Honoré Balzac - The Duchesse of Langeais

In a Spanish city on an island in the Mediterranean, there stands a convent of the Order of Barefoot Carmelites, where the rule instituted by St. Theresa is still preserved with all the first rigor of the reformation brought about by that illustrious woman. Extraordinary as this may seem, it is none the less true. Almost every religious house in the Peninsula, or in Europe for that matter, was either destroyed or disorganized by the outbreak of the French Revolution and the Napoleonic wars; but as this island was protected through those times by the English fleet, its wealthy convent and peaceable inhabitants were secure from the general trouble and spoliation. The storms of many kinds which shook the first fifteen years of the nineteenth century spent their force before they reached those cliffs at so short a distance from the coast of Andalusia.

If the rumour of the Emperor’s name so much as reached the shore of the island, it is doubtful whether the holy women kneeling in the cloisters grasped the reality of his dream-like progress of glory, or the majesty that blazed in flame across kingdom after kingdom during his meteor life.

In the minds of the Roman Catholic world, the convent stood out pre-eminent for a stern discipline which nothing had changed; the purity of its rule had attracted unhappy women from the furthest parts of Europe, women deprived of all human ties, sighing after the long suicide accomplished in the breast of God. No convent, indeed, was so well fitted for that complete detachment of the soul from all earthly things, which is demanded by the religious life, albeit on the continent of Europe there are many convents magnificently adapted to the purpose of their existence. Buried away in the loneliest valleys, hanging in mid-air on the steepest mountainsides, set down on the brink of precipices, in every place man has sought for the poetry of the Infinite, the solemn awe of Silence; in every place man has striven to draw closer to God, seeking Him on mountain peaks, in the depths below the crags, at the cliff’s edge; and everywhere man has found God. But nowhere, save on this half-European, half-African ledge of rock could you find so many different harmonies, combining so to raise the soul, that the sharpest pain comes to be like other memories; the strongest impressions are dulled, till the sorrows of life are laid to rest in the depths.

The convent stands on the highest point of the crags at the uttermost end of the island. On the side towards the sea the rock was once rent sheer away in some globe-cataclysm; it rises up a straight wall from the base where the waves gnaw at the stone below high-water mark. Any assault is made impossible by the dangerous reefs that stretch far out to sea, with the sparkling waves of the Mediterranean playing over them. So, only from the sea can you discern the square mass of the convent built conformably to the minute rules laid down as to the shape, height, doors, and windows of monastic buildings. From the side of the town, the church completely hides the solid structure of the cloisters and their roofs, covered with broad slabs of stone impervious to sun or storm or gales of wind.

The church itself, built by the munificence of a Spanish family, is the crowning edifice of the town. Its fine, bold front gives an imposing and picturesque look to the little city in the sea. The sight of such a city, with its close-huddled roofs, arranged for the most part amphitheatre-wise above a picturesque harbour, and crowned by a glorious cathedral front with triple-arched Gothic doorways, belfry towers, and filigree spires, is a spectacle surely in every way the sublimest on earth. Religion towering above daily life, to put men continually in mind of the End and the way, is in truth a thoroughly Spanish conception. But now surround this picture by the Mediterranean, and a burning sky, imagine a few palms here and there, a few stunted evergreen trees mingling their waving leaves with the motionless flowers and foliage of carved stone; look out over the reef with its white fringes of foam in contrast to the sapphire sea; and then turn to the city, with its galleries and terraces whither the townsfolk come to take the air among their flowers of an evening, above the houses and the tops of the trees in their little gardens; add a few sails down in the harbour; and lastly, in the stillness of falling night, listen to the organ music, the chanting of the services, the wonderful sound of bells pealing out over the open sea. There is sound and silence everywhere; oftener still there is silence over all.

The church is divided within into a sombre mysterious nave and narrow aisles. For some reason, probably because the winds are so high, the architect was unable to build the flying buttresses and intervening chapels which adorn almost all cathedrals, nor are there openings of any kind in the walls which support the weight of the roof. Outside there is simply the heavy wall structure, a solid mass of grey stone further strengthened by huge piers placed at intervals. Inside, the nave and its little side galleries are lighted entirely by the great stained-glass rose-window suspended by a miracle of art above the centre doorway; for upon that side the exposure permits of the display of lacework in stone and of other beauties peculiar to the style improperly called Gothic.

The larger part of the nave and aisles was left for the townsfolk, who came and went and heard mass there. The choir was shut off from the rest of the church by a grating and thick folds of brown curtain, left slightly apart in the middle in such a way that nothing of the choir could be seen from the church except the high altar and the officiating priest. The grating itself was divided up by the pillars which supported the organ loft; and this part of the structure, with its carved wooden columns, completed the line of the arcading in the gallery carried by the shafts in the nave. If any inquisitive person, therefore, had been bold enough to climb upon the narrow balustrade in the gallery to look down into the choir, he could have seen nothing but the tall eight-sided windows of stained glass beyond the high altar.

At the time of the French expedition into Spain to establish Ferdinand VII once more on the throne, a French general came to the island after the taking of Cadiz, ostensibly to require the recognition of the King’s Government, really to see the convent and to find some means of entering it. The undertaking was certainly a delicate one; but a man of passionate temper, whose life had been, as it were, but one series of poems in action, a man who all his life long had lived romances instead of writing them, a man pre-eminently a Doer, was sure to be tempted by a deed which seemed to be impossible.

To open the doors of a convent of nuns by lawful means! The metropolitan or the Pope would scarcely have permitted it! And as for force or stratagem – might not any indiscretion cost him his position, his whole career as a soldier, and the end in view to boot? The Duc d’Angouleme was still in Spain; and of all the crimes which a man in favour with the Commander-in-Chief might commit, this one alone was certain to find him inexorable. The General had asked for the mission to gratify private motives of curiosity, though never was curiosity more hopeless. This final attempt was a matter of conscience. The Carmelite convent on the island was the only nunnery in Spain which had baffled his search.

As he crossed from the mainland, scarcely an hour’s distance, he felt a presentiment that his hopes were to be fulfilled; and afterwards, when as yet he had seen nothing of the convent but its walls, and of the nuns not so much as their robes; while he had merely heard the chanting of the service, there were dim auguries under the walls and in the sound of the voices to justify his frail hope. And, indeed, however faint those so unaccountable presentiments might be, never was human passion more vehemently excited than the General’s curiosity at that moment. There are no small events for the heart; the heart exaggerates everything; the heart weighs the fall of a fourteen-year-old Empire and the dropping of a woman’s glove in the same scales, and the glove is nearly always the heavier of the two. So here are the facts in all their prosaic simplicity. The facts first, the emotions will follow.