Isabel Wolff - The Very Picture of You

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Because a picture paints a thousand words.Ella has always been an artist, jotting down pictures from a young age, and now in her thirties she has made it her profession. Commissioned to capture memories, fading beauty and family moments, her sitters often reveal more about themselves than merely their outward appearance.When Ella's younger sister Chloe asks her to paint a portrait of her new fiancé Nate, Ella is reluctant. He is a brash American who Ella thinks has proposed far too fast, so the thought of spending many hours alone with him fills her with dread. But before long Ella realises there is more to Nate than meets the eye.Beautifully inter-weaving the stories of Ella's sitters – from the old lady with a wartime secret, to the handsome politician who has a confession to make – with Ella's own hunt for her real father and slow realization that she is falling in love with the wrong man, Isabel Wolff delivers a mesmerizing story that delivers a powerful emotional punch.A truly unforgettable portrait of the many aspects of love.

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‘How?’

There was a momentary hesitation. ‘I’m a journalist,’ he answered, as though that were sufficient explanation.

‘Please cut that bit out,’ I’d implored him again.

‘I can’t,’ he’d insisted. ‘And you were perfectly happy to be interviewed, weren’t you?’

‘Yes,’ I agreed weakly. ‘But if I’d known what you were going to write I’d have refused. You said that the article would be about my painting, but a good third of it was very personal and I’m uncomfortable about that.’

‘Well, I’m sorry you’re unhappy,’ he’d said unctuously. ‘But as publicity is undoubtedly helpful to artists, I suggest you learn to take the rough with the smooth.’ With that, he’d hung up…

It would be on the Internet for ever, I now thought dismally – for anyone to see. Anyone at all… The thought of it made me feel sick. I’d simply have to find a way to deal with it, I reflected as we passed the World’s End pub.

My father is Roy Graham.

My father is Roy Graham and he’s a wonderful father.

I’ve got a father, thank you. His name is Roy Graham…

To distract myself I thought about work. I was starting a new portrait in the morning. Then on Thursday Mike Johns, MP, was coming for his fourth sitting – there’d been quite a gap since the last one as he said he’d been too busy; and yesterday I’d had that enquiry about painting a Mrs Carr – her daughter, Sophia, had contacted me through my website. Then there’d be the new commission from tonight – not that it was going to make me any money, I reflected regretfully as we passed Heal’s. I stood up and pressed the bell.

I got off the bus, crossed the road and followed a knot of smartly dressed people up the steps of the town hall. I walked down the black-and-white tiled corridor, showed my invitation, then pushed on the doors of the main hall, next to which was a large sign: Save The Children – Gala Auction.

The ornate blue-and-ochre room was already full, the stertorous chatter almost drowning out the string trio that was valiantly playing away on one side of the stage. Aproned waiters circulated with trays of canapés and drinks. The air was almost viscous with scent.

I picked up a programme and skim-read the introduction. Five million children at risk in Malawi… hunger in Kenya… continuing crisis in Zimbabwe… in desperate need of help… Then came the list of lots – twenty of which were in the Silent Auction, while the ten ‘star’ lots were to be auctioned live. These included a week in a Venetian palazzo, a luxury break at the Ritz, tickets for the first night of Swan Lake at Covent Garden with Carlos Acosta, a shopping trip to Harvey Nichols with Gok Wan, a dinner party for eight cooked by Gordon Ramsay and an evening dress designed by Maria Grachvogel. There was an electric guitar signed by Paul McCartney and a Chelsea FC shirt signed by the current squad. The final lot was A portrait commission by Gabriella Graham, kindly donated by the artist. As I looked at the crowd I wondered who I’d end up painting.

Suddenly I spotted Roy, waving. He walked towards me. ‘Ella-Bella!’ He placed a paternal kiss on my cheek.

Damn Clare, I thought. Here was my father.

‘Hello, Roy.’ I nodded at his daffodil-dotted bow tie. ‘Nice neckwear. Haven’t seen that one before, have I?’

‘It’s new – thought I’d christen it tonight in honour of the spring. Now, you need some fizz…’ He glanced around for a waiter.

‘I’d love some. It’s been a long day.’

Roy got me a glass of champagne and handed it to me with an appraising glance. ‘So, how’s our Number One Girl?’

I smiled at the familiar, affectionate appellation. ‘I’m fine, thanks. Sorry I’m late.’

‘Your mum was getting slightly twitchy, but then this is a big event. Ah, here she comes…’

My mother was gliding through the crowd towards us, her slender frame swathed in amethyst chiffon, her ash-blonde hair swept into a perfect French pleat.

She held out her arms to me. ‘El-la.’ Her tone suggested a reproach rather than a greeting. ‘I’d almost given up on you, darling.’ As she kissed me I inhaled the familiar scent of her Fracas. ‘Now, I need you to be on hand to talk to people about the portrait commission. We’ve put the easel over there, look, in the presentation area, and I’ve made you a label so that people will know who you are.’ She opened her mauve satin clutch, took out a laminated name badge and had already pinned it to my lapel before I could protest about the mark it might leave on the velvet. ‘I’m hoping the portrait will fetch a high price. We’re aiming to raise seventy-five thousand pounds tonight.’

‘Well, fingers crossed.’ I adjusted the badge. ‘But you’ve got some great items.’

‘And all donated,’ she said wonderingly. ‘We haven’t had to buy anything. Everyone’s been so generous.’

‘Only because you’re so persuasive,’ said Roy. ‘I often think you could persuade the rain not to fall, Sue, I really do.’

Mum gave him an indulgent smile. ‘I’m just focused and well organised. I know how I want things to be.’

‘You’re formidable,’ Roy said amiably, ‘in both the English and the French meaning of that word.’ He raised his glass. ‘Here’s to you, Sue – and to a successful event.’

I sipped my champagne then nodded at the empty podium. ‘So who’s wielding the gavel?’

Mum adjusted her pashmina. ‘Tim Spiers. He’s ex-Christie’s and brilliant at cajoling people into parting with their cash – having said which, I’ve instructed the waiters to keep topping up the glasses.’

Roy laughed. ‘That’s right – get the punters pissed.’

‘No – just in a good mood,’ Mum corrected him. ‘Then they’re much more, well, biddable,’ she concluded wryly. ‘But if things are a bit slow…’ she lowered her voice ‘…then I’d like us to do a little strategic bidding.’

My heart sank. ‘I’d rather not.’

Mum gave me one of her ‘disappointed’ looks. ‘It’s just to get things going – you wouldn’t have to buy anything, Ella.’

‘But… if no one outbids me, I might. These are expensive lots, Mum, and I’ve a huge mortgage – it’s too risky.’

‘You’re donating a portrait,’ said Roy. ‘That’s more than enough.’ Too right, I thought crossly. ‘I’ll do some bidding, Sue,’ he added. ‘Up to a limit, though.’

Mum laid her palm on his cheek – a typical gesture. ‘Thank you. I’m sure Chloë will bid too.’

I glanced around the crowd. ‘Where is Chloë?’

‘She’s on her way,’ Roy replied. ‘With Nate.’

A groan escaped me.

Mum shook her head. ‘I don’t know why you have to be like that, Ella. Nate’s delightful.’

‘Really?’ I sipped my champagne again. ‘Can’t say I’d noticed.’

‘You hardly know him,’ she retorted quietly.

‘That’s true. I’ve only met him once.’ But that one time had been more than enough. It had been at a drinks party that Chloë had given last November…

‘Any special reason for having it?’ I’d asked her over the phone after I’d opened the elegant invitation.

‘It’s because I haven’t had a party for so long – I’ve neglected my friends. It’s also because I’m feeling a lot more cheerful at the moment, because…’ She drew in her breath. ‘Ella… I’ve met someone.’

Relief flooded through me. ‘That’s great. So… what’s he like?’

‘He’s thirty-six,’ she’d replied. ‘Tall with very short black hair, and lovely green eyes.’

To my surprise I had to suppress a pang of envy. ‘He sounds gorgeous.’

‘He is – and he’s not married.’

‘Well… that’s good.’

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