Suzannah Dunn - Tenterhooks

Here in the kitchen are several unpaid bills, dumped in the fruit bowl until they turn red. In this darkness, they are as luminous as the moon. Christie and I share the bills, but he covers our other expenses: everything for the house and the car, meals in restaurants, drinks with friends, the eventual holidays. He paid for this freezer. I can survive, I have managed to keep my business running through the recession when the trade in old clocks, antique clocks, has been slow – a trade which took years to learn, a business which took years to build, and which my parents considered as an odd choice for a woman because, in their opinion, the only clock which should concern a woman is the biological one. But there is no way that I could afford to live alone, or not to live like this. None of my friends lives alone, now. And lately most of them have married. Even my best friend Sarah has a shrine on her mantelpiece: three framed photos, close-ups of bride and groom on backdrops of Rolls-Royce and cake. She took a year to plan the details of her wedding, down to her underwear. To his underwear, too, probably. The low point was the fuss over the colour of the napkins, but she told me that, ‘Napkins have to be a colour, a decision has to be made, someone has to make the decision, and I’m determined that the someone should be me .’ Her three photos are talismans and whenever I go around to see her, to try to talk to her, I see those photos and I am cowed.

My problem seems so simple. Why is there no simple solution? The problem is that whenever I see Christie, nothing happens to me. And, once upon a time, something would have happened. Something has stopped. I have a memory from school, from a chemistry or biology lesson, something biochemical and messy and unlike my beloved physics: a diagram on the blackboard, a row of molecules or cells or something, made of heads on stems; and the heads switched towards water, they strained towards water. The teacher told us that they were hydrophilous: ‘ Hydro , water; philous , loving.’ I know that I am no longer drawn to Christie, I have stopped being moved by him, I am no longer in love with him. What I do not know is if this matters: is love a luxury? Can I stay, loveless like this? Faint-hearted? Or should I leave? But if I leave, I lose him, he loses me, we lose the life that we live so well together. But if I stay, is this a life? Am I living a lie? Am I lying to him?

An old, old story: I have everything, but something is missing. What is missing in me is tenderness: the heads of my cells have stopped turning on their stems, but still, there should be tenderness; a little give in those stems, a wry incline of those heads. A sway to echo the punch-drunkenness of that initial passion. How ironic: the illicit lovers, more like brother and sister. Sometimes when I am alone, I wind my way around this house, from room to room finding furniture, appliances, ornaments for which we planned, or which we tried to deny ourselves, or saved hard to afford; and those that were impulses, or argued over, or mistakes. These memories pinch, surprise me sometimes to tears, but they fail to move me. There seems to be no way forward, and I know that there is no going back.

Now I hear the kisses of Christie’s soles on the tiles behind me. They stop, and the blankets seem to limbo up from the floor where I had laid them, one of them nestling around my shoulders. He turns me around to him, into the warmth of him, and with him, back into darkness, back to bed. Presumably he thinks that I am sleepwalking, as I have done on several occasions now. Jokingly, he has referred to my nocturnal restlessness as failing to sleep off your late, louche lunches . Sometimes I wish that I could sleep off my whole life. As he leads me away from the thawing freezer, I want to tell him, but I am so very tired and no words come.

For Katy Rensten

For hours, the moon has been rolling around the windows of this minibus like a pin-ball. And now we are passing roofs which are slick with moonshine. These roofs are new to our journey: for hours we were on a motorway, in the middle of nowhere, overtaken by vehicles with unblinking yellow eyes and snappy indicators. In the headlamp-splashed darkness, my friends’ faces were dilated to pitch and catch conversation over the noise of the engine, the rolling tide of tyres. For a while, now, though, everyone has been quiet; even Mr Stanford, whose busy eyes, in his high narrow mirror, have become smaller and more level. The only other open eyes are those of the only other boy on this field trip, Lawrence; the view from one of the windows licks through the shiny surface of them. With the appearance of the roofs, I realize that we are nearly there, and my heart sinks. What is it that they say, in planes? We are commencing our descent .

Hours and hours of engine vibration have drummed my thighs into the wooden slats of the bench, but I am further pinned down by Rachel, who is slumped asleep on me. A hairsprayed sprig of her hair lisps into my ear with every bump and turn of the minibus. One of her hands has dropped between her thigh and mine, and lies on both, open. On the tops of her upwardly-curled fingers, the thin crescent moons of her nails are oddly shadowed: she has painted them, because we are away from school, where nail polish is forbidden. Mr Stanford brakes, pauses behind a badly-parked car for a chain of oncoming traffic to pass; Rachel presses harder onto my shoulder, sinks further. There has been a lot of this, the stopping and sinking, like a drunken dance, since we turned from the motorway into these towns of crowded chip shops and dark banks, towns so much smaller than our own. An empty can growls again on the floor. I cannot reach with my feet to stop it. Lawrence’s eyes peel from the window and follow the can, they are wide with worry, but he makes no move, his hands in prayer between his thighs.

Susie’s head looks like a sculpture in butter: no shadows, and her hair, face, eyebrows and eyelashes the same colour. On her wedding-ring finger is the ring that Nathan Harper gave her: a staying-together ring , in her words. Next to her, Trina and Avril are propping up each other’s dozes – very different dozes: Trina’s face is hard, all chin and frown; Avril’s has slipped into a smile. This is all of us: me and Rachel, Susie, Trina, Avril, and Lawrence. And Mr Stanford, of course, unfortunately; in his opinion, he is one of us. There are so few of us because this field trip is for biology and hardly anyone wants to do biology in the sixth form. Suddenly, I see that Mr Stanford’s eyes have been looking for mine.

‘Nearly there,’ he says to me, via the mirror, then laughs. ‘I’m desperate for a pint.’

One-of-the-boys. I shut my eyes, to shut him up.

The only place in the world that I dread more than nearly there is there . Rachel and I tried everything to avoid this trip: marine biology for five days of our half term holiday, five days in February on a peninsula in South Wales.

We began by knocking politely on the door marked Biology Head and then explaining to Mr Bennett that we wanted to go with our English class to Stratford. Which was true if only because King Lear is not quite five days long. Both trips take place during the same half term holiday each year, because there has never before been an overlap between biology and English. Mr Bennett’s view was that the field trip was necessary for our biology, but that Stratford was an optional extra for English. Which is not quite what our English teachers said but – being English teachers – they were too liberal to cause a fuss. So then Rachel and I had to come up with another hitch.

We decided that we could not miss any of The Crucible rehearsals, two of which were scheduled for this week. This was too much for Mr Bennett, who sent us to Mr Dene, the Headmaster. Mr Dene said that all we had to do in our roles was scream. We informed him that there was much more to our roles than simple screams – that we had to scream at the correct moments and with the correct intensity. In our defence we called one of the English teachers, who was directing the play, and she did her best, but Mr Dene – being Mr Dene – refused to listen to her.