Sara Sheridan - Secret of the Sands

‘Please,’ she says, ‘tell me about this place.’

But not one of the slaves even acknowledges that they understand what she is saying and she gives up and simply allows them to pummel her clean.

When a slave arrives bearing a diaphanous, aquamarine kaftan of fine, silken gauze, Zena does not even wonder. Who can say what is unusual in such a place and what is common? The others are dressed in plain, pale robes of rough cotton, but what does that mean? Surely personal servants of the family merit a more luxurious uniform than common house servants. The hands dry her with white linen and as she slips into the dress they bind up her hair in a golden turban and draw leather sandals onto her feet, instructing each other in the strange musical language that Zena cannot understand. After the dhow and the slave market this is heaven – no matter that they are only doing what their superior has bid them. No matter that they do not acknowledge her in any way.

Before dusk, Zena is delivered to a room on the first floor that smells faintly of incense. There is a wide bed, a carved screen, an ornate rug with velvet cushions of red and yellow scattered about it, a window covered with a wooden shutter and evenly spaced brass lamps ready to be lit for the evening. Beside the bed there lies a covered flask of water flavoured with mint, a box containing rose jelly and another of honeyed pistachios. Zena inspects everything and then sits on the bed. It does not seem like a child’s room. She waits until the muezzin has made the call to prayer. She waits until the sun has sunk from the sky and it is absolutely dark. The scent of night flowers wafts in through the window on the perfumed air from tubs far below outside – moonflowers, nicotiana and jasmine. She desperately tries not to doze but her belly is full, her skin is silken and the cushions are tempting. In the end, she succumbs and cannot help but fall fast, fast asleep.

What raises her is a strange noise. A cackle. She jumps up into the pitch darkness, panicked, and it takes her a second or two to realise where she is. She trips over a small table and then recovers her balance. Then in a flash she remembers.

Before her there is a man in the doorway carrying a torch that flickers in the breeze from the window. The bright flame sends strange shadows over his face so that she cannot tell what he really looks like. But he is finely dressed in a long, bright robe. His dark hair flows like a woman’s and when he smiles he has the teeth of an animal, white, bared and ready. He cackles again – the sound a hyena might make, or a dog. Zena falls to her knees.

‘ Salaam ,’ she whispers, drawing her hands together in supplication and raising her eyes only high enough to see that he wears an array of gold rings on his long fingers.

‘They sent you?’ the man asks.

Zena nods and looks up at him. ‘I was bought today. In the marketplace.’

The man laughs and beckons her towards him. Now she can see that he is younger than she first thought – perhaps twenty or so. He motions her to turn around so he can inspect her.

‘What did you fetch?’

‘Two hundred dollars, I think.’

He casts his eye over her coldly. ‘They think this will tempt me,’ he says in a derisory tone, but the comment is not directed at Zena – he is talking to himself and has turned away. He puts down the lamp and proceeds to sit on the plump cushions by the window, picking up a sweet from the rosewood box and chewing it as he mulls things over.

‘Light, girl!’ he calls.

Zena hovers for a moment behind him, and then realising that he means her, she springs into action, taking the lamp from the low table and lighting the others one by one. The room gradually takes on a buttery glow. She can see now that the man’s silken jubbah is edged with intricate embroidery and that he wears gold earrings in a low loop in addition to his collection of rings. His eyes are pitch black – the darkest she has ever seen. She lays the lamp once more on the low table and steps back to wait for another order. But, before one can be given, the door opens and a slave boy enters. Taken back at the sight of Zena, he retreats slightly.

‘Ah, come in, Sam. Come in. Don’t worry about her,’ the man says, his dark eyes turning from the view across the midnight city and back into the room again.

His gaze, Zena notices, is suddenly bright. The slave boy has skin as black as Zena’s own. He crosses to his master and kneels beside him. The man’s jewelled hand falls languidly onto the boy’s shoulder and then runs down the smooth skin of his strong, well-defined arm, stroking with surprising gentleness.

‘A nursemaid,’ Zena realises. ‘They wanted me because …’

The boy raises his eyes towards her. ‘Is it your wish for this habshi to watch us, Master?’ he asks.

The man cackles once more. He leans down and kisses the boy on the lips.

‘Go!’ he says over his shoulder without even looking at her. ‘Leave me!’

Zena bows and leaves the room as gracefully as she can manage but in the hallway she hovers. Her mind is racing. She doesn’t know where she ought to go. She cannot remember the direction of the bathhouse or the kitchen. The household is asleep and the maze of hallways is dark and silent. There is no one around so she crouches against the wall and decides to wait. The master, may, after all, call for her when he has finished.

Chapter Thirteen

Jessop has thoroughly enjoyed his stay at the encampment. He has made notes about the Bedu and their way of life, the details of the trading routes of the tribe and their customs of war and has even managed some observations on the way one family interweaves with another. The site is temporary, of course. The Bedu are set to graze their animals there till only saltbush remains. The wells fill up once a season and the Bedu will stay to drink the water dry and then move on. The tents are comfortable enough though and, like most nomads, the tribe is hospitable to a fault. An Arabic tribesman will go hungry himself in order to feed his guests lavishly. It is well known that if you come across a camp in the desert and are accepted as a guest, you’ll always be fed better than the people who actually live there.

By the third and final day, the doctor is gratified to see that there is a marked improvement in all but one little girl who, Jessop now fears, might well lose her sight as the infection progresses. Clearly it had advanced too far by the time he arrived and he knows there is little more he can do for the child but clean the pus and hope her body might rally. The danger is septicaemia, blood poisoning. If the little girl succumbs to it she will almost certainly die. He has tried to transmit this information but fears it loses something in the translation. The devoted mother, meanwhile, has placed a copy of the Quran under the girl’s sleeping rug and spits into the child’s face to clean it (starting Jessop all over again on the painful process of the vinegar eye wash). Now, leaving her daughter in the care of others, the woman has taken to following Jessop, entreating him to save her daughter in the same way he worked his magic on the other children. No amount of explanation or reassuring smiles and hand gestures seems to communicate that he can do no more, and she neglects her domestic duties and hovers in her dark burquah, a little behind the white men, occasionally breaking into a keening wail that makes Jones start.

‘I do wish she’d stop that!’ he says. ‘Bloody hullabaloo.’

Jessop fans himself with a flat square made of rushes. He realised early on, even before they left Sur, that his concerns are different from Jones’ and he has now become tired of the repeated conversation about breeding strains and fetlocks, shipping livestock via Bombay, how much a chap might need to furnish a Knightsbridge house decently or fix its leaking roof and how Arabia has little to offer civilisation.