Lynne Banks - The Key to the Indian

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The fifth title in this gripping series about Omri and his plastic North American Indian – Little Bull – who comes alive when Omri puts him in a cupboardOmri and his father travel back in time to find Little Bull and his people in deep trouble, torn between staying in the West and facing extinction or starting a long trek to a new life in Canada. Omri’s final parting with Little Bull is incredibly moving yet the book is also very funny.We meet other favourite characters as well as some new ones and there are wonderful descriptive passages about Little Bull’s longhouse and the Iroquois lifestyle. Even though this seems like the end of the story, Lynne does have ideas for a sequel.

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To Chaim with love Contents Cover Dedication 1 Anyone for Camping 2 The Wrong - фото 1

To Chaim, with love Contents Cover Dedication 1 Anyone for Camping? 2 The Wrong Shape 3 A Surprising Ghost 4 “River… Coward… Never.” 5 Mission Accepted 6 Little Bull’s Need 7 A Bitter Disappointment 8 A Different Tribe 9 In the Bungalow 10 The Girl Who Was Gillon 11 The Snake Charmer 12 An Iroquois Doll 13 The Key-Turner 14 Patrick’s U-Turn 15 Howl of a Wolf 16 Perfidious Albion 17 The Old Woman 18 Dreams 19 Drums and Fire 20 Murder 21 Clan Mother’s Courage 22 A Sacred Object 23 Patrick’s Bit of Fun 24 Visitors Epilogue Also by the Author Copyright About the Publisher

Title Page

Dedication

1 Anyone for Camping?

2 The Wrong Shape

3 A Surprising Ghost

4 “River… Coward… Never.”

5 Mission Accepted

6 Little Bull’s Need

7 A Bitter Disappointment

8 A Different Tribe

9 In the Bungalow

10 The Girl Who Was Gillon

11 The Snake Charmer

12 An Iroquois Doll

13 The Key-Turner

14 Patrick’s U-Turn

15 Howl of a Wolf

16 Perfidious Albion

17 The Old Woman

18 Dreams

19 Drums and Fire

20 Murder

21 Clan Mother’s Courage

22 A Sacred Object

23 Patrick’s Bit of Fun

24 Visitors

Epilogue

Also by the Author

Copyright

About the Publisher

1Anyone for Camping?

“Okay, you chaps, I’ve got an announcement to make.”

The three boys stopped eating and looked up. Adiel and Gillon exchanged puzzled glances. It was the “you chaps” that did it, together with their father’s hail-fellow-well-met manner. He simply was not the “you-chaps” type. But stranger was to come.

“What would you say to our all going camping?”

Adiel dropped his jaw. Gillon dropped something noisier, his knife and fork onto his plate. A piece of toad-in-the-hole was dislodged and fell to the floor in a small shower of rich brown gravy.

“Oh, Gillon, don’t show off! What a mess!” said their mother, irritated. “Kitsa! Leave it!” – as the cat, lurking hopefully under the table, pounced. Gillon wrested it from her and plonked it triumphantly back on his plate.

“You’re not planning to EAT it now?” His mother snatched it up and left the room with it, returning at once with a wet cloth. “What are you talking about, Lionel, camping?”

“Camping is what I’m talking about. What do you say, boys?”

Adiel said, quite gently, “Are you feeling all right, Dad?”

“Never better.”

Camping? I mean, are you kidding? Camping? You mean, on our own, without you.”

“No, no, of course not. With me.”

There was a silence. Omri glanced at his mother. She had mopped up the splashes of gravy and was crouching by the table beside Gillon, staring glassily at her husband. The two older boys were staring, too.

Only Omri was not reacting with astonishment. He sat with narrowed eyes, only pausing for a moment before hacking into another batter-encrusted sausage. Camping indeed! That’d be the day when his dad even dreamt of such a hearty outdoor pursuit, especially after the one and only time they’d ever tried it, which had ended in total disaster on the same day it began.

Omri grinned secretly at the memory of the four of them trailing home, not from some wild moorland or forest but from the local common, after they had failed to put up the tent and the skies had opened, drenching everything including the food; this had been left exposed after Gillon nicked a premature sandwich out of the cool-chest and left the lid off. The sunroof on the car had also been left open. Their dad, humiliated by his defeat-by-tent, couldn’t say much except, “That’s it, boys. Home.” Their mother had been very nice, she hadn’t even laughed, at least not much. It was only later Omri had stopped to wonder why there had been a casserole and five baked potatoes in the oven when she had been told they wouldn’t be back for two days.

Now there his dad was, at the head of the table, beaming at them, the very picture of a hearty, extrovert father. He was even tilting his chair back and rubbing his hands. Gillon snorted.

The front legs of their dad’s chair hit the floor. “What, may I ask, is so funny?”

“You, Dad. Camping. You’re not serious, you can’t be.”

“Don’t you want to go, then?”

Gillon considered it. Then he said, “Would it be like last time?”

“Of course not,” said their father haughtily. “That was just play-camping. You’re older now and we’ll do it properly – we can, now we live in the country.”

Adiel said, “But when could we do it?”

How could you do it?” said their mother. “You’d need a tent big enough for four, a stove, sleeping bags and God knows what.”

“We’ve got sleeping bags from school trips,” said Adiel.

“We could buy lots of new stuff!” said Gillon.

“Anyway, where would you go?”

“From here? There are wonderful camping places in almost every direction! We wouldn’t have to fall back on some suburban common.”

Omri looked out of the window. It was true. All around them stretched the glorious Dorset countryside. Hills, woods, fields, rivers – and the sea, only a few miles away. It might be fun. The only thing was, there was something behind this. Omri knew, somehow, that this wasn’t really about camping. That their father had a hidden agenda.

It had to be to do with the Indian.

Only two days ago, his dad had found out.

When the family had first moved into this old Dorset farmhouse, Omri had made some makeshift shelves in his bedroom out of raw planks standing on loose bricks. In the hollows of two of these bricks, Omri had hidden his most precious possessions – the plastic figures of his friends: Little Bull, his wife Twin Stars, their baby Tall Bear and, separately, Matron and Sergeant Fickits. They were toys now, but they hadn’t always been toys. Through the fantastic magic of an old bathroom cupboard, and a key that had belonged to his great-great-aunt, and then to his mother, they had come to life. They’d turned into real people, people from the past, whom the magic of the cupboard and the key had brought into Omri’s life at various times in the last few years.

How carefully Omri had guarded his secret, and how hard it had been to keep from telling anyone! With the two people who already knew – his best friend Patrick, and Patrick’s cousin Emma – living miles away, there was no one to share it with. He dared not tell his brothers, though there’d been times when it had almost just burst out of him.

Then he’d found the Account, which had changed everything.

The Account was a sort of journal, contained in an old leather-bound notebook left hidden in the roof-thatch by his great-great-aunt Jessica Charlotte. Omri’s mother called her her ‘wicked’ great-aunt, and she had admitted to at least one pretty bad act when she’d stolen her sister’s earrings and been the cause of a tragedy. She had been a singer and actress with psychic gifts, and she’d owned this farmhouse; the Account had been written on her deathbed.

From this wonderful document, Omri had learnt how the key and the cupboard had been made, and how the magic had got into them. Luckily, Patrick had come to spend a half-term with him, in time to share the latest marvel – Jessica Charlotte herself, brought back from the past to sing them a music-hall song and make herself, however briefly, part of their lives.

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