkled chin the strings of her cap, always limp and faded, floated as she moved. Two moles, rather large and brown, adorned that chin, and from them sprouted hairs which she allowed to grow rampant like clematis. And finally, to complete her portrait, she took snuff, and took it ungracefully.

The company went to work at their boston. Mademoiselle Habert sat opposite to Sylvie, with the colonel at her side opposite to Madame de Chargeboeuf. Bathilde was near her mother and Rogron. Sylvie placed Pierrette between herself and the colonel; Rogron had set out a second card-table, in case other company arrived. Two lamps were on the chimney-piece between the candelabra and the clock, and the tables were lighted by candles at forty sous a pound, paid for by the price of the cards.