Claudia Carroll - Personally, I Blame my Fairy Godmother

‘Jessie, do you think we could get a shot of you over here at the grand piano?’ Katie, the interviewer, trills across the room at me, to where I’m perched up on a bar stool, still getting make-up slapped on and nowhere near camera-ready. For the record, Katie’s absolutely lovely; young and spray-tanned and skinny, hungry for work and only delighted to be in front of a TV camera. Just like I was at her age. In fact, give her another two years and she could very well end up doing my job. She’s also bouncy and energetic and, when there’s a microphone in her hand, talks in exactly the same sing-song cadences that air hostesses do. Honest to God, she’ll be doing seat-belt demonstrations next. Plus, like most TV presenters, she talks in exclamation marks and uses the word ‘fabulous’ a lot.

‘Oooh, Jessie, I’ve just had a fabulous idea. Maybe we could film you actually tinkling away at the piano? Would that be OK, do you think?’

She beams at me, brightly, expectantly, and I haven’t the heart to tell her that the only thing I could possibly manage to bash out would be ‘Chopsticks’. The piano, like so much in this house, is kind of just for show, really. I mean, no one actually plays these things outside of concerts in Carnegie Hall, do they?

‘Oh, no, hold on, wait now…I’ve a far more fabulous idea,’ Katie thankfully changes her mind, but still somehow manages to sound like cabin crew cheerily telling you to clip up the tray in front of you, that there’s only fifteen minutes to landing. ‘Instead, how about a shot of you standing just here by the piano and talking us through all the amazing photos you’ve displayed on it? Yeah? Wouldn’t that just be, emmmmm…what’s the word? Fabulous!’

‘Yes, Katie. That would be…fabulous.’

I am such a moron. When will I learn that it’s a really crappy idea to let a film crew into your house to shoot an ‘at-home-with, day-in-the-life-of’ piece when a) I’m as hung over as a dog, b) on account of point a), I’ve had exactly seventeen minutes’ sleep, c) I only barely managed to haul myself out of bed in time to clean up the living room for this lot arriving, so if they ask to see any other room, I’m finished. In this house, the law of mess transference applies; i.e., no sooner do I tidy one room than an equal and corres-ponding amount of clutter appears somewhere else. Plus, because the downstairs loo has been blocked for about three weeks now, the entire house is beginning to smell like low tide in Calcutta and I can’t afford to get a plumber out. Ahhh, plumbers. God’s way of telling you that you make too little money. Worst of all, though, is point d) in what’s become something of a monthly nightmare in this house: my Visa bill has just arrived in a worryingly thick envelope and is now plonked on the fireplace looking accusingly at me, almost daring me to open it.

I’ll come back to that last point later. What’s immediately bothering me now is that the poor unfortunate make-up artist is having a right job of it trying to disguise the purpley bits under my saggy, baggy, bloodshot eyes, to make me look even halfway human. Because I’m supposed to be all glowing and healthy and radiant for this shoot, not pasty and washed out, with a tongue that feels like carpet tiles and a cement mixer churning round inside my brain.

Then another horrible tacked-on worry; my agent would put me up against a wall and shoot me if he could see the minging state of me right now. In fact, it was his idea that I take part in this whole, lunatic A Day in the Life documentary, on the grounds that the TV show that I present is coming up to its season finale, which means my contract is up for renewal, which means, in his sage words, it’s time to ‘Beef up your profile and hope for the best.’

The show I front, you see, is a light, fluffy, tea-time, family-friendly programme called Jessie Would, where people text in mad, wacky ideas for dares and then I have to do them. Yes, all of them; the good, the bad and the downright unprintable. So basically, my job is whipped cream and as said agent is constantly reminding me, this is not a good economy to be whipped cream in. Particularly not when you’re in debt up to your oxters, desperately trying to keep up this lifestyle with friends who insist on partying like it’s the last days of Rome.

‘Late one last night, was it Jessie?’ the lovely make-up artist whispers sympathetically to me, brandishing a mascara wand in the same, skilled way that a surgeon holds a scalpel. I manage a guilty nod back. Wasn’t even my fault either. In fact, if it were up to me, I’d have been in bed by half ten with a cup of milky Horlicks and two cucumbers on my eyes. Honest. But then you see Sam, that’s my boyfriend, got a last-minute invitation to a launch party that a sort of rival-frenemy-business contact of his was having and we had no choice but to go along. Long story, but basically Sam’s got wind of the fact that there’s a vacancy coming up as a panellist on one of those entrepreneurial TV programmes where people pitch business ideas, some terrific, some crap, to a terrifying gang of business experts, who subsequently either rip them apart or else rob their ideas and claim them as their own. Sorry, I meant to say invest in these wonderful commercial opportunities, ahem, ahem. Anyway, the guy who was hosting the launch party last night is already a regular panellist on this particular show, and Sam figured it would be the perfect way for him to network and get his spoke in early, as it were. And I’m not just saying it because I adore him, but he really would be wonderful on the show; Sam is young, charming, successful, has a finger in just about every corporate pie you can think of and genuinely believes that being good in business is a shamanistic power bestowed on the few. Plus, because he’s a high-profile economist by trade, with an occasional column in The Times and everything, he’s already done loads of bits and pieces on telly and one commentator even hailed him as something of a poster boy for the world of finance, ‘who manages the not inconsiderable feat of making economics accessible to the man on the street’. Blah, blah, blah. In fact, pretty much every time there’s either an interest rate hike or a bank collapse, some news show on Channel Six will be sure to wheel Sam out for keen yet insightful commentary on said crisis. Mind you, it helps that he’s outrageously good-looking, in a clean-cut, sharply tailored, chiselled, TV-friendly kind of way. Darcy-licious. Conventionally tall, dark and handsome, like one of the junior Kennedy cousins, right down to the thick bouffey hair, the toothiness and the tan. The kind of fella that even gay men drool over. He’s also incredibly hard-working, with about twenty different business interests on the go and basically hasn’t slept for about the last five years or so. Oh, and as if all that wasn’t enough, in his spare time he’s written a soon to be published autobiography entitled, and I swear I’m NOT making this up, If Business is the New Rock & Roll, then I’m Elvis Presley.

Don’t ask me why he wants this particular TV gig so desperately, although he often jokes and says that you’re never closer to God than when you’re on television. I think for a high-achiever like Sam it’s just the next logical rung on the ladder, the jewel in the crown. Although, knowing him and his Type A personality, no sooner will he get what he wants, than he’ll stop wanting it and start chasing some other rainbow. Politics, maybe. He’s one of those guys that could basically turn his hand to anything and it wouldn’t surprise me a bit if he ended up running the country in a few years’ time. But for now, his one goal is to be a panellist on this investment show for budding entrepreneurs and knowing him, he’ll basically drill his way through concrete to make it happen.