Dermot Bolger - The Journey Home

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‘The Journey Home’ is the story of a young boy’s struggle towards maturity, set against a shocking portrait of Ireland: a tough urban landscape, not a rural Eden.Francis Hanrahan, the shy child of grey suburban streets, is Francy at home to his country-born parents. But when he meets Shay, an older, wilder image of himself, he becomes Hano, and is cast out into the night-time world of Dublin – a world of drugs, all-night drinking sessions in bars and snooker halls, and the stench of political corruption.

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‘My main man Seamus. A drink for you and your friend.’

He returned with three tequilas. I copied Shay in licking the salt, drained the glass in one gulp and sank my teeth into the lemon. It was like electricity shooting through my body. I slammed my fist on the table and shook my head. The young man laughed so much he insisted on buying another round. Shay grinned sardonically as he watched me trying to place him.

‘Add thirty years,’ he said, ‘four stone of fat and a bog accent. You’ve already mentioned him twice tonight.’

I studied the figure arguing animatedly with the two women left in the corner. My brain slowly reconciled the two opposites.

‘Plunkett,’ I said. ‘My da’s boss. He’s something like him, but Pascal’s a bachelor.’

‘Fuck your da’s boss. He’s chicken shit. Who’s his famous brother?’

His face had stared at me from lamp-posts at every election time, his eyes gazing from cards dropped into the hallway with fake handwriting underneath. I tried to match the features in front of me now with the image of Patrick Plunkett I had last seen, repeating rhetorical phrases on a current affairs show as he refused to answer the interviewer’s questions.

‘Your future, smiling local TD,’ Shay said. ‘A genuine chip off the old bollox. Justin. So christened because of his one-inch penis. I see he’s dispatching the last of his troupe. Would make a great newspaper headline for any editor wanting to go out of business fast.’

The two women in the corner were about to leave.

‘Surely the cops know,’ I said.

‘What fucking country do you live in Hano? You know any guard wants to get transferred to Inisbofin? It may be an embarrassment to the government to have it open; it would be an even greater embarrassment for the fuckers to have to close it down. Youth must have its fling. The party knows he’ll drop it when the old bastard expires and he’s called upon to inherit the seat. He’s being groomed already, two or three funerals a week.’

For the first time I detected bitterness in Shay’s voice. But to be angry would be to admit he was a part of their world. Shay shrugged his shoulders and suggested we go upstairs. When I closed my eyes I felt like a boat being rocked from side to side. At the doorway Justin Plunkett pushed a glass into my hand. I heard Shay slagging him about the suit, his good humour returned. Shay’s hand was on my shoulder, steering me upstairs, past the country men in their bar, up two more flights and into a tiny room in darkness except for a blazing fire and a single blue spotlight. It shone down on a long-haired figure on a pallet strumming a guitar. A man crouched beside him, keeping up a rhythm on a hand drum. I found a seat among the stoned crowd and tried to follow the singer’s drug-ridden fantasies. Each song lasted quarter of an hour, filled with tortoises making love and nuns in rubber boots.

I felt sick and yet had never felt better as I gazed from the window at the tumbledown lane outside. The sleeping children had gone. A man with a cardboard box and a blanket jealously guarded their spot. Far below, Dublin was moving towards the violent crescendo of its Friday night, taking to the twentieth century like an aborigine to whiskey. Studded punks pissed openly on corners. Glue sniffers stumbled into each other, coats over their arms as they tried to pick pockets. Addicts stalked rich-looking tourists. Stolen cars zigzagged through the distant grey estates where pensioners prayed anxiously behind bolted doors, listening for the smash of glass. In the new disco bars children were queuing, girls of fourteen shoving their way up for last drinks at the bar.

And here I was lost in the city, cut off in some time warp, high and warm above the crumbling streets. I think I slept and when I woke the owner was shouting time from the foot of the stairs. The singer had stopped and accepted a joint from the nearest table. The lad beside me who had been eyeing the guitar stumbled up to grab it, closed his eyes and began to sing:

Like a full force gale

I was lifted up again,

I was lifted up again,

By the Lord…

He wore a broad black hat with a long coat and sang with his eyes closed, living out the dream of Jessie James, the outlaw riding into the Mexican pueblo, the bandit forever condemned to run. He opened his eyes again when he had sung the last refrain, handed the guitar back apologetically and moved down the stairs towards his dingy Rathmines bedsit. I thought of home suddenly, the cremated dinner, my parents waiting for the dot on the television, exchanging glances but never asking each other where I was. I felt guilty once more and yet they suddenly seemed so distant, like an old photograph I’d been carrying around for too long.

‘You alive at all Hano?’ Shay’s voice asked. ‘You don’t look a well man. A tad under the weather I’d say. Listen, there’s a mattress back in my flat if you want to crash there. And I’m after scoring some lovely Leb.’

‘What about your wheels?’

‘Leave them. Not even Dublin car thieves are that poor.’

Home, like an old ocean liner, broke loose from its moorings and sailed in my mind across the hacked-down garden, further and further through the streets with my parents revolving in their armchairs. I could see it in my mind retreating into the distance and I stood to wave unsteadily after it, grinning as I took each euphoric step down after Shay towards the take-away drink hustled in the bar below and the adventures of crossing the city through its reeling night-time streets.

Hope. A four-letter word. Hope. Mornings are the worst Katie. You wake when your cousin rises, tumbling into the warm hollow she has vacated on her side of the bed. Two years older than you, she dresses quietly for her work in the fast-food restaurant in town. She arrives home each Thursday with sore arms, tired feet from dodging the assistant manager and ten pounds more than on the dole. When she is gone you lie on, luxuriating in those private moments alone in that room. Then you hear his footsteps start through the wall beside your head. Rising at the same time he did when he walked down for the early shift. You hear the smudging sound of the brush over his boots before they descend the stairs. The routine, that is what is vital for him, the pretence that there is still something to be done. The front door closes and you know he will walk to the mobile shop with the same dilemma, ten cigarettes or a newspaper. You rise quickly before he returns, the situations vacant column always the winner. You will try to have finished your breakfast when the footsteps restart in the hall and hurry to the door before he spreads the page of close type over the Formica to stoop like a man holding a mirror to the lips of a corpse.

Hope, Katie. That is what he pretends to have. You cannot bear to watch the bowed head, the finger moving steadily to the bottom of each column. You reach the school long before the lessons start. Remember, you ran here so eagerly once. Now it is no more than a sanctuary from the despair of that house. There is a wall to smoke behind. A girl says, ‘Are you game? The Bounce?’ And you slip quickly back out that gate, skirting the road he will take at half-past nine to the Manpower office, not going in if the same girl is on the desk as the day before, afraid he will lose face by appearing too eager. You run down by the side of the Spanish Nun’s, past the green and gold of the Gaelic Club, by the mud-splattered row of caravans, till you find the gap in the hedge and are running fast across the overgrown car-park to reach the vast cavern of the abandoned factory.

Here is education, here you belong. A dozen girls are gathered in the dripping shell where their sisters once bent over rows of machines. Here at last there is no pretence, no talk of imaginary futures. Sometimes they sit in near silence or play ragged impromptu games; sometimes boys come. Somebody lights a cigarette, somebody has pills. A small bottle passes down a corridor of hands till it reaches you. You hold the capsule in your hand, a speckled egg to break apart. You pause, then swallow. Hope. Four-letter words punctuate the jokes you laugh at. A girl leans on your back in tears as laughter almost chokes her. There are colours to watch. The concrete refuses to stay still. There is warmth. A circle of faces to belong to. The sound of a chain being pulled from a gate, the engine stops in the van. The girls by your side pull you on as the unformed security guard unleashes the dog. You race exhilarated across the grass, the sky twisting and buckling. You can hear barking behind you and the girls begin to scream. The wall rushes at you, automatically you jump. The sharp surface grazes your knees before hands pull you clear and down on to the path beside the carriageway. The footsteps are racing now; you join them—a flock of pigeons circling back towards the estate.

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