Doris Lessing - The Four-Gated City

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The fifth and final book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.‘The Four-Gated City’ finds Martha Quest in 1950s London and very much part of the social history of the time: the Cold War, the anti-nuclear Aldermaston Marches, Swinging London, the deepening of poverty and social anarchy. Daring to go a step further – as Lessing so often has in her career – the novel ends with the century in the throes of World War Three.In the four previous novels of the ‘Children of Violence’ series, Lessing explored the end of an epoch. Here she trains her gaze on the present – and the future. The disquieting power of her vision revealed across this series finds its culmination in this brave and visionary work.

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Martha told Lynda she did not care much for her new friends, which Lynda accepted, in her way of tolerating the unenlightened. Thereafter she would telephone Martha to say: ‘Have you time for a visit to the condemned cell?’ – or some such joke.

Martha was much alone, in the doldrums, her life becalmed. She was doing her job, that was all. The house was running, the children’s lives organized, Mark’s affairs attended to. But what was she really doing? What ought she to be doing? She did not know. She sat in her room and watched the structure of the sycamore tree disappear in spring green. Spring moved futilely in her veins. She watched. She was a person who watched other people in a turmoil of living. Could that be true? When Mark, or Lynda, or even Mrs Mellendip looked at her, did they see a woman who watched and waited – passive?

For what? For the bad time to be over? It was like waiting for the end of the war. Worse: war was easier, it had a form, one knew what one was supposed to be feeling, even if one didn’t conform to it. The last war, after all, had been easy: one’s head and one’s heart had moved together. By and large and for better or for worse, she, and everyone she knew, had been able to identify with their country, with their side: and now, with all the slogans and the speeches and the propaganda in perspective, all the accounts done, they could still say, ‘Yes, we were right, fascism was worse than anything.’

But now? If a new war started now, spreading out from Korea; if, to use the political shorthand of the time ‘America dropped the bomb on Russia before Russia could develop the bomb’ – then what would she feel? No use to sit here thinking, it won ’t happen, because it might very well, and it was now that she should decide what to do. To decide that, meant deciding or deciphering what she felt. This country would be allied with America, that could be assumed. She could not support America; she could not support communism. She would have to support one or the other. No matter what form the war took this time, and it wouldn’t be remotely like the last, but probably all slow spreading poisons and panic and hysteria and terror at the unknown, she would have to be a traitor, not only from the point of view of society – her country, and the point of view of her ‘side’ – socialism, but from her own. Because there would be no middle place. Well then, she would be a patriot and a coward, rather than a traitor and a coward … she was immensely tired. A lethargy like an invisible poison filled her. Sitting through the darkening evenings, she looked out into the street, at the lively tree, and she began to think of death, of suicide. If the war started, that is what she would do, kill herself.

Thoughts of death slowly filled the room. When she came into it, it was to enter a region where death waited. While spring slowly crammed London with flowers and greenery, she allowed herself to be taken over … and then, one afternoon when she had been down to see Lynda, she thought how strange it was … a few weeks ago it was in the basement that people, or rather, Lynda, talked of death, of suicide, of killing. Now, with no outside circumstance changed, the basement was alive again, and futures were possible and talked about – even if they were no more than a dress or that Dr Lamb’s horoscope promised he would be in a good mood for next week’s monthly visit. Death had moved up to Martha’s room on the second floor.

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