Doris Lessing - The Four-Gated City

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The fifth and final book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.‘The Four-Gated City’ finds Martha Quest in 1950s London and very much part of the social history of the time: the Cold War, the anti-nuclear Aldermaston Marches, Swinging London, the deepening of poverty and social anarchy. Daring to go a step further – as Lessing so often has in her career – the novel ends with the century in the throes of World War Three.In the four previous novels of the ‘Children of Violence’ series, Lessing explored the end of an epoch. Here she trains her gaze on the present – and the future. The disquieting power of her vision revealed across this series finds its culmination in this brave and visionary work.

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She walked on: in a few minutes she would be at Jack’s house. That is, she would be if she did not take a great loop through surrounding streets; she did not want to get to Jack’s place yet no matter what price she would have to pay for being, as she was now, at a height in herself. When she got to Jack’s, well, that would be a very different place in herself again; and once in it – but suddenly she understood that there was only one person she knew in London, who could allow her to go on living as she was now, rootless, untied, free. That was Jack. No pressures there. And she understood just why he lived as he did. She had ‘understood’ it before; but she understood it differently now that she was in that area of the human mind that Jack also inhabited. Yes. But in that case, why did she shy so strongly away from Jack, from what he stood for – or at least, with a good part of herself? That part whose name was Self-preservation. She knew that. He was paying too high a price for what he got. She knew that. What was the price? The jiggling wave-length was telling her: Jack fell down and broke his crown, Jack fell down and broke …

Yes. He could not go on as he was now, he’d fall. And so would she if she did not move out of this high stretch of herself. Ah, but not yet, please not yet: she could spend time with him, in his area, just a short time, before moving on to responsibility? Responsibility that is, to the normal, the usual – she had debts to pay, that was it. One could not move on before all debts were paid, the accounts made up. Terror struck, thinking of the debts she did have to pay: Caroline invaded her mind, the two men she had married so absurdly, her mother. Debts. They had to be paid. A great descent down, down, was before her. Then a wave would lift her up again (when?), to where she was now, on a height, and from where she could glimpse other perspectives. The tune said: Mother, must I go on dancing? Infuriating, ridiculous, banal, this had recently entered her listening mind as soon as she reached the boundary in it. Always. Mother, must I go on dancing? Yes, she knew only too well she had to go on dancing. She knew it, both now, when she was inside the empty space, away from ordinary living; and inside ordinary living, when the space seemed a very far country. She knew what she had to do – ring up Marjorie’s sister Phoebe. She could not stay with Jack, – even for as short a time as he would be able to live as he did – before he fell down and broke his crown. The words: Be Careful, were printed in black jagged letters across the empty space. She looked at them, as they faded in a fall of stars, like fireworks dropping through a dark night sky. Perhaps she should warn Jack? That thought, the housewife’s thought, told her she was sinking, she was coming down. After all, she could not maintain it for long, could not stay where the air was cool and where it was ridiculous to think ‘I must warn Jack’. Who am I to warn Jack? Responsibilities and commitments, she was sinking towards them, fast … She had to go on dancing … But Not Yet. With an effort, she shook, tightened, forced herself up, up through the quiet space and into the wave-length where, now it was not resisted but accepted, it crashed around her inner ears in a din of appalling sound, music, voices, screaming, the sounds of war – and, through it … even as she understood that she had reached, through acceptance, through not being afraid of or irritated by the silliness and jumble of this area, a state of quiet and distance as far removed from the state of quiet known up till now as that state was from the humdrum of ordinary life, she was already sinking away from it. Sinking, she said, remember, remember, don’t let it go, remember it’s there, please, please, don’t forget, you forget all the time, hold on to that even when … but once with Jack it would be hard to remember. She was sinking fast down, down: ahead there was a telephone box, a sentinel at the end of the street near a pub, now darkened. Yes, but remember the space you discovered today. It was gone, gone quite, not even a memory, and she sank down out of reach of the place where words, bits of music juggled and jangled and informed. And even the calm peace below (beside?), was going, it was a memory, a memory that was going. The thing was, memory was not possible. One could not remember. The knowledge of a certain condition belonged to one, when one was inside it. That was memory. No use to say: remember the lit space and its marvellous brother, the turn of the spiral above it when one had gone through the band of noise. Because, having left them behind, having sunk away, one was in a place with its own memories, its own knowledge. You could, perhaps, during the long day of work, responsibility, people, noise, have a flash of reminder: These places exist, but that was because the day had lifted you towards them, like a wave, for just a brief moment. You could think: I can reach it again when you were near it, not otherwise. Because for some reason the walls of the place you were in now had become thinned, and light came in from the other. That was why people did not remember. They could not. You remembered X with X, Y with Y. It was as simple as that: I must please please remember … she had reached the telephone box. A tall box under a tree which had black railings around it. She was going past. Why had she wanted to telephone now, this moment? It already seemed ridiculous that she had wanted to, decided to. But an urgency shook her: if you don’t ring Marjorie now, commit yourself, you’ll stay with Jack. Why on earth shouldn’t I stay with Jack? Had he ever indicated, even for a moment, that she should stay with him? Never. Ring Marjorie’s sister. Oh, don’t be so pompous and absurd. Tomorrow will do. Ring her now. When you see Jack, you won’t remember at all why you have to ring Marjorie’s sister. Mother, must I go on dancing? Yes, my darling daughter …

Martha had walked past the telephone box: she had walked past it fast, to get it behind her. It was as if hands took hold of her and turned her around. In the telephone box she rang Phoebe, whose voice came out of a world of tedious and ridiculous duties and responsibilities: it was nearly midnight and Phoebe was working on a report. Yes, Martha would meet her tomorrow. Tomorrow lunchtime? Mother, must I go on dancing? Tomorrow evening, Phoebe? Can’t you make lunch? said Phoebe, cross, saying with her voice that Martha had nothing to do with her time and should be prepared to fit herself in busy and responsible Phoebe’s life. Yes, I’ll meet you for lunch. Very well then, lunch at one, Martha. Phoebe rang off: she had another two hours of paper-work to get through before she could go to bed. Mother, must I go on dancing?

Martha went on, to Jack’s place.

Chapter Two

The street ran low and dark between dark terraces that were set back behind hedges. There was no light in the houses and the street light outside Jack’s house made a pool of yellowish haze about its hooded shaft. Between it and the next blur of yellowish haze a hundred yards down, was dark. The street was up, and a small red eye showed the edge of a crater. Behind the terrace was a canal, unused by commerce, where children swam. From its dirty waters that received old chairs, refuse, unwanted litters of kittens, mattresses, rose into the air of this area a foul clinging smell that no wind ever seemed strong enough to lift away. Behind the small hedge, near the front door, was a heap of brick and rubble from inside the house. A cat sat on the rubble, its eyes gleaming green at Martha, who put out a hand. But the cat slunk away. Looking up at the second floor, a chink of light showed at the window, so perhaps behind other walls of this black street, people were awake to tend a baby, or to make love, or to read.

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