Rana Dasgupta - Tokyo Cancelled

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Tokyo Cancelled: краткое содержание, описание и аннотация

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A major international debut novel from a storyteller who couples a timelessly beguiling style to an energetically modern worldscape.Thirteen passengers are stranded at an airport. Tokyo, their destination, is covered in snow and all flights are cancelled. To pass the night they form a huddle by the silent baggage carousels and tell each other stories.Robert De Niro’s child, conceived in a Laundromat, masters the transubstantiation of matter and turns it against his enemies; a Ukrainian merchant is led by a wingless bird back to a lost lover; a man who edits other people’s memories has to confront his own past; a Chinese youth with amazing luck cuts men’s hair and cleans their ears; an entrepreneur risks losing everything in his obsession with a doll; a mute Turkish girl is left all alone in the house of German cartographer.Told by people on a journey, these are stories about lives in transit. Stories from the great cities – New York, Istanbul, Delhi, Lagos, Paris, Buenos Aires – that grow in to a novel about the hopes and dreams and disappointments that connect people everywhere.Dasgupta’s writing is utterly distinctive and fresh, so striking that it seems to come from the future and the past all at once, but in marrying a timeless mystery to an alert modernity, his cautionary tales manage to be reminiscent of both Ballard and Borges, depicting ordinary extraordinary individuals (some lost, some confused, some happy) in a world that remains ineffable, inexplicable, wonderful.

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‘Sir–my wife and I would be so happy! We have no children and have always wanted a son!’

‘I will deliver the boy to you this very evening. And every year on this day I will visit you with money. You cannot contact me, nor should you make any attempt to discover the origins of the boy. I hope you will be loving parents to him.’

He and the wet nurse took the baby to the bookseller’s home that evening and delivered him into his new mother’s arms. She wept with joy.

‘We will call him Imran,’ she said reverentially. ‘He will be a man like a god.’

Rajiv and Mira named their daughter Sapna, and from the first day of her life everyone who saw her was enchanted by her. She was so beautiful that jaded politicians and wrinkled businessmen rediscovered the meaning of the word ‘breathtaking’ when they looked into her cot. As Rajiv forgot his rage of her birthday, and Mira allowed her resentment of her husband’s peremptory behaviour to subside, both of them lapsed into a deep love affair with their daughter.

Everyone agreed there was something marvellous about her sleep. People would stop at Rajiv’s house just to see the baby sleeping, for the air she exuded with her slow breathing smelled better than anything they had ever smelt. It made one feel young and vital, it made you feel–though none of them would ever say it aloud–like reproducing!

Eternally ignorant himself of the pleasure of sleep, Rajiv’s body and mind were calmed and rejuvenated by the voluptuous sleep of his daughter.

She was only four or five years old when she sat at the family piano and picked out, with unaccustomed fingers but rapidly increasing harmonic complexity, a Hindi film song she had heard on the radio that morning. Rajiv immediately installed an English piano teacher who quickly found herself involved in conversations of the greatest philosophical complexity with her young pupil, who was interested in understanding why the emotions responded so readily to certain melodic or harmonic combinations.

One morning, when Rajiv entered Sapna’s bedroom to kiss her goodbye, he noticed something he had not seen before. The wooden headboard of her bed seemed to have sprouted a green shoot that in one night had grown leaves and a little white flower. He summoned his wife.

‘It’s beautiful,’ she said, mystified.

‘That may be so–but what is it doing there? If it grows so much in one night, one morning we will come and find it has strangled our daughter. Get someone to cut it off today and seal the spot with varnish. This bed has been here for–what?–ten years? I can’t understand how this has happened after all this time.’

That day a carpenter was brought who carefully cut off the new stem, sanded down the surface and varnished it until no sign of the growth remained. But the next morning there were two such shoots, each larger than the first and with flowers that filled the room with delightful, dizzying scent.

Rajiv was furious.

‘Change this bed immediately. Get her one with a steel frame. This is–this is–ridiculous!’

A steel bed was installed in the place of the wooden one, and for a time things returned to normal. But it was not so long before another morning visit was met by a room full of white seeds that drifted lazily on the air currents from floor to ceiling, spores emitted by the geometric rows of spiralling grasses that had sprung overnight from the antique Persian rug on the floor of Sapna’s room. Genuinely frightened this time, Rajiv called for tests and diagnoses on both grass and Sapna herself. Nothing could be determined, and Sapna had no explanation. They moved her into another bedroom, where a wicker laundry basket burst overnight into a clump of bamboo-like spears that grew through the ceiling and erupted into the room above. Wherever Sapna slept, things burst into life: sheets, clothes, newspapers, antique wardrobes–all rediscovered their ability to grow.

Each encounter with this nocturnal hypertrophy enraged Rajiv. He would stare at the upstart plant matter that invaded his daughter’s room with the purest hatred he had ever felt. It began to take him over. He could not work for his visions of galloping, coiling roots and shoots. It sickened him. He ordered all organic matter to be removed from Sapna’s bedroom. This controlled things, and for many months their lives were unaffected by this strange phenomenon. But he had been filled with a terror of vegetation, and wherever he went he kept imagining loathsome green shoots sprouting out of car seats and boardroom tables.

One morning, as he arrived at her door, he could hear her sobbing quietly inside. Terrified of what he might find, he opened the door slowly. The room was empty and calm, and Sapna lay twisted up in bed.

‘I’m bleeding, papa. Between my legs.’

Rajiv’s stomach corkscrewed inside him and he ran out of the room. Sweating inside his suit he landed heavily on Mira’s bed.

‘It’s Sapna. She needs you.’

That night, though Sapna’s room had received the customary clearing of all organic traces, and though no one heard anything, not even the sleepless Rajiv, a huge neem tree sprang from the dining room, grew up through the ceiling into the room where Sapna slept, branched out through all four walls, filled the floor above her, and broke through the roof of the house. Vines and creepers snaked up the tree during the night, locking it in a sensuous, miscegenetic embrace and disgorging provocative red flowers bursting with seed. By the time everyone awoke in the morning a crowd had already gathered outside the house to look at this extraordinary sight, and photographers were taking pictures for the city papers.

The Malhotra household stared at the tree in the way that people stare at something that cannot be part of the world they inhabit. They kept touching it, touching the places where it had burst through the walls. Rajiv became grim.

‘Get this cut down today. Get the walls mended. And then we have to find more of a solution to this.’

The tree was not the only miracle of growth to happen that night, though the other one was only discovered afterwards. Amid the furore of fertility, Mira had fallen pregnant.

Rajiv received a telephone call that day from the Defence Minister.

‘Rajiv–would you mind terribly coming in to see me this afternoon? There’s something I’d like to discuss with you.’

When Rajiv arrived, a number of senior government officials had gathered to receive him.

‘Rajiv, you know how much we admire and value the contribution you make to the nation. That’s why we’re calling you in like this–informally–so we can avoid any kind of public scandal. It’s come to our notice that there have been certain–goings-on–in your household that are both untoward and unusual. Far be it from us to step into the sanctum of your private affairs, of course–but given what has happened this morning, they may not remain private for very long. We need some kind of explanation from you as to what is happening. And we need to work out a solution with you. So that there is no danger to the public. You understand how it is. Yesterday a bud, today a neem tree–tomorrow perhaps we will wake up and see only a forest where our capital city now stands.’

Rajiv was taken aback.

‘Yes. Of course. I hadn’t really thought about it in those terms.’

‘Now tell us–because we are here to hear your views–what exactly is happening?’

‘ To be very honest, I don’t have a clue. It seems you probably know as much as I do.’

‘And what are you going to do about it?’

‘Well, I thought I could prevent it by simply taking certain precautions in the household. But as of this morning I’m not so sure.’

‘Rajiv, permit us to throw a few ideas in your direction. We have been putting our heads together on this issue for the last few minutes. One of my honourable friends here thought that your daughter–Sapna, is it?–could be of great service to the nation. Suggested we might use her to recultivate some of the desert regions. An elegant suggestion, but perhaps a little fanciful. From what I can gather, the peculiarities of your daughter’s sleep do not obey any obvious scientific principles, and it might be very dangerous to unleash her on the land. No, we gravitated more towards a solution that would involve some sort of–how shall I put it?–confinement. So she can do no harm to anyone–including, we are most anxious to stress, herself.

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