Эдвард Бульвер-Литтон - Lucretia — Volume 01

Those terrible truths which appall us in the guilt of Macbeth or the villany of Iago, have their moral uses not less than the popular infirmities of Tom Jones, or the every-day hypocrisy of Blifil. Incredible as it may seem, the crimes herein related took place within the last seventeen years. There has been no exaggeration as to their extent, no great departure from their details; the means employed, even that which seems most far- fetched,—the instrument of the poisoned ring,—have their foundation in literal facts. Nor have I much altered the social position of the criminals, nor in the least overrated their attainments and intelligence. In those more salient essentials which will most, perhaps, provoke the Reader's incredulous wonder, I narrate a history, not invent a fiction [These criminals were not, however, in actual life, as in the novel, intimates and accomplices. Their crimes were of similar character, effected by similar agencies, and committed at dates which embrace their several careers of guilt within the same period; but I have no authority to suppose that the one was known to the other.]. All that Romance which our own time affords is not more the romance than the philosophy of the time. Tragedy never quits the world,—it surrounds us everywhere. We have but to look, wakeful and vigilant, abroad, and from the age of Pelops to that of Borgia, the same crimes, though under different garbs, will stalk on our paths. Each age comprehends in itself specimens of every virtue and every vice which has ever inspired our love or mowed our horror.

LONDON, November 1, 1846.

In an apartment at Paris, one morning during the Reign of Terror, a man, whose age might be somewhat under thirty, sat before a table covered with papers, arranged and labelled with the methodical precision of a mind fond of order and habituated to business. Behind him rose a tall bookcase surmounted with a bust of Robespierre, and the shelves were filled chiefly with works of a scientific character, amongst which the greater number were on chemistry and medicine. There were to be seen also many rare books on alchemy, the great Italian historians, some English philosophical treatises, and a few manuscripts in Arabic. The absence from this collection of the stormy literature of the day seemed to denote that the owner was a quiet student, living apart from the strife and passions of the Revolution. This supposition was, however, disproved by certain papers on the table, which were formally and laconically labelled "Reports on Lyons," and by packets of letters in the handwritings of Robespierre and Couthon. At one of the windows a young boy was earnestly engaged in some occupation which appeared to excite the curiosity of the person just described; for this last, after examining the child's movements for a few moments with a silent scrutiny that betrayed but little of the half-complacent, half-melancholy affection with which busy man is apt to regard childhood, rose noiselessly from his seat, approached the boy, and looked over his shoulder unobserved. In a crevice of the wood by the window, a huge black spider had formed his web; the child had just discovered another spider, and placed it in the meshes: he was watching the result of his operations. The intrusive spider stood motionless in the midst of the web, as if fascinated. The rightful possessor was also quiescent; but a very fine ear might have caught a low, humming sound, which probably augured no hospitable intentions to the invader. Anon, the stranger insect seemed suddenly to awake from its amaze; it evinced alarm, and turned to fly; the huge spider darted forward; the boy uttered a chuckle of delight. The man's pale lip curled into a sinister sneer, and he glided back to his seat. There, leaning his face on his hand, he continued to contemplate the child. That child might have furnished to an artist a fitting subject for fair and blooming infancy. His light hair, tinged deeply, it is true, with red, hung in sleek and glittering abundance down his neck and shoulders. His features, seen in profile, were delicately and almost femininely proportioned; health glowed on his cheek, and his form, slight though it was, gave promise of singular activity and vigour. His dress was fantastic, and betrayed the taste of some fondly foolish mother; but the fine linen, trimmed with lace, was rumpled and stained, the velvet jacket unbrushed, the shoes soiled with dust,—slight tokens these of neglect, but serving to show that the foolish fondness which had invented the dress had not of late presided over the toilet.

"Child," said the man, first in French; and observing that the boy heeded him not,—"child," he repeated in English, which he spoke well, though with a foreign accent, "child!"

The boy turned quickly.

"Has the great spider devoured the small one?"

"No, sir," said the boy, colouring; "the small one has had the best of it."

The tone and heightened complexion of the child seemed to give meaning to his words,—at least, so the man thought, for a slight frown passed over his high, thoughtful brow.

"Spiders, then," he said, after a short pause, "are different from men; with us, the small do not get the better of the great. Hum! do you still miss your mother?"

"Oh, yes!" and the boy advanced eagerly to the table.

"Well, you will see her once again."

"When?"

The man looked towards a clock on the mantelpiece,—"Before that clock strikes. Now, go back to your spiders." The child looked irresolute and disinclined to obey; but a stern and terrible expression gathered slowly over the man's face, and the boy, growing pale as he remarked it, crept back to the window.

The father—for such was the relation the owner of the room bore to the child—drew paper and ink towards him, and wrote for some minutes rapidly. Then starting up, he glanced at the clock, took his hat and cloak, which lay on a chair beside, drew up the collar of the mantle till it almost concealed his countenance, and said, "Now, boy, come with me; I have promised to show you an execution: I am going to keep my promise. Come!"

The boy clapped his hands with joy; and you might see then, child as he was, that those fair features were capable of a cruel and ferocious expression. The character of the whole face changed. He caught up his gay cap and plume, and followed his father into the streets.

Silently the two took their way towards the Barriere du Trone. At a distance they saw the crowd growing thick and dense as throng after throng hurried past them, and the dreadful guillotine rose high in the light blue air. As they came into the skirts of the mob, the father, for the first time, took his child's hand. "I must get you a good place for the show," he said, with a quiet smile.

There was something in the grave, staid, courteous, yet haughty bearing of the man that made the crowd give way as he passed. They got near the dismal scene, and obtained entrance into a wagon already crowded with eager spectators.

And now they heard at a distance the harsh and lumbering roll of the tumbril that bore the victims, and the tramp of the horses which guarded the procession of death. The boy's whole attention was absorbed in expectation of the spectacle, and his ear was perhaps less accustomed to French, though born and reared in France, than to the language of his mother's lips,—and she was English; thus he did not hear or heed certain observations of the bystanders, which made his father's pale cheek grow paler.

"What is the batch to-day?" quoth a butcher in the wagon. "Scarce worth the baking,—only two; but one, they say, is an aristocrat,—a ci-devant marquis," answered a carpenter. "Ah, a marquis! Bon! And the other?"

"Only a dancer, but a pretty one, it is true; I could pity her, but she is English." And as he pronounced the last word, with a tone of inexpressible contempt, the butcher spat, as if in nausea.

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