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Peter Ransley: Plague Child

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Peter Ransley Plague Child

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The first instalment of a captivating trilogy set against the backdrop of the English Civil War.September 1625: Plague cart driver, Matthew Kneave, is sent to pick up the corpse of a baby. Yet, on the way to the plague pit, he hears a cry – the baby is alive. A plague child himself, and now immune from the disease, Matthew decides to raise it as his own.Fifteen years on, Matthew’s son Tom is apprenticed to a printer in the City. Somebody is interested in him and is keen to turn him into a gentleman. He is even given an education. But Tom is unaware that he has a benefactor and soon he discovers that someone else is determined to kill him.The civil war divides families, yet Tom is divided in himself. Devil or saint? Royalist or radicalist? He is at the bottom of the social ladder, yet soon finds himself within reach of a great estate – one which he must give up to be with the girl he loves.Set against the fervent political climate of the period, 'Plague Child' is a remarkable story of discovery, identity and an England of the past..

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PETER RANSLEY

PLAGUE CHILD

Copyright William Collins An imprint of HarperCollins Publishers Ltd 1 London - фото 1

Copyright

William Collins

An imprint of HarperCollins Publishers Ltd. 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

Copyright © Peter Ransley 2011

Peter Ransley asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

HarperCollins Publishers has made every reasonable effort to ensure that any picture content or written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007312351

Ebook Edition © 2011 ISBN: 9780007357208

Version: 2017-09-05

For Cynthia, Nicholas, Imogen, Rebecca and Lochlinn

Contents

Cover

Title Page PETER RANSLEY PLAGUE CHILD

Copyright

Prologue

Part One - At the Half-Moon

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Part Two - Highpoint

Chapter 27

Chapter 28

Chapter 29

Chapter 30

Chapter 31

Chapter 32

Chapter 33

Chapter 34

Chapter 35

Chapter 36

Chapter 37

Chapter 38

Part Three - Edgehill

Chapter 39

Chapter 40

Chapter 41

Chapter 42

Chapter 43

Chapter 44

Chapter 45

Chapter 46

Keep Reading Конец ознакомительного фрагмента. Текст предоставлен ООО «ЛитРес». Прочитайте эту книгу целиком, купив полную легальную версию на ЛитРес. Безопасно оплатить книгу можно банковской картой Visa, MasterCard, Maestro, со счета мобильного телефона, с платежного терминала, в салоне МТС или Связной, через PayPal, WebMoney, Яндекс.Деньги, QIWI Кошелек, бонусными картами или другим удобным Вам способом.

Historical Note

Acknowledgements

BEHIND THE SCENES

CONSTRUCTION AND CREATION

AN IDEA, LIKE A GHOST

UNOPENED ON A SHELF

About the Author

About the Publisher

Prologue

One cloudy September evening in 1625 Matthew Neave drove the cart, loaded with the bodies he had collected, to the edge of the River Cherwell. Seven bodies: they would not pay him much for that.

While the horses drank he finished off the last of his bread and cheese. The bread was hard and dry and he softened it from his flask of beer as he waited for the light to go. He never went near the plague pit before dark.

In early summer, at the start of the plague in Oxford, relatives would lie in wait for the cart. Fear of the disease was overcome by the fear of hell that their loved ones (and they later) would suffer if they did not get a Christian burial in sanctified ground. Matthew was stabbed and nearly thrown into the pit in one fight before the watch was called.

But as people died or fled, and that remorseless hot summer reduced the remainder to a numb apathy, the disturbances petered out. Nevertheless, when he heard the sound of a galloping horse, Matthew put down his flask. Beer dribbled unnoticed down his stained fustian jacket as he stared over Christchurch Meadow.

He couldn’t make out the rider at first for the trees, but the horse was a black gelding, a gentleman’s horse. The horse cleared the trees. The rider was dressed in black. He was masked, although the day had not been hot. The mask might hold a nosegay of herbs to protect against the plague, but Matthew was taking no chances.

He picked up the knife with which he had cut the cheese and retreated to the cart – the stench of its rotting bodies better protection than any weapon.

The man reined in the horse well short of him.

‘Matthew Neave?’

‘Who wants him?’

The man took off his mask, but kept the herbs it contained to his face. Matthew dropped his knife and pulled off his hat, words drying in his throat. This was no gentleman. The horse was better bred than the man riding it, but for Matthew Mr Ralph was of much more immediate concern than any gentleman.

Mr Ralph was Lord Stonehouse’s steward. A yeoman’s son, he had acquired a small estate in his own right, field by field, the painful struggle to build it showing in the deep seams of his face. The deepest seam was a jagged scar running from his right cheek to his neck.

‘There’s a dead child at Horseborne. Bennet’s farm.’

Several miles away, over Shotover Hill, on the edge of Lord Stonehouse’s estate.

‘A plague child, sir?’

‘Yes.’

Matthew knew this was wrong, knew this was trouble. He had caught the disease when he was six. The agonising black boils under his arms burst and he had survived. They threw the rest of his family in the cart and left him locked in the house alone.

The Plague Orders, no doubt reflecting most people’s conviction that the disease was God’s punishment, specified that victims should be quarantined for forty days and forty nights. For over a month Matthew had been locked in alone, kept alive by the pottage and weak beer passed to him through a window by the only neighbour who would go near him.

Since the few who survived did not catch the plague again, what had nearly killed Matthew now provided him with his bread and, in a plague year like this, meat. Some people thought Matthew a cunning man because it was said he could predict who was going to die of the disease and who was going to live. Perhaps the steward kept his distance now not just because of the bodies, but because he had heard these stories.

Matthew scratched his head. He knew every case for twenty miles around. Someone might have escaped from quarantine, but that was unlikely. It was even less likely that the disease was still spreading. The cold sharpness in the air, the dwindling number of bodies, told him the outbreak was practically over.

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