Cynthia Sweeney - The Nest - America’s hottest new bestseller

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THE NEW YORK TIMES BESTSELLER‘I couldn't stop reading or caring about the juicy and dysfunctional Plumb family’ AMY POEHLER‘A masterfully constructed, darkly comic, and immensely captivating tale…Cynthia D'Aprix Sweeney is a real talent’ ELIZABETH GILBERTA sharp and funny debut about a wonderfully dysfunctional New York family and the three grown-up siblings fighting to save the family money pot – the ‘nest’ – as their oldest brother threatens to lose it all.When Leo Plumb drives off drunk from a party in a sports car with a nineteen-year-old waitress in tow, to the moral and legal fallout must be added the horrible inconvenience to his brother and sisters. Leo’s rehab costs have severely depleted ‘the nest’ – the family’s joint trust fund that would have cut them loose from their myriad financial issues.For Melody, a suburban wife and mother, it was to cover both an unwieldy mortgage and her daughters’ college tuition. Antiques dealer Jack has secretly borrowed against the beach cottage he shares with his husband. And Beatrice, a once-promising short story writer, can’t seem to finish her overdue novel.Brought together as never before, the Plumb siblings must grapple with old resentments, present-day truths, and the significant emotional and financial toll of the accident, as well as finally acknowledging the choices they have made in their own lives.Ferociously astute, warm and funny, The Nest is a brilliant debut chronicling the hilarity and savagery of family life.

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Copyright

The Borough Press

An imprint of HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published by HarperCollins Publishers 2016

Copyright © Cynthia D’Aprix Sweeney 2016

Cover layout design © HarperCollins Publishers Ltd 2017

Design by Sara Wood and Allison Saltzman. Cover image © Shutterstock.com(book)

Cynthia D’Aprix Sweeney asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books

Ebook Edition © May 2016 ISBN: 9780008165086

Source ISBN: 9780008133726

Version 2017-05-09

Dedication

For my family: my parents, Roger and Theresa;

my sister, Laura; and my brothers, Richard and Tony—

who all love nothing more than a good story, well told.

There was always this dichotomy: what to keep up, what to change.

—WILLIAM TREVOR, “THE PIANO TUNER’S WIVES”

That’s how I knew this story would break my heart

When you wrote it

That’s how I knew this story would break my heart

—AIMEE MANN, THE FORGOTTEN ARM

Table of Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Prologue

Part One: Snowtober

Chapter One

Chapter Two

Chapter Three

Chapter Four

Chapter Five

Chapter Six

Chapter Seven

Part Two: The Kiss

Chapter Eight

Chapter Nine

Chapter Ten

Chapter Eleven

Chapter Twelve

Chapter Thirteen

Chapter Fourteen

Chapter Fifteen

Chapter Sixteen

Chapter Seventeen

Chapter Eighteen

Chapter Nineteen

Chapter Twenty

Chapter Twenty–One

Chapter Twenty–Two

Chapter Twenty–Three

Chapter Twenty–Four

Chapter Twenty–Five

Chapter Twenty–Six

Chapter Twenty–Seven

Chapter Twenty–Eight

Chapter Twenty–Nine

Chapter Thirty

Chapter Thirty–One

Chapter Thirty–Two

Chapter Thirty–Three

Chapter Thirty–Four

Chapter Thirty–Five

Part Three: Finding Leo

Chapter Thirty–Six

Chapter Thirty–Seven

Chapter Thirty–Eight

Chapter Thirty–Nine

Chapter Forty

Chapter Forty–One

Chapter Forty–Two

Chapter Forty–Three

Chapter Forty–Four

Chapter Forty–Five

Epilogue

Acknowledgments

About the Author

About the Publisher

PROLOGUE

As the rest of the guests wandered the deck of the beach club under an early-evening midsummer sky, taking pinched, appraising sips of their cocktails to gauge if the bartenders were using the top-shelf stuff and balancing tiny crab cakes on paper napkins while saying appropriate things about how they’d really lucked out with the weather because the humidity would be back tomorrow, or murmuring inappropriate things about the bride’s snug satin dress, wondering if the spilling cleavage was due to bad tailoring or poor taste (a look as their own daughters might say) or an unexpected weight gain, winking and making tired jokes about exchanging toasters for diapers, Leo Plumb left his cousin’s wedding with one of the waitresses.

Leo had been avoiding his wife, Victoria, who was barely speaking to him and his sister Beatrice who wouldn’t stop speaking to him—rambling on and on about getting together for Thanksgiving. Thanksgiving. In July. Leo hadn’t spent a holiday with his family in twenty years, since the mid-‘90s if he was remembering correctly; he wasn’t in the mood to start now.

Cranked and on the hunt for the rumored empty outdoor bar, Leo first spotted Matilda Rodriguez carrying a tray of champagne glasses. She moved through the crowd with a lambent glow—partly because the setting sun was bathing the eastern end of Long Island an indecent pink, partly because of the truly excellent cocaine wreaking havoc with Leo’s synapses. The bubbles rising and falling on Matilda’s tray felt like an ecstatic summons, an invitation meant just for him. Her sturdy black hair was pulled away from the wide planes of her face into a serviceable knot; she was all inky eyes and full red lips. Leo watched the elegant weave of her hips as she threaded her way through the wedding guests, the now-empty tray held high above her head like a torch. He grabbed a martini from a passing waiter and followed her through the swinging stainless-steel doors into the kitchen.

IT WOULD SEEM TO MATILDA (nineteen, aspiring singer, diffident waitress) that one minute she’d been passing champagne to seventy-five members of the extended Plumb family and their closest friends and the next she was barreling toward the Long Island Sound in Leo’s brand-new leased Porsche, her hand down the front of his too-tight linen trousers, the fat of her thumb inexpertly working the underside of his penis.

Matilda had resisted when Leo first pulled her into a side pantry, his fingers cuffing her wrists while he pelted her with questions: Who are you? Where did you come from? What else do you do? Are you a model? An actress? Do you know you’re beautiful?

Matilda knew what Leo wanted; she was propositioned at these events all the time, but usually by much younger men—or ludicrously older men, ancient —with their arsenal of lame pickup lines and vaguely bigoted attempts at flattery. (She was constantly being called J. Lo in spite of looking nothing like her; her parents were Mexican, not Puerto Rican.) Even in this moneyed crowd, Leo was unreasonably handsome, a word she was quite certain she’d never employed for someone whose attention she was almost enjoying. She might think hot, she might think cute or maybe even gorgeous, but handsome ? The boys she knew hadn’t grown into handsome yet. Matilda found herself staring up at Leo’s face trying to determine which variables added up to handsome. Like her, he had dark eyes, dark hair, a strong brow. But where his features were angular and sharp, hers were round and soft. On television he would play someone distinguished—a surgeon maybe, and she would be the terminally ill patient begging for a cure.

Through the pantry door she could hear the band—orchestra, really, there had to be at least sixteen pieces—playing the usual wedding fare. Leo grabbed her hands and pulled her into a little two-step. He sang close to her ear, above the beat, his voice pleasantly lively and rich. “ Someday, when I’m awfully low, when the world is cold, I will dah-dah-dum just thinking of you, and the way you look tonight.

Matilda shook her head and laughed a little, pulled away. His attention was unnerving, but it also made something deep within her thrum. And fending off Leo in the pantry was marginally more interesting than wrapping asparagus with prosciutto in the kitchen, which was what she was supposed to be doing. When she shyly told him she wanted to be a singer, he immediately offered that he had friends at Columbia Records, friends who were always keen to discover new talent. He moved in again and if she was alarmed when he stumbled a little and seemed to need to keep a palm on the wall to maintain balance, her worry evaporated when he asked if she had a demo, something of hers they could listen to in his car.

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