Rana Dasgupta - Tokyo Cancelled

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A major international debut novel from a storyteller who couples a timelessly beguiling style to an energetically modern worldscape.Thirteen passengers are stranded at an airport. Tokyo, their destination, is covered in snow and all flights are cancelled. To pass the night they form a huddle by the silent baggage carousels and tell each other stories.Robert De Niro’s child, conceived in a Laundromat, masters the transubstantiation of matter and turns it against his enemies; a Ukrainian merchant is led by a wingless bird back to a lost lover; a man who edits other people’s memories has to confront his own past; a Chinese youth with amazing luck cuts men’s hair and cleans their ears; an entrepreneur risks losing everything in his obsession with a doll; a mute Turkish girl is left all alone in the house of German cartographer.Told by people on a journey, these are stories about lives in transit. Stories from the great cities – New York, Istanbul, Delhi, Lagos, Paris, Buenos Aires – that grow in to a novel about the hopes and dreams and disappointments that connect people everywhere.Dasgupta’s writing is utterly distinctive and fresh, so striking that it seems to come from the future and the past all at once, but in marrying a timeless mystery to an alert modernity, his cautionary tales manage to be reminiscent of both Ballard and Borges, depicting ordinary extraordinary individuals (some lost, some confused, some happy) in a world that remains ineffable, inexplicable, wonderful.

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The tailor told him what he had found. Suleiman, looked at him with some uncertainty.

‘How do I know that there ever was a robe?’

The tailor had no answer.

The three of them sat in a tense silence that was flecked only with the occasional sound of cup on saucer. Finally the tailor got up to leave. Suleiman took him aside.

‘My good fellow. You do seem honest enough, but given the circumstances, I don’t know if I can really help you. Here’s some money for your board and food. I hope your lot improves.’

Once a year in that land there was a festival whose name roughly translates as the ‘Day of Renewal’. This was an ancient custom, a day of merrymaking and of peace between all citizens. Gifts were given to children, prisoners were set free, and there were public feasts. All the royal residences were opened up to the general public, who could enjoy food and music in the gardens. Everyone was happy on that day: there was handshaking in the streets between strangers, flags fluttered gaily from every rooftop, and the sky became thick with kites. Of late, foreign corporations wishing to show their commitment to the nation had become particularly extravagant in their support for this festival. Pepsi gave out free drink in all public places, Ford selected ‘a worthy poor family’ to receive the gift of its latest model, and Citibank surprised its ATM customers with cash prizes given out at random throughout the day. And, in the afternoon, the king would hear the cases of those who were in need of redress.

The tailor came to the palace early, but there was already a row of aggrieved citizens waiting. As each one arrived, a kindly attendant noted down the details of the case. Then a bailiff called them, one by one. At length, it was the tailor’s turn.

At the far end of the vast marble room, the king sat on a throne surmounted by a canopy of silk and jewels. Down either side sat rows of learned men. To the right of the king was Prince Ibrahim. His blue pinstriped suit contrasted elegantly with his sandstone face, on which a shapely beard was etched like the shadow of butterfly wings.

‘Approach, tailor,’ said the king patiently. ‘Tell us your matter.’

Pairs of bespectacled eyes followed the tailor as he walked across the echoing expanse towards the throne in the new shoes he had bought for the occasion. He stood for a moment trying to collect himself. And then, once again, he told his story.

As the king listened, he became grave.

King Saïd believed that the simple goodness and wisdom of village people was the best guarantee of the future prosperity and moral standing of the country. The possibility that his own son might have taken it upon himself to tread down this small-town tailor was therefore distressing. The prince’s lack of constancy was a continual source of disquiet for the king, and the tailor’s narrative unfortunately possessed some degree of verisimilitude. On the other hand, he received many claims of injustice every day and most turned out, on inspection, to be false.

As the tailor finished, he spoke thus:

‘This is a case of some difficulty, tailor. There is much here that it is impossible for me to verify. What say you, my son?’

‘As you know, my Lord and Father, I have the greatest sympathy with the needy of our land. But his story is preposterous.’

‘Is it possible that you could have failed to recall the events of which the tailor speaks?’

‘Of course not.’

King Saïd pondered.

‘Tailor, our decision in this case will hinge on your moral character. It will not be possible today for us to verify the details of what happened so long ago, the fate of the clothes you say were made, or your financial situation. I am therefore going to ask you to demonstrate your moral worth by telling us a story. According to our traditions.’

Utter silence descended on the room, and all watched the tailor, expectantly.

‘Your Highness, I have now been in this capital city for some time. And I recently met another tailor who told me the following tale.

‘There once came to his shop a wealthy man who was about to be married. This man ordered a luxurious set of wedding clothes. The tailor was honoured and overjoyed and went out to celebrate with his family.

‘It so happened that the bridegroom had a lover, a married woman from the city. Each visit she made to him he vowed would be the last. But he never seemed to be able to broach the subject of their rupture before their clothes and their words had dissolved between them and they were left only with their lovemaking.

‘Ignorant of this, the tailor began to order the finest fabrics for the wedding clothes. But as he set to work on the new garments, the cloth simply melted away as he cut it. Again and again he chalked out designs–but each time the same thing happened, until all of the valuable cloth had disappeared.

‘When the bridegroom came to collect the clothes he was furious to discover they were not ready, and demanded an explanation.

‘“I think the explanation lies with you,” replied the tailor. “Since your wedding clothes refused to be made, I can only suppose you are not ready to wear them. Tell me this: what colour are the eyes of your bride-to-be?”

‘The bridegroom thought hard, but the image of his lover stood resolutely between him and the eyes of his betrothed, and he was unable to answer.

‘“Next time you come to me for clothes,” said the tailor, “make sure you are prepared to wear them.”

‘With that, the young man left the tailor, called off his marriage, and left the city.’

The tale hung in the air for a while, and dispersed.

‘What do you say, scholars, to the tailor’s story?’ asked the king.

‘Sire, it is a fine story, constructed according to our traditions, and possessing all the thirteen levels of meaning prized in the greatest of our writings.’

‘My son, what do you think?’

‘There is no doubt,’ replied the prince, ‘that this fellow is accomplished in the realm of fantasy.’

The king looked pained.

‘I myself feel that the tailor has proved himself to be a man of the greatest integrity and probity. Such a man will never seek to advance himself through untruth. Tailor, I can see there has been a series of culpable misunderstandings as a result of which you have suffered greatly. Tell me what you would like from us.’

‘Sire, I am sunk so low that all I can ask for is money.’

‘Consider it done. We shall settle all your debts. Please go with this man, my accountant Salim. He will tell you what papers you need to provide and will give you all the necessary forms to fill in. We are heartily sorry for the difficulties you have had to encounter. Go back to your village and resume your life.’ Mustafa the tailor was anxious to leave the city, whose streets had by now become poisoned with his memories. But he did not wish to return to his village. It seemed too small to contain the thoughts he now had in his head.

He took up residence in a distant seaside town where he made a living sewing clothes and uniforms for sailors. In the afternoons, when his work was done, he would sit by the shore looking into the distance, and tell stories to the masts of boats that passed each other on the horizon.

Faces were in shadow. The ceiling lights were far above their heads, and not all of them still worked. You could not really tell what people were thinking. Perhaps the game was slightly outlandish, perhaps it was not for everyone. Some would surely fall asleep–or pretend to do so. There would be a loner who would stroll off, unnoticed, to the gloomy recesses of the arrivals hall only to discover there a listless and yet thoroughly absorbing interest in the health warnings posted on the wall, the rows of leaflets outlining visa requirements, tobacco and alcohol allowances, and the lists of objects prohibited in hand luggage. Surely!–for in everyone’s head there were still so many Issues of purely private concern that twitched distractingly, that flickered behind the glass of vacant stares.

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