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Barbara Delinsky: The Family Tree

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Barbara Delinsky The Family Tree

The Family Tree: краткое содержание, описание и аннотация

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A thought-provoking novel about a family with a secret that has the power to tear them apart. Perfect for fans of Jodi Picoult.Dana Clarke has it all – a husband, Hugh, who she adores, a beautiful home in a wealthy area, and a baby on the way. But, when her daughter, Lizzie, is born, what should be the happiest day of her life turns out to be the moment that her world falls apart.Lizzie is beautiful, healthy, and black… Born from two white parents, there are only two possibilities: that a distant relative was of African descent, or that Dana has had an affair.As the Clarke family reel from the shock, accusations are thrown and soon the trust that Dana and Hugh had prided themselves on is slipping away. So begins a poignant journey to uncover the truth about their past, to discover what legacy their ancestors left them. And, as the stability of the Clarke family is torn apart, the reader is forced to ask how much any one of us really knows about our own identity.

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BARBARA DELINSKY

The Family Tree

For Cassandra, a precious gift

Contents

Title Page BARBARA DELINSKYDedication For Cassandra, a precious gift Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve Chapter Thirteen Chapter Fourteen Chapter Fifteen Chapter Sixteen Chapter Seventeen Chapter Eighteen Chapter Nineteen Chapter Twenty Chapter Twenty One Chapter Twenty Two Chapter Twenty Three Chapter Twenty Four Chapter Twenty Five Chapter Twenty Six Chapter Twenty Seven Chapter Twenty Eight Chapter Twenty Nine Chapter Thirty Acknowledgments About the Author By The Same Author Copyright About the Publisher

1

Something woke her mid-dream. She didn’t know whether it was the baby kicking, a gust of sea air tumbling in over the sill, surf breaking on the rocks, or even her mother’s voice, liquid in the waves, but as she lay there open-eyed in bed in the dark, the dream remained vivid. It was an old dream, and no less embarrassing to her for knowing the script. She was out in public, for all the world to see, lacking a vital piece of clothing. In this instance, it was her blouse. She had left home without it and now stood on the steps of her high school – her high school – wearing only a bra, and an old one at that. It didn’t matter that she was sixteen years past graduation and knew none of the people on the steps. She was exposed and thoroughly mortified. And then – this was a first – there was her mother-in-law , standing off to the side, wearing a look of dismay and carrying – bizarre – the blouse.

Dana might have laughed at the absurdity of it, if, at that very moment, something else hadn’t diverted her thoughts. It was the sudden rush of fluid between her legs, like nothing she had ever felt before.

Afraid to move, she whispered her husband’s name. When he didn’t reply, she reached out, shook his arm, and said in full voice, ‘Hugh?’

He managed a gut-low ‘Mm?’

‘We have to get up.’

She felt him turn and stretch.

‘My water just broke.’

He sat up with a start. Leaning over her, his deep voice higher than normal, he asked, ‘Are you sure?’

‘It keeps coming. But I’m not due for two weeks.’

‘That’s okay,’ he reassured her, ‘that’s okay. The baby is seven-plus pounds – right in the middle of the full-term range. What time is it?’

‘One-ten.’

‘Don’t move. I’ll get towels.’ He rolled away and off the bed.

She obeyed him, partly because Hugh had studied every aspect of childbirth and knew what to do, and partly to avoid spreading the mess. As soon as he returned, though, she supported her belly and pushed herself up. Squinting against the sudden light of the lamp, she took one of the towels, slipped it between her legs, and shuffled into the bathroom.

Hugh appeared seconds later, wide-eyed and pale in the vanity lights. ‘What do you see?’ he asked.

‘No blood. But it’s definitely the baby and not me.’

‘Do you feel anything?’

‘Like terror?’ She was dead serious. As prepared as they were – they had read dozens of books, talked with innumerable friends, grilled the doctor and her partners and her nurse-practitioner and the hospital personnel during a preadmission tour – the reality of the moment was something else. With childbirth suddenly and irrevocably imminent, Dana was scared.

‘Like contractions,’ Hugh replied dryly.

‘No. Just a funny feeling. Maybe a vague tightening.’

‘What does “vague” mean?’

‘Subtle.’

‘Is it a contraction?’

‘I don’t know.’

‘Does it come and go?’

‘I don’t know , Hugh. Really. I just woke up and then there was a gush—’ She broke off, feeling something. ‘A cramp.’ She held her breath, let it out, met his eyes. ‘Very mild.’

‘Cramp or contraction?’

‘Contraction,’ she decided, starting to tremble. They had waited so long for this. They were as ready as they would ever be.

‘Are you okay while I call the doctor?’ he asked.

She nodded, knowing that if she hadn’t he would have brought the phone into the bathroom. But she wasn’t helpless. As doting as Hugh had been lately, she was an independent sort, and by design. She knew what it was to be wholly dependent on someone and then have her taken away. It didn’t get much worse.

So, while he phoned the doctor, she fit her big belly into her newest, largest warm-up suit, now lined with a pad from her post-delivery stash to catch amniotic fluid that continued to leak, and went down the hall to the baby’s room. She had barely turned on the light when he called.

Dee ?’

‘In here!’

Buttoning jeans, he appeared at the door. His dark hair was mussed, his eyes concerned. ‘If those pains are less than ten minutes apart, we’re supposed to head to the hospital. Are you okay?’

She nodded. ‘Just want a last look.’

‘It’s perfect, honey,’ he said as he stretched into an old navy tee shirt. ‘All set?’

‘I don’t think they’re less than ten minutes apart.’

‘They will be by the time we’re halfway there.’

‘This is our first,’ she argued. ‘First babies take longer.’

‘That may be the norm, but every norm has exceptions. Indulge me on this, please?’

Taking his hand, she kissed his palm and pressed it to her neck. She needed another minute.

She felt safe here, sheltered, happy. Of all the nurseries she had decorated for clients, this was her best – four walls of a panoramic meadow, laced with flowers, tall grasses, sun-tipped trees. Everything was white, soft orange, and green, myriad shades of each highlighted with a splotch of blue in a flower or the sky. The feeling was one of a perfect world, gentle, harmonious, and safe.

Self-sufficient she might be, but she had dreamed of a world like this from the moment she had dared to dream again.

Hugh had grown up in a world like this. His childhood had been sheltered, his adolescence rich. His family had come to America on the Mayflower and been prominent players ever since. Four centuries of success had bred stability. Hugh might downplay the connection, but he was a direct beneficiary of it.

‘Your parents expected pastel balloons on the wall,’ she remarked, releasing his hand. ‘I’m afraid I’ve disappointed them.’

‘Not you,’ he answered, ‘we, but it’s a moot point. This isn’t my parents’ baby.’ He made for the door. ‘I need shoes.’

Moving aside knitting needles that held the top half of a moss green sleepsack, Dana carefully lowered herself into the Boston rocker. She had dragged it down from the attic, where Hugh hid most of his heirloom pieces, and while she had rescued others, now dispersed through the house, this was her favorite. Purchased in the 1840s by his great-great-grandfather, the eventual Civil War general, it had a spindle back and three-section rolled seat that was strikingly comfortable for something so old. Months ago, even before they had put the meadow on the walls, Dana had sanded the rocker’s chipped paint and restored it to gleaming perfection. And Hugh had let her. He knew that she valued family history all the more for having lived without it.

That said, everything else was new, a family history that began here. The crib and its matching dresser were imported, but the rest, from the changing pad on top, to the hand-painted fabric framing the windows, to the mural, were custom done by her roster of artists. That roster, which included top-notch painters, carpenters, carpet and window people, also included her grandmother and herself. There was a throw over one end of the crib, made by her grandmother and mirroring the meadow mural; a cashmere rabbit that Dana had knitted in every shade of orange; a bunting, two sweaters, numerous hats, and a stack of carriage blankets – and that didn’t count the winter wool bunting in progress, which was mounded in a wicker basket at the foot of her chair, or the sleepsack she held in her hand. They had definitely gone overboard.

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