Barbara Taylor Bradford - Power of a Woman

Everything was sparkling and fresh throughout. The white paintwork was pristine; the windows shone; the wood floors gleamed, and there was not a speck of dust anywhere. No shabby corners, worn fabrics, or frayed rugs here. His mother was something of a perfectionist, and she maintained the house at the highest level. Every piece of furniture, each object and painting, was well cared for and in its proper place.

Although it was beautifully decorated, Romany Hall was not overdone and there was no unnecessary clutter or ostentation. The air was fragrant with potpourri, perfumed candles, and the unusual chocolate smell of the Sharry Baby orchids, their curvaceous stems laden with exotic dark blooms.

Miles did not linger very long in the living room, but continued on to the solarium, a room he generally gravitated to at least once every day when he was staying with his mother.

He had always been taken with its simple yet effective beauty—white walls, warm terra-cotta—tiled floor, and the eye-catching Pierre Frey fabrics patterned in reds, yellows, and blues that his mother had used on the sofas and chairs. The solarium had a French feeling to it, with its high-flung cathedral ceiling and beams, stone fireplace and the French Provençal furniture his mother had picked up at sales in the Loire Valley and the Maritime Alps.

The many windows and French doors made the solarium seem part of the outside, and the clarity of light was particularly noticeable here. Although it was a sunless day, and somewhat bleak, the cloudless sky was a soft bluish white, almost etiolated, and it was incandescent.

A good light for painting, he thought, and made up his mind to bring his easel and paintbox down there tomorrow. He was suddenly in the mood to do a few watercolors.

Orchids abounded throughout the house, but there was a greater profusion of them in the solarium. His mother had always been addicted to orchids; and, even as a child, he too had been fascinated by them, by the intricacy of the flowers, the fantastical shapes of the petals, and the truly exotic colors.

He had grown up with orchids; there had always been a plethora of them in their farmhouse on the Yorkshire moors. Once a week he had helped his mother to water them, then put them in large metal bowls to drain.

“Sissy, sissy, sissy!” From a long way off, in the far reaches of his memory, he heard Nigel’s voice echoing down through the years. His elder brother had always teased him about watering the orchids with their mother. He hadn’t really cared; he had been independent even then. But his mother had cared when Nigel’s taunting had become a tiresome pattern, and his older sibling had been suitably punished.

Their mother had made Nigel clean all the lavatories at Aysgarth End, six in all, and he had had the last laugh, although he hadn’t dared to crack a smile. If he had, there would have been retribution of some kind. Nigel had been born a tough little bugger.

And nothing’s changed, he thought coldly.

Opening the door, Miles stepped out onto the covered porch, walked over to the balustrade, and stood looking out toward the distant hills. Kent was such a beautiful part of the world, his kind of country with its rolling wooded hills and crystal lakes. It reminded him of Yorkshire and of his childhood, a good part of which was spent there.

These days it was mostly Nigel who used Aysgarth End as a weekend home when he could get away from London, and for all the national holidays when they didn’t go to France to see Tamara’s parents. Certainly it was a marvelous spot to raise a family. When he went back to England he would go up there for a few days. He had long been planning to do an oil painting of Nigel’s two children, and he wanted to paint them against a moorland background.

Now the view of the distant Litchfield hills reinforced this idea, was quite inspirational in a way. His fingers suddenly itched to hold a brush; he would start tomorrow, do a few sketches of Natalie and Arnaud from memory. It would be the beginning of the portrait. The prospect pleased him.

Miles shifted his stance slightly and glanced down into the garden below. It looked dank and foggy, and the mere sight of the sunken rose garden stripped of all its summer radiance and color made him conscious of the cold weather. He turned away and went inside.

Drifting back to the great hall, he sat for a few moments in front of the fire, staring into the flames, thinking unexpectedly about Allison Grainger.

He had been startled, not to mention miffed, when Chloe had brought her name up in front of the others. He was loath to give his family anything to speculate about, even his mother, whom he adored. Nonetheless, like all mothers, she wanted to see him settled for life.

He liked Allison, liked her a lot in fact. She was a really great human being and a lovely young woman, and they had had a lot of fun together these past few months. But he did not want to spend the rest of his life with her—for a very simple reason. He was not in love with her.

In any event, he had learned his lesson today, and learned it well. Young Chloe wasn’t to be trusted. It was patently obvious that she was a little blabbermouth, and this disturbed him. She was always poking her nose into his business, and he was going to have to put a stop to that. He loved her, and he didn’t want to hurt her feelings, but she didn’t know how to edit herself. Wasn’t it his fault though? He had let her into his life since he had been in New York. Oh, what the hell, he thought, no harm done, and I’d better keep my own mouth shut from now on. At least around baby sister.

Later, upstairs in his bedroom, Miles glanced around with satisfaction, noting the blazing fire, the bowl of fresh fruit, the bottled water, and the collection of magazines and newest books on a long library table behind the sofa.

His mother had always paid great attention to detail, and provided great comfort in her homes, thinking of everything. The perfect reading lamp stood close to the overstuffed armchair next to the fireside; a cashmere blanket was thrown over the back of the sofa; a plump duvet skimmed across the top of the big double bed; and naturally, orchids bloomed on tables in various corners.

She cossets, he suddenly thought, that’s exactly the right word. She did the same when we were children. She’s always done it, pampered us, and everyone else. “Smothers us, more like,” he heard Nigel’s voice say. He frowned, thinking of his brother once again. Nigel had developed a very acerbic tongue of late and could be quite vituperative. “It’s as if he’s bitter,” Miles muttered under his breath, walking over to the fireplace, standing with his back to the blazing logs. He had no clue what was wrong with Nigel; Gideon deemed him the man with everything, and this was true. He had a beautiful, intelligent wife, two marvelous kids, a successful career with a guaranteed future. And one day he would be the big cheese at Jardine and Company, the Crown Jewellers of London. But seemingly this wasn’t enough. What a fool his brother was.

Miles sighed, dragged his thoughts away from Nigel, and walked into the bathroom. After washing his hands, he ran a comb through his hair and then peered at himself. He saw a reflection of his parents gazing back at him. He had his mother’s dark, wavy hair, the same finely etched face, but he had inherited his father’s long, straight nose and vivid blue eyes. And, of course, he was a replica of his identical twin.

Gideon. He had been very much on his mind of late. He couldn’t understand what was ailing him. His brother was morose, moody, and depressed. Last week, when he was in London, he had attempted to talk to Gideon; but all he had got for his trouble was a flea in his ear. And several warning glances from his brother had finally made him back off completely. But there was something wrong with Gideon. As Derek, who was always quoting Shakespeare, would say: Something is rotten in the state of Denmark.