Alison Kervin - The WAG’s Diary

Right. Breathe. Relax . Take a chill pill, as my mother’s always saying. I take a deep breath and look across the kitchen at the utter devastation I’ve caused. It looks like a war zone—as if the paratroopers have just left. Thank god I’ve got plenty of staff to help me clear up.

‘All right, Mum?’ comes a voice from the doorway.

‘I’m fine, darling,’ I start to say. Then I see melted cheese running out from underneath the door of the microwave. Oh god. Oh no. Why do bad things always happen to me?

Midnight

We had a takeaway for supper in the end. I hate take-aways. I always think that someone will see the pizza man arriving, which would be awful (although after my experiences in M&S today, I think I’ll have to redefine ‘awful’), so I get him to pull up outside the house next door, then I give Magda the money and get her to go out and collect them. ‘Do NOT let anyone see you,’ I instruct.

Comparatively, pizza boxes are just mildly embarrassing. I hate the smell in the house (mind you, one of the happy consequences of the saucepan and the red-hot cooker incident earlier today was that it left a strong smell in the house that has disguised odour d’American Hot, odour de garlic bread and all the nasty side-order odours). I also hate the food itself, because I know that pizza is about 300 calories a mouthful, so I can’t have any of it. Not one slice. Not so much as a sliver of pepperoni has passed my lips tonight.

Now I’m lying in bed feeling deflated and useless. I’m starving, of course, but nothing new there. I also feel like a complete failure. I’ve not been as utterly useless at anything since I took up ballet classes, aged twelve, to please Mum. I hated being in the limelight back then because I disliked the way I looked so much. I was terribly overweight—like a little Buddha with a big round tummy, chubby thighs and a fat face. Everyone took the mickey out of me, especially Mum. I had little round glasses and brown hair that bushed out at the ends. It just never hung properly like other girls’ hair did. It had this awful frizz that lasted until I was around sixteen. I think the main reason I became a hairdresser was because I spent my youth experimenting with different ways to control my unruly hair. These were the days before hair straighteners and hair extensions! Can you imagine? What was the point in living?

The fact that I was so desperately shy and insecure meant that I hated dancing with anyone except my mother. It was lovely to be twirled round the kitchen by her. She smelled of Ma Griffe and was all soft and perfect-looking. Standing in a line at a bar with a dozen other girls, all much skinnier than me, and being made to bend, stretch, bend, stretch for an hour—that was no fun. But, still, I went to the classes to please Mum.

Then there were the performances. My abiding memory was of sitting on the number 11 bus on the way there, whacking my legs with my fist, hoping to break them into pieces so I wouldn’t have to perform. I didn’t manage to injure myself, of course, so I went on stage every time, looking out for Mum. But Mum didn’t even turn up. She never came to watch me in anything.

When Mum went away to LA to live, I started to lose weight. It sounds odd, and no one understood it at the time, but Jean, my psycho woman, says that I was eating to cushion myself from all the abuse my mother was giving me. By the time Mum came back to live in England I was about to get married to Dean and felt settled and happy, so her comments didn’t get to me in quite the same way. In fact, the only time she’s managed to upset me since was in relation to the wedding.

I really wanted a pink coach pulled by Palomino horses with pink manes. I wanted Dean’s nan, Nell, to give me away because she’d welcomed me into Dean’s family like I’d never been welcomed anywhere before. I wanted all my old friends to be there. I wanted a big fairytale, I wanted the whole thing to be perfect.

Mum, however, was really keen for it all to be lowkey. I remember that when I phoned her in Los Angeles to tell her about the wedding and that we were thinking of letting the magazines have pictures and making it a big occasion, she went nuts and got the first plane over here. She never went back. She was so keen to be involved in the wedding—and it was good, just more like Mum’s wedding than mine. It was odd because it was really glitzy and we had loads of fab people there, but Mum made a real fuss about it not being in the paper under any circumstances and even stopped Arsenal from putting out a press release.

‘Let’s just keep this low-key,’ she kept muttering, while flying in designers from Paris to measure her for her dress (which was way more spectacular than mine). Mum’s been like that since she got back here—really keen for me never to be high-profile and always keep myself to myself. I suppose that’s just the way she is. She’s had a hard life, so I can’t be too tough on her. My dad was a real monster—just the most evil person ever. He was horrible and he badly hurt Mum and would have nothing to do with us after I was born. I really, really hate him for the way he treated her. Thank god I found a diamond like Dean. Poor Mum.

IT HAS ARRIVED…

Saturday, 11 August—the season starts

10.30 a.m.

‘Just try to relax,’ says Mallory, examining the gleaming, silver-coloured butterflies glittering magnificently on my vibrant-pink acrylic fingernails and my matching pink toenails. She’s been painting, filing and pushing back wayward cuticles for two hours. Now we’re at the end of our morning of beautification. ‘Just sit still for fifteen minutes while the paint dries. That’s all you’ve got to do.’

I find myself nodding like a small child while Mallory packs away her things into what looks like a toolbox.

‘Can’t you find something prettier than that?’ I ask, indicating the large metal container with a stretch of my new nail.

Mallory catches sight of the butterfly wings as they flit past. She draws a giant breath and clutches her hands to her chest.

‘Be careful, Tracie,’ she says. ‘You don’t want to smudge them.’

‘But that box. It’s not very ladylike, is it? It looks like the sort of thing that you keep nails, screws and chisels in.’

Mallory smiles to herself and continues to pack everything away, managing to stop herself commenting that, increasingly, nails and screws are exactly what are needed to keep Wags like me together. ‘I’ll look for something prettier,’ she says. ‘Same time next week?’

‘Yes. I’ll need some waxing this week, too, but I’ll call you about that—my diary’s hectic. Now, would you be a darling and see yourself out?’ I offer her a heavily made-up cheek for a kiss. ‘I would come with you, but I don’t want to smudge these beautiful nails.’

‘Sure.’ Mallory smiles indulgently and heads for the door, stepping over the fluffy rug in the hallway that she says always reminds her of a dead lamb. ‘Every time I step on it I expect it to start bleating imploringly,’ she told me once, adding that when she wears her long cream coat she fears the rug might run after her, thinking she’s its mother.

I know Mallory thinks the rug’s a death trap on the shiny floor. Magda polishes the wood daily because I do like a tidy house, but I accept that it makes walking a bit tricky. I have lost count of the number of times that Mallory has put a foot on it only for it to fly away from underneath her, tipping her up and backwards and landing her on her back in a most unladylike fashion, with her legs in the air and the tools of her trade scattered liberally around the vast marble-pillared entrance hall.

I listen from the conservatory with my feet up on a cushion, cotton wool threaded through my toes and varnish still wet on my nails. No thud? Well done, Mallory! I feel like applauding. The silly girl has finally worked out that you have to step round the mat and not go galumphing over the top of it!