M. Rose - The Reincarnationist

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The Reincarnationist: краткое содержание, описание и аннотация

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A bomb in Rome, a flash of bluish-white light, and photojournalist Josh Ryder's world exploded. From that instant nothing would ever be the same.As Josh recovers, his mind is increasingly invaded with thoughts that have the emotion, the intensity, the intimacy of memories. But they are not his memories. They are ancient– and violent. A battery of medical and psychological tests can't explain Josh's baffling symptoms.And the memories have an urgency he can't ignore– pulling him to save a woman named Sabina– and the treasures she is protecting. But who is Sabina? Desperate for answers, Josh turns to the world-renowned Phoenix Foundation– a research facility that scientifically documents cases of past life experiences.His findings there lead him to an archaeological dig and to Professor Gabriella Chase, who has discovered an ancient tomb– a tomb with a powerful secret that threatens to merge the past with the present. Here, the dead call out to the living, and murders of the past become murders of the present.

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“The sodomite is getting away!”

“Scum of the earth.”

“Scared little pig.”

“Did you defecate yourself yet, little pig?”

They laughed, trying to outdo each other with slurs and accusations. Their chortles echoed in the hollow night, lingered on the hot wind, and then, mixed in with their jeers, another voice broke through.

“Josh?”

No, don’t listen. Keep going. Everything depends on getting to her in time.

A heavy fog was rolling in. He stumbled, then righted himself. He took the corner.

On both sides of him were identical colonnades with dozens of doors and recessed archways. He knew this place! He could hide here in plain sight and they would run by and—

“Josh?”

The voice sounded as if it was coming to him from a great blue-green distance, but he refused to stop for it.

She was waiting for him … to save her … to save their secrets … and treasures… .

“Josh?”

The voice was pulling him up, up through the murky, briny heaviness.

“Josh?”

Reluctantly, he opened his eyes and took in the room, the equipment and his own battered body. Beyond the heart rate, blood oxygen and blood pressure monitor flashing its LED numbers, the IV drip and the EKG machine, he saw a woman’s worried face watching him. But it was the wrong face.

This wasn’t the woman he’d been running to save.

“Josh? Oh, thank God, Josh. We thought …”

He couldn’t be here now. He needed to go back.

The taste of sweat was still on his lips; his lungs still burned. He could hear them coming for him under the steady beat of the machines, but all he could think about was that somewhere she was alone, in the encroaching darkness, and yes, she was afraid, and yes, she was going to suffocate to death if he didn’t reach her. He closed his eyes against the onslaught of anguish. If he didn’t reach her, he would fail her. And something else, too. The treasures? No. Something more important, something just beyond his consciousness, what was it—

“Josh?”

Grief ripped through him like a knife slitting open his chest, exposing his heart to the raw, harsh reality of having lost her. This wasn’t possible. This wasn’t real. He’d been remembering the chase and the escape and the rescue as if they had happened to him. But they hadn’t. Of course they hadn’t.

He wasn’t Julius.

He was Josh Ryder. He was alive in the twenty-first century.

This scene belonged sixteen hundred years in the past.

Then why did he feel as if he’d lost everything that had ever mattered to him?

Chapter 2

Rome, Italy—the present Tuesday, 6:45 a.m.

Sixteen feet underground, the carbine lantern flickered, illuminating the ancient tomb’s south wall. Josh Ryder was astounded by what he saw. The flowers in the fresco were as fresh as if they’d been painted days before. Saffron, crimson, vermilion, orange, indigo, canary, violet and salmon blossoms all gathered in a bouquet, stunning against the Pompeii-red background. Beneath him, the floor shimmered with an elaborate mosaic maze done in silver, azure, green, turquoise and cobalt: a pool of watery tiles. Behind him, Professor Rudolfo continued explaining the importance of this late fourth-century tomb in his heavily accented English. At least seventy-five, he was still spry and energetic, with lively, coal-black eyes that sparkled with excitement as he talked about the excavation.

He’d been surprised to have a visitor at such an early hour, but when he heard Josh’s name, Rudolfo told the guard on duty that yes, it was fine, he was expecting Mr. Ryder later that morning with the other man from the Phoenix Foundation.

Josh had woken before dawn. He rarely slept well since his accident last year, but last night’s insomnia was more likely due to the time change—having just arrived in Rome that day from New York—or the excitement of being back in the city where so many of his memory lurches took place. Too restless to stay in the hotel, he grabbed his camera and went for a walk, not at all sure where he was going, But something happened while he was out.

Despite the darkness and his ignorance of the city’s layout, he proceeded as if the route had been mapped out for him. He knew the path, even if he had no idea of his final destination. Deserted avenues lined with expensive stores gave way to narrow streets and ancient buildings. The shadows became more sinister. But he kept going.

If he’d passed anyone else, he hadn’t noticed them. And even though it had seemed like a thirty-minute walk, it turned out to have taken more than two hours. Two hours spent in a semi-trance. He’d watched the night change from blue-gray to pale gray to a lemony-pink as the sun came up. He’d seen lush green hills develop the way the images in a photograph did in a chemical bath. From nothing to a shadow to a sense of a shape to a real form, but he didn’t know if he’d stopped to take any shots of the scenery. The whole episode was both disconcerting and astonishing when it turned out that, seemingly by chance, he’d stumbled onto the very site he and Malachai Samuels had been invited to view later that morning.

Or not by chance at all.

The professor didn’t ask why he was so early or question how he’d found the dig. “If it were me, I wouldn’t have been able to sleep, either. Come down, come down.”

Content to let the professor assume enthusiasm had brought him there at six-thirty in the morning, Josh breathed deeply and took a first tentative step down the ladder, refusing to allow his mind to dwell on the claustrophobia he’d suffered his whole life and which had intensified since the accident.

Strains of music from Madame Butterfly that had first caught Josh’s attention and then drawn him up this particular hill were louder now, and he concentrated on the heartbreaking aria as he descended into the dimly lit chamber.

The space was larger than he’d anticipated, and he exhaled, relieved. He’d be able to tolerate being there.

The professor shook his hand, introduced himself, then turned down the volume on the dusty black plastic CD player and began the tour.

“The crypt is—I will do this for you in feet, not meters—eight feet wide by seven feet long. Professor Chase—Gabriella—and I believe it was built in the very last years of the fourth century. Until we have the carbon dating back we can’t be positive. But from some of the artifacts here, we think it was 391 A.D., the same year the cult of the Vestal Virgins ended. Such decoration is atypical for this type of burial chamber, so we believe it must have been intended for someone else and then used for the Vestal when her inconstancy was discovered.”

Josh lifted his camera to his eye, but before he took a shot he asked if the professor minded. Nothing short of a bomb had ever stopped him from taking a photo when he was working for the Associate Press. Then six months ago he’d taken a leave of absence to work as a videographer and photographer of children who came to the Phoenix Foundation for help with their past-life regression memories. Since then, he’d gotten used to asking for permission before shooting. In return, he had access to the world’s largest and most private library on the subject of reincarnation as well as the chance to work with the foundation’s principals.

“It’s fine, yes, but would you clear it with either Gabriella or me before you show the pictures or release them to anyone? Everything here is still a secret we are trying to keep until we have additional information about exactly what we have discovered. We don’t want to create false excitement if we’re wrong about our find. Better to be safe, no?”

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