It struck Stevie that it might be a good idea to talk to Bruce about Nigel. She and Chloe were going to spend Christmas in London, and that would be the ideal time to unburden herself. Unburden myself, she thought in amazement. Do I really feel that strongly about Nigel’s attitude? She sighed, thinking that perhaps she did.
Not only did she love her eldest son, she admired him no end, and there was a lot to admire. He was a clever, indeed brilliant young man with a great deal of talent and a good head on his shoulders. But he had a flaw, and it was a flaw that was fatal. He believed he knew better than anyone else, was convinced of the rightness of his ideas and beliefs, and he never took no for an answer, would brook no argument. He was far too stubborn and opinionated for his own good. His attitude verged on arrogance. It dismayed her that he could not compromise, that he was so rigid.
He was just like his grandfather. No, he’s worse, she thought, and laughed a hollow little laugh. He was Bruce’s clone. As Bruce had been when he was a younger man. Perhaps more so.
It would be hard to speak critically to Bruce about his clone. This brought a smile to Stevie’s face. She wasn’t going to talk to Bruce about her son’s character, rather about her suspicion that he wanted to oust her from the company. If this were the case, Bruce would surely put a stop to his manipulations.
But then, she could do that herself. She could fire Nigel.
He was, after all, her employee.
He worked for her.
She was the managing director of Jardine’s of London and president of Jardine’s of New York, just as Bruce was chairman of the board. Nigel was a director of the company, as were his two brothers, and they would always be directors. That was their right, their inheritance.
But she could take Nigel’s job away from him at any time if she so wished. It was as easy as that, just like snapping her fingers together.
No, not so easy, she reminded herself. He’s my son, my firstborn; I wouldn’t want to hurt him, to humiliate him, or to destroy him. Besides, he’s good at his job. The very best.
I simply have to make him toe the line, curb his ambition for the moment. He has to bide his time until I retire.
Stevie laughed out loud. Easier said than done when she was on the other side of the Atlantic…thousands of miles away.
Her mind swung to Gideon. Now, there was a son who was not one bit ambitious, at least not when it came to possessing the company and amassing power. All he wanted was to create flawless diamonds from the rough…make beautiful things. Gideon did worry her on a personal level, and she had been worried about him for some time now. He had not looked well, had seemed distracted, fretful, and impatient when she had seen him at the London showroom in late September. She remembered how pale and gloomy he had looked. In her opinion, he hadn’t been himself since he had broken up with Margot Saunders. Had he cared for that young woman more than he’d let on? She would talk to Miles about his twin during the weekend.
Her face instantly changed, took on a warm glow, and her eyes brightened. Miles was her pride and joy; she admitted it freely…in the privacy of her thoughts.
And Miles would help to take Chloe in hand too; she could rely on him to do that. Chloe and Miles had always had an affinity for each other and he was good with his little sister. Unlike Gideon, who had considered her to be a bit of a nuisance. And now Chloe wanted to learn from her brother Gideon. Stevie shook her head. People were so very strange.
She had often thought how odd it was that although Miles and Gideon were identical twins and looked alike, when it came to their personalities and characters, they were as different as chalk and cheese.
Miles was so much lighter, more carefree, gentle, well balanced, and a genuine charmer. Conversely, his twin was introverted, stubborn—more like Nigel in that way—and a perfectionist who at times seemed ridiculously persnickety, almost old-maidish. And yet he could be generous to a fault, and he truly did have the soul of an artist. He loved anything and everything that was beautiful, be it a woman, a painting, a sculpture, a tree, a seascape, a garden, a priceless gemstone, or a piece of jewelry. And he had an extraordinary eye, refined and exquisite taste.
Picking up her pen, Stevie looked down at the page and realized she had put nothing on paper so far other than the day and where she was.
Slowly she began to write, and when she had filled two pages, she screwed on the top of her fountain pen, took the diary in her hands, leaned back in the chair, and read it.
Thanksgiving Day, 1996
Connecticut
When I think of my children and the things they do, it seems to me they are like strangers. Except for Miles. But then, he is the child of my heart, so like me in so many ways. Of course, I love them all, but he has always been special to me since he was small. I wonder, are all mothers like I am? Do they favor one child more than the others? I’m sure that it is so, but it’s hard to ask anyone that kind of…leading question. And do the children know? Do they detect it, sense it, feel it? Do they know there is one who is the real favorite of the mother?
Each of my children is different. Yet I can see traits in them that are mine. And some are Ralph’s. There are traits in them that come from Bruce. Fortunately, none of them have inherited anything of their grandmother, Alfreda, and for that I can honestly say I’m thankful. She was not a nice woman; she was cold, repressed, and bitter. She never had a kind word for me or anyone she considered to be her inferior. It is their other grandmother who shows up in them. My mother. Chloe has inherited her beauty, her willowy figure, her pleasing personality, and her desire to please; Miles has inherited her sense of humor and geniality.
I love them. I love all of my children. It’s the truth, I do. Maybe too much. And yet somewhere along the way I suppose I hurt them, damaged them without meaning to do so. But then we’re all damaged goods, aren’t we? Life damages us, people damage us, we even damage ourselves. I must have caused them pain and heartache. And hurt their feelings. We do that so often to those we love the most without even realizing it or meaning to. And perhaps I did neglect them at times when I was caught up with work and travel. But I never stopped loving them.
I think of them as my children. But, of course, they’re not children, not anymore. They’re adults. Grown-ups. People. Other people, not my children. They’re so different in so many ways. Strangers. Sometimes, anyway. Even Chloe is grown-up all of a sudden, knowing her own mind, hell-bent on getting her own way.
Soon I’m going to stop being a mother, stop thinking of myself as such. Instead I’ll be…? I’ll be…just there for them. If they need me. Is that possible? How do you stop being a mother? How do you stop worrying about them? Caring about them? Perhaps you don’t. How DO you stop being a mother? Can anyone tell me that?
Will I fare better with my grandchildren? I asked myself that question in the middle of the night, when I woke up with such suddenness. I will be a good grandmother to Natalie and Arnaud. Grandmothers are better than mothers, I’ve been told. Less possessive. My grandchildren are so precious and Nigel is lucky to have them, to have Tamara. She’s a good wife, a wonderful mother. A good young woman.
I think I’m beginning to resent the fact that Gideon teases her, calls her “the foreigner.” Her father is French, her mother Russian, and Gideon wants to make an issue about it. Why, I’ll never know. But it’s unkind. He says it’s in jest; yet I sense that’s how he really perceives her. I’d hate to think he was bigoted in some way. But I am very aware that my son Gideon thinks that anything not English is inferior. I wonder why he’s not learned otherwise yet? I did years ago.
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