Salley Vickers - The Other Side of You

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The brilliant new novel from the bestselling author of ‘Mr Golightly's Holiday’ and ‘Miss Garnet’s Angel’.'There is no cure for being alive.' Thus speaks Dr David McBride, a psychiatrist for whom death exerts an unusual draw. As a young child he witnessed the death of his six-year-old brother and it is this traumatic event which has shaped his own personality and choice of profession. One day a failed suicide, Elizabeth Cruikshank, is admitted to his hospital. She is unusually reticent and it is not until he recalls a painting by Caravaggio that she finally yields up her story.We learn of Elizabeth Cruikshank's dereliction of trust, and the man she has lost, through David's narration. As her story unfolds David finds his own life being touched by her account and a haunting sense that the 'other side' of his elusive patient has a strange resonance for him, too.Set partly in Rome, ‘The Other Side of You’ explores the theme of redemption through love and art, which has become a hallmark of Salley Vickers's acclaimed work. As with her other highly popular novels this is a many-layered and subtly audacious story, which traces the boundaries of life and death and the difficult possibilities of repentance.

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I didn’t blame her. After that, I was never going to be right for her again. I was the living witness to a calamity, the deeper reaches of which she could not afford to acknowledge if she was to continue to hold her self, and our family, together. Very likely she blamed me for the catastrophe. Why wouldn’t she? I blamed myself for it.

My mother, for my father’s sake, for them to go on together, and for the family to survive, had to set her shoulders and turn her back on the disaster. She faced a choice, and she made it by abandoning me and jumping the ravine which had opened with Jonny’s death to the other side. It was a leap to the side of life and the proof of this came in the form of my twin sisters, apples of my father’s eye and each other’s best companion.

For a long time I was expecting my lost brother to come round that mountain, with all the confidence with which he had stepped off the kerb of the pavement and into the lorry’s fatal path. He was my closest companion, my hero, my single most important attachment to life. And when he didn’t come, and I heard only the echo of his voice in my ear, as I swung alone on the low pine branch, pretending, for my mother’s sake, that I was enjoying myself, a part of me wanted to go after him, for company.

2

AT THE TIME I AM SPEAKING OF I WORKED IN TWO PSYCHIATRIC hospitals in the south of England: a big red-brick, mock-Gothic pile in Haywards Heath, and a cosier, less oppressive place near Brighton on the south coast. In addition, I had a small private practice, where occasionally I saw some paying patients.

From her appearance Mrs Cruikshank might have been one of those. She had the voice and mannerisms of someone born middle class. But I came to learn that this was part of a wellcrafted veneer—like a piece of good furniture, she had a discreet sheen which was far from ordinary. In fact, she was the child of two immigrants, her father an Italian communist, who had come to England before the war, her mother, a refugee from the prerevolutionary Yugoslavia, the illegitimate daughter of one of those two-a-penny Eastern European counts, or so she claimed. When I got to know her better, my patient told me she thought this may have been a compensating fantasy for the fact that her mother worked for a time as a dinner lady in the local primary school, the one her own daughter attended. Possibly the idea had conferred on the child a tincture of the aristocratic. Fantasies, if they are convinced enough, are also an element in the reality which shapes us and there was a tilt to my patient’s narrow nose which might have given an impression of looking down it.

She was the only child of a marriage that, given the natural antagonism of the backgrounds, was bound to be somewhat rocky. The parents were ill-matched in character, as well as history. It was a pattern I recognised. The mother was pushy and ambitious, the father, though something of an intellectual, more passive, content to read about revolution in Marx and Lenin but to let his own life take its course without putting up much fight. They bickered constantly, and as a result my patient left home early, in order to escape an atmosphere which grew increasingly abrasive as her mother’s insatiable discontent was left unassuaged.

My patient was of the type of whom a first impression suggests that either they are phenomenally bright or slightly deficient. When I established that it was the former—though the very bright are almost by definition always also somewhere deficient—I recognised it as the kind of intelligence which is unconscious of its own reach. In my experience this is more often a feature of mental illness than is commonly acknowledged. Living in the world is hard enough, but if you see through it, yet lack the resources to deal with that keener vision, it can be a whole lot harder. I concluded that the school my patient had attended could not have provided the nourishment necessary to feed her potential. There had been none of those inspirational teachers who rescue many hidden intelligences. I thought it likely that the habit of concealment she had perfected at home had acted as a more general camouflage.

The effects of an unhappy beginning are various: shame, rage, anxiety, inhibition, insecurity, self-doubt, a propensity for self-harm; but there is one common factor: a fundamental mistrust, an insidious feeling that the world is not a place where you are welcome or can be at home. It can take a long time to get over that feeling—if it ever can be got over.

My first meeting with Mrs Cruikshank followed her admission to St Christopher’s, the smaller of the two hospitals I worked in. She was a suicide case, a serious one, and it was clear from the start she was not one of your manipulative females trying to make a boyfriend or husband feel guilty with a fistful of painkillers and a bottle of wine. She was saved by one of those chances that make you believe in a beneficent providence. I don’t know why there shouldn’t be one: there’s plenty of evidence of the baleful kind.

The man in the flat downstairs, whom she believed away on holiday, returned unexpectedly over some family crisis and needing his spare key rang my patient. Getting no reply, and assuming his upstairs neighbour was away, and his key being a matter of urgency, he let himself into her flat with a spare key with which he in turn had been entrusted. Having retrieved his own, hanging, as he knew it would be, by the front door, some instinct made him question the state of his neighbour’s flat. He was ex-army, and thus trained in that vigilance which is alert to small disjunctions. Perhaps it was the unusually closed state of all the doors in the hallway, the absolute absence of lights, or notes, or those small signs of incompletion which we leave behind us to remind the world—or ourselves—that we have not wholly gone away. There is a peculiar silence which attends all finalities and maybe this is what Major Wilks noted without quite being aware of what he was sensing. In any event, he defied what I took to be an essentially conservative character and investigated the closed rooms, where he found my patient beneath the heaped blankets, grey-skinned and somnolent and at death’s door.

Indeed, it seems she had all but crossed the threshold and had to be dragged back by medical main force. ‘We nearly lost her,’ Cath Maguire said, in the tone which indicated a suicide was the real McCoy and not a ‘time-waster’ (these were subject to Maguire’s basilisk look, probably more of a deterrent to future episodes of self-harm than any stomach pump). Maguire made sure, if she could, that the suicides got to me. For the reasons I’ve outlined I had a certain success in that department.

My wife, Olivia, would say that I was poor at first impressions. At dinner parties, when people discovered that I was both a psychiatrist and a trained analyst—the two are not synonymous: a psychiatrist is medically qualified and attempts to cure principally with drugs, while an analyst’s training, in Britain at least, is non-medical and the work is done entirely through words—they would often say something along the lines of ‘I’d better watch what I say or you’ll know all about me!’ Irritating, and, as Olivia would be swift to point out, quite off the mark. My disposition prefers to see the best in people until faced with the worst. This is not especially commendable in me: I’m aware that a seeming good nature often stems from fear.

Olivia, however, was adept at picking up the more negative elements of character. ‘A gold-digger,’ she would say contemptuously, when I ventured that some woman we met at a party seemed ‘awfully nice’. Or if I were to suggest that someone was ‘frightfully clever’: ‘Oh, darling, he’s just a stuffed shirt,’ she’d sigh, ‘I had the dullest conversation with him.’ Driving home, as we often were during these exchanges, I would sometimes catch myself flushing in the dark. I’ve often thought it would be no bad plan to drive at night with the light on—people will so often speak their minds in the dark.

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