Kingsley Amis - The Biographer’s Moustache

Now, by the window that overlooked the gloomy suburban park, he put a sheet of inferior paper into his typewriter and got to work on roughing out his curriculum vie-tee for Jimmie. Experience led him to resist the impulse to get it over in one go and try for a fair copy straight off. Wincing with boredom, then, and x-ing out every other phrase, he set down the facts of his London birth, his sound but beyond all question non-posh schooling, his minimally creditable, non-Oxbridge college course and ‘good’ final grading. None of this, he felt, would impress or even interest any sentient being but it had to be there in its entirety. Couple of years’ drudgery as sub-editor on Barnsley Echo or equivalent before lucky breakthrough to features desk, with special reference to culture, on London daily. Slow and limited ascent to books section on Sunday newspaper. Principal articles. Contributions to publications, to collections. First man to land on Mars 1995, on Titan 1996. The last entry would not survive retyping, but had been necessary to set down in order to ward off terminal coma. Something did that job, anyway, though far from having shown the least sign of private amusement he looked a little guilty at sinking into facetiousness, and hastily x-ed out the offending space fiction with the shift-key down.

Soon he was retyping. A word-processor would have been quicker and the result perhaps more imposing, but Gordon had not got one of his own. Too expensive, he would say, and he had a sort of access to a machine in the office provided he had a good enough story and could persuade the editor’s secretary to let him use it. And this time there was the consideration that Jimmie would probably have learnt to tell apart a processor print-out and something run up on the old steam typewriter and, needless to say, would not have approved of anything in the former category. At the moment it was very likely not needful to say that he would have had no corresponding bias in favour of the latter. Having biases in favour of things, Gordon already suspected, was not something Jimmie was noted for, a trying characteristic in a biographee.

Challenged by somebody like Louise, Gordon would probably have stuck to self-interest, enlightened where possible, as by far his leading motive in writing about Jimmie. But in his mind he would freely admit that he hoped the result would do something more than advance his own career. He had not lied when he said earlier that he had recently reread The Escaped Prisoner , at least on the understanding that by ‘reread’ was meant something like ‘read through to the end with some respect having several years ago looked at the thing and found it intolerably complacent.’ The fuller text captured a youthful observation that the book was silent on critical issues like racial equality and equal rights for women. Well, that was roughly how he saw the matter in retrospect.

His transcription done, Gordon read through the page he had filled, trying to see what was there as a record of events and actions as well as a mere piece of typing with possible errors. Quite soon he stopped reading it and just checked it for literals. As a narrative of the better part of a lifetime it was undeniably thin, lacking in uplift. He now saw without difficulty that his original instinct had been right, and his personal history would not have been improved by including in it mention of the novel of his that had been rejected by fourteen publishers, even less of its successor that remained in rough draft if anywhere outside the mind of God. After some attempted clairvoyance, he pencilled a few words across the top of the sheet and got it ready for the post.

Having done so he felt committed to something, small as it might have been, and about time too.

The day came when Gordon was to take Jimmie Fane out to lunch. The morning of it he filled in at the offices of the Sunday newspaper he worked for. These had once been majestically sited in the area of Fleet Street, but rising costs had compelled a series of moves into humbler quarters, ending for the moment in a dockland semi-wilderness. The building was reachable, or nearly, by a water-bus service that was slow and uncomfortable but at least different from that of the ordinary land bus with its route through miles of houses in silent-screen disrepair apparently occupied by remnants of a dwarfish aboriginal race. Both alternatives had the quality of always seeming a little worse to experience than to remember. This time it was the water-bus that Gordon swore he would never use again. The weather was wet and he had to plod across a kind of mudflat between disembarking and reaching shelter.

‘Nice of you to condescend to drop in on us,’ said the books editor. Originally he had not much wanted to be books editor, but the then editorial editor, the Editor in fact, had not wanted him to be anything else. ‘We appreciate immeasurably being spared some of your attention.’ This man was now nearing sixty and called Desmond O’Leary, though he gave no other sign whatever of having to do with Ireland or any of its inhabitants, past and present. ‘Everybody here understands that you have weightier calls on your time.’ Whatever his origins, O’Leary looked like a kind of bird or lizard above the neck, having no hair at all to be seen on his head, though he was very ready with the assurance that he was like an ape everywhere else. ‘All that we lesser mortals would beg from you in the foreseeable future is a thousand words on this latest piece of New England farmhouse guff, a round-up of female black American guff with some latitude as to space and, let’s see, no, yes, whither the docudrama as seen on TV and film and what, if anything, is literary truth.’ O’Leary laid bare and lit a smallish cigar of rectangular cross-section.’ Actually all I need from you more or less straight away is your next column piece and a word with Harry about our coverage of the Codex Prize. It looks like Latin America’s turn this time round, much to my personal mortification. How did your lunch with JRP Fane go?’

‘It’s today.’

‘Look, Gordon, when it comes to picking up the bill, mind you don’t –’

‘It’s come to that already and I’m picking it up. He virtually made it a condition of coming out at all.’

‘Oh did he? Clearly his hand has lost none of its cunning. Aristocratic sort of old sod, isn’t he? I saw him at some party once and there was nobody there half grand enough for him.’

‘He was quite willing to talk to me.’

‘Ask yourself why. But what’s the attraction as far as you’re concerned? Not your cup of tea as a bloke or as a writer, I’d have thought. And he’s what, he’s passé, over and done with, gone for good, thing of the past, beyond revival even by you.’ O’Leary stared over his half-glasses at Gordon, ‘I happen to think you’d do the job about as well as anybody if it could be done, but it can’t, as you’ll see. Not worth the sweat.’

Gordon shrank from saying that O’Leary himself was something of a relic, specifically in the view he took of Fane’s irrevocable departure as a literary figure. What he did say, no less truthfully, was, ‘He may not be my kind of writer and he’s obviously not my kind of man. That’s an important part of what you called his attraction for me as a subject. I want to see how far I can –’

‘Oh God, it’s the challenge, is it, the fascination of what’s difficult and all that. Some old tit, even older and tittier than JRP Fane, anyway you remember he said when you’ve done something you can do, do something you can’t. Wrong again. Do something you can do and then do something else you can do and never mind if it’s the same thing. No virtue in trying what you find uncongenial because you find it uncongenial. You know that very well, or you would if you weren’t still stuck in that bloody Scottish Presbyterianism you flatter yourself you’ve left far behind you. My own upbringing was – but it’s a little early in the day to be bringing up bygones, I suppose. I shouldn’t really have started on any of this. Sorry.’