Deanna Raybourn - Silent on the Moor

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England, 1888 “There are things that walk abroad on the moor that should not. But the dead do not always lie quietly, do they, lady?” Grimsgrave Manor is an unhappy house, isolated on the Yorkshire moors, silent and secretive. Then its shroud of gothic gloom is lifted by a visit from the incurably curious Lady Julia Grey.Lady Julia intends to bring a woman’s touch to the restoration of Nicholas Brisbane’s new estate, whether he wants it or not. Her presence is more than necessary – Grimsgrave’s new owner seems to be falling into ruin along with the house. Confronted with gypsy warnings and Brisbane’s elusive behaviour, Lady Julia scents a mystery.It’s not long before her desire for answers leads her into danger unlike any other that she has experienced – and from which, this time, there may be no escape.

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The village itself looked grim and unhygienic, with a cluster of bleak houses propped against each other and a narrow cobbled road between them. A grey mist hung over the edge of the village, obscuring the view and making it look as though the world simply stopped at the end of the village road. We alighted slowly, as if reluctant to break the heavy silence of the village.

“Good God, what is this place?” breathed Valerius at last.

“The far edge of nowhere, I’d say,” came a sour voice from behind us. Morag. She was laden with her own enormous carpetbag as well as a basket for my dog, Florence, and the cage containing my pet raven, Grim. Her hat was squashed down over one eye, but the other managed a malevolent glare.

In contrast, Portia’s young maid, Minna, was fairly bouncing with excitement. “Have we arrived then? What a quaint little place this is. Will we be met? The journey was ever so long. I’m quite hungry. Aren’t you hungry, Morag?”

Portia, deep in conversation with the blacksmith, called for Minna just then and the girl bounded off, ribbons trailing gaily from her bonnet.

Morag fixed me with an evil look. “All the way, I’ve listened to that one, chattering like a monkey. I’ll tell you something for free, I shall not share a room with her at Grimsgrave, I won’t. I shall sooner lie down on this street and wait for death to take me.”

“Do not let me stop you,” I said graciously. I pinched her arm. “Be nice to the child. She has seen nothing of the world, and she is young enough to be your granddaughter. It will not hurt you to show a little kindness.”

Minna was a new addition to Portia’s staff. Her mother, Mrs. Birch, was a woman of very reduced circumstances, endeavouring to rear a large family on the tiny income she cobbled together from various sources, including washing the dead of our parish in London and laying them out for burial. Minna had always shown a keenness, a bright inquisitiveness that I believe would stand her in good stead as she made her way in the world. It had taken little persuasion to convince Portia to take her on to train as a lady’s maid. Our maids, Morag included, were usually taken from the reformatory our aunt Hermia had established for penitent prostitutes. It seemed a luxury akin to sinfulness to have a maid who was not old, foul-mouthed, or riddled with disease. I envied her bitterly, although I had grown rather fond of Morag in spite of her rough edges.

Portia at last concluded her business with the blacksmith and returned, smiling in satisfaction.

“The inn, just there,” she said, nodding across the street toward the largest building in the vicinity. “The innkeeper has a wagon. The blacksmith has gone to bid him to attend us to Grimsgrave.”

I turned to look at the inn and gave a little shudder. The windows were clean, but the harsh grey stone gave the place a sinister air, and the weathered signpost bore a painting of a twisted thorn and the ominous legend “The Hanging Tree.” I fancied I saw a curtain twitch, and just behind it, a narrow, white face with suspicious eyes.

Behind me, Valerius muttered an oath, but Portia was already striding purposefully across the street. We hurried to catch her up, Morag hard upon my heels, and arrived just as she was being greeted by the innkeeper himself, a dark young man with the somewhat wiry good looks one occasionally finds in the Gaels.

He nodded solemnly. “Halloo, leddies, sir. Welcome to tha village. Is i’ transport thee needs?”

Portia quickly extracted a book from her reticule and buried her nose in it, rifling quickly through the pages. I poked her sharply.

“Portia, the innkeeper has asked us a question. What on earth are you doing?”

She held up the book so I could read the title. It was an English phrasebook for foreigners. “I am trying to decipher what he just said.”

The innkeeper was staring at us with a patient air. There was something decidedly otherworldly about him. I noticed then the tips of his ears where his dark curls parted. They were ever so slightly pointed, giving him an elfin look. I smiled at him and poked my sister again.

“Portia, put that away. He is speaking English.”

She shoved the book into her reticule, muttering under her breath, “It is no English I have ever heard.”

“Good afternoon,” I said. “We do need transportation. We have been told you have a wagon—perhaps you have a carriage as well, that would be far more comfortable, I think. There are five in our party, with baggage and a few pets. We are guests of Mr. Brisbane.”

“Not precisely guests ,” Portia said, sotto voce .

But her voce was not sotto enough. The innkeeper’s eyes brightened as he sniffed a bit of scandal brewing. “Brisbane? Does thou mean tha new gennelman up Grimsgrave way? No, no carriage will coom, and no carriage will go. Tha way is too rough. It must be a farm cart.”

Portia blanched and Morag gave a great guffaw. I ignored them both.

“Then a farm cart it will be,” I said firmly. “And do you think you could arrange such a conveyance for us? We are very tired and should like to get to Grimsgrave as quickly as possible.”

“Aye. ‘Twill take a moment. If tha’ll step this way to a private room. Deborah will bring thee some tea, and thee can rest awhile.”

Valerius excused himself to take a turn about the village and stretch his legs, but I thanked the innkeeper and led my dispirited little band after him upstairs to private accommodation. The inn itself was like something out of a children’s picture book. Nothing inside the little building seemed to have changed from the days when highwaymen stalked the great coaching byways, claiming gold and virtue as their right. Still, for all its old-fashioned furnishings, the inn was comfortable enough, furnished with heavy oak pieces and thick velvet draperies to shut out the mists.

The innkeeper introduced himself as Amos and presented a plump young woman with blond hair, Deborah, who bobbed a swift curtsey and bustled off to bring the tea things. We did not speak until she returned, laden with a tray of sandwiches and cake and bread and butter. A maid followed behind her with another tray for Minna and Morag, who perked up considerably at the sight of food. They were given a little table in the corner some distance from the fire, but Portia and I were settled next to it, our outer garments whisked away to have the dirt of travel brushed from them.

When the tea things had been handed round, Deborah seemed loath to go, and at a meaningful glance from Portia, I encouraged her to linger. We had not spoken of it, but it occurred to me—and doubtless to her as well—that it might be a good idea to glean what information we could from the locals about the state of affairs at Grimsgrave Hall.

For her part, Deborah appeared gratified at the invitation to stay. Her blue eyes were round in her pale face, and she refused Portia’s suggestion that she send for another cup and share our tea.

“I could not do tha,” she murmured, but she patted her little mob cap, and a small smile of satisfaction played about her mouth.

“But you must sit a moment,” I persuaded. “You must be quite run off your feet.” That was a bit of a reach. The inn was clearly empty, and although it was kept clean enough and the food was fresh and ample and well-prepared, there was an air of desolation about the place, like a spinster who was once the belle of the ball but has long since put away her dancing slippers and resigned herself to the dignity of a quiet old age.

Deborah took a small, straight-backed chair and smoothed her apron over her knees. She stared from me to Portia and back again.

“You seem terribly young to run such an establishment,” Portia commented. “Have you been married long?”

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