Indignation had gone, a melancholy had seized her whole body. Sweat ran from her armpits. Her hair was damp. She felt her cheeks dragging with wet. She leapt up, but before she reached the other bed, controlled the impetuous movement, becoming as stealthy as a cat as she curled herself around the little grey cat, who let out her protesting sound, Let me sleep. But the child strokes and strokes, her cheek on the cat’s side, the cat purrs, noblesse oblige, the child’s face lifts and falls with the purr, the child’s eyes close, the cat’s purr stops, starts again, stops … outside two doves conduct their colloquy, Croo, croo, cr-croo, the axe thuds down, slow, slow, slow …
The woman writing to England sits with her pen suspended, smiling, for she is not here at all, she is dreaming of a winter’s evening in London, crowded noisy streets outside, and she is with her good friend Daisy Lane, the little, wry, brisk woman who had not married, for she was one of the girls whose men had been killed in the Trenches. She thinks guiltily that she has never enjoyed anything as much in her life, talking with her friend Daisy in front of a good fire, eating chocolate, or chestnuts roasted in the embers.
Good Lord, it is already three o’clock. The children must be woken or they’ll never sleep tonight. Not that Doris is likely to have slept, and she always gets so fretful and weepy, but perhaps she has dropped off. The woman felt surrounded by sleepers, safe in a time of her own, without anyone observing her. Her husband was lost to the world in his deckchair, snoring lightly, regularly. The dogs were stretched out. An assortment of cats, one curled up against the dog Tiger’s stomach, all asleep. In the bedroom little Harry, her heart’s consolation and delight, was asleep, like a baby, his fists curled near his head. Before gently waking him, she bent over him, adoring him. She loved the way he woke, whimpering a little, small and sweet in her arms, his face in her neck, nestling, as if with his whole body he was trying to get back inside her body. She took a long time waking him, gentling him into consciousness, then slid him into his little pants and shirt. ‘You go and wake Daddy,’ she told him. She went into the bedroom next door and stopped her hand at her mouth. Where was the child? Had she run away? She always said she would – a joke, of course. No, there she was, arms around the grey cat, fast asleep. ‘There,’ thought the mother, having the last word, ‘you were tired, I knew you were, all the time.’ She stood quietly there looking down at the little girl’s tear-dirtied face. She always felt guilty, seeing the child with this cat, because of the cat left behind in Tehran, but what could she have done? After all, they couldn’t have travelled for months and months with the cat, and anyway, it was such an ugly old thing. Never had there been such storms of tears as when the family left the cat, it was ridiculous, it was out of all proportion.
The mother did not touch the child but said briskly, in tones that sounded full of regret, a complex apology for what she was thinking, ‘Up you get now, you’ve been asleep a good half hour.’
The child opened her eyes and looked past her mother at the room as if she had no idea where she was. Then she felt the cat against her face, and smiled. She looked up at her mother and sat up, and with a shake of her head, clearing her face of the sweat-sticky hair, ‘I wasn’t asleep.’
‘Oh yes you were,’ said the mother triumphantly.
‘I wasn’t. I wasn’t.’
‘Wash your face. Then we’ll have tea.’
Tea was the family sitting in the hot shade under the verandah thatch, gingerbread, shortbread, little cakes, big cakes, scones, butter, jam. ‘You can’t have cake until you’ve eaten a scone.’ Discipline and self-restraint, this was called. The dogs lay with their noses pointing towards the food. The cats gathered around saucers full of milk. The little girl carefully carried through the house a saucer of milk to her special friend, the grey cat. She sat on the floor watching the cat lap, pink tongue curling around the mouthfuls of milk. The cat mewed, Thank you, and sat licking herself a little, to wake herself up. Then she stepped out to join the other cats, the dogs, the family.
Afternoons were full of events, chosen by my mother to educate or in some way to improve and uplift. There was a treehouse, platforms of planks in the musasa tree just behind the house. ‘Come up to our house, come up,’ we shouted at Daddy, as he manoeuvred his great clumsy leg so that he got himself on to the first platform. Then up came Mummy, and she told us about life in England, and her voice was sad, so sad that he rebuked her, ‘Don’t sound such a misery, old girl. England wasn’t all roses, you know.’ And then he might tell us of another England, the beggars, the out-of-work ex-soldiers selling matches, and the silly Bright Young Things dancing and jazzing; they didn’t care about the dead soldiers or the ones that couldn’t get work. Or told us of his good times before the war, when he went to the races or danced all night.
Or we would be taken to see the man who made the rimpis for the farm. On a flat place down near the new barns were trees where ox hides hung to dry in the shapes of oxen, without their bodies. Or new hide, just lifted off the carcass, was being cut into strips, and then dunked into petrol tins full of brine. Soon they were hauled out, hung over branches, and then a couple of little black boys pulled and worked the strips so they remained supple and could be used for the many purposes of the farm – tying the yokes of oxen around their necks, or tying yokes to the great central beam of the wagon or the cart, making beds and couches, or dried to be wound into great balls like small boulders and kept in a hut till they were wanted. Or the little boys would be rubbing fat and salt on to the insides of new hides, manipulating them, moving them, rubbing them so they would be soft and good for karosses or floor mats.
Or the place where bricks were made. The earth was taken from the towering termite-heaps. It was piled on a flat place, sand added, and then water poured on, and again small black boys stamped around in it, and we, the white children, stamped and danced too, our mother encouraging us, because small children should play with mud and water, Montessori said so. In fact I did not like it. These occasions were like many others, when I was playing a role to please her. I did not like the mud on my feet, and splashing on my legs, but I went on with it, together with my brother and the black children. Then the piles of mud were ready, like poo, as my brother and I giggled, but never telling our mother why. Then the brick boy came with his moulds and one man filled them with mud while another carried the moulds to turn them out in rows over straw. There the sun soon dried them. Then they were built into kilns, and fires lit in the holes like ovens inside them. Soon there they were, the piled-up bricks, red, or yellow, and there we children climbed and balanced, feeling the hot roughness of the bricks on our soles, and we jumped off, and climbed up, again and again, while my mother watched, pleased we were having this experience.
Aeons later, eternities later, the sun slid down the sky into the spectacular sunset we took for granted. But I remember standing there by myself, my whole heart and soul going out and up into those flaming skies, knowing that was where I belonged, in that splendour, which was so sad, so sorrowful, I was not here at all, or I wouldn’t be for long, I would get away from here soon. Soon – how, when a day took for ever and for ever? Round about then I wrote a ‘prose poem’ about a sunset, a paragraph long, and my mother sent it into the Rhodesia Herald. My first printed effort. The complex of feelings about this were the same as now: I was proud that there I was in print, uneasy that impulses so private and intimate had led to words that others would read, would take possession of. I was wriggling with pride and resentment mixed when mother said Mrs Larter had said how clever I was to have a piece in the paper. And she’s so young too. But I made a private oath that next time I was taken with a ‘prose poem’, it would remain my secret.
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