Annabel Kantaria - I Know You

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‘Draws you in and doesn’t let you go. Gripping, chilling and twisted.’ Judy FinniganYou trust me. You shouldn’t. That picture you just posted on Instagram? I’ve seen it.The location you tagged? I’ve been there.You haven’t been careful enough, have you?Because I know all about you.But when I meet you, I won’t tell you that.I’ll pretend. Just like you do.You’ll like me though. You’ll trust me enough to let me into your life.And then I’ll destroy it.

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‘It’s nice,’ I say, ‘but we can make it better. Oh, I brought coffee, by the way. Decaf, of course.’ I carefully extract the two coffees, put them on the table and hand the bag to Anna. ‘And some chocolate croissants. To keep our energy up.’

‘Ooh. I’ll get a plate.’ Anna disappears off towards the kitchen and I have a better look around. Like the hallway outside, the room has rather knackered stripped floorboards. A tatty red sofa dominates a mish-mash of a room. I narrow my eyes and try to reshuffle the furniture in my head; what would go where; what would fit where, then Anna’s back with the croissants on a plate.

‘Thanks,’ she says, ‘they look delish.’

‘You’re so welcome.’ I rub my hands together. ‘Right, shall we start with your dining table? Is that where you want it?’

Anna sighs. ‘I don’t know.’

I purse my lips to make it look like I’m thinking when clearly it’s a no-brainer. ‘Well, if it’s of any help at all,’ I say, ‘I have a similar layout and I’ve played around with it a lot .’

‘Oh wow,’ Anna says. ‘Same house?’

‘No. Same living area but we have the extra room downstairs which I don’t think you do? Shall I show you what I’ve done? I shan’t be offended if you don’t like it.’

‘Really? That would be fantastic.’

‘It’s no problem,’ I say. ‘Right. So, I have the dining table in this section, closest to the kitchen, so you can separate out a food/eating area.’ I look at Anna and wonder if, like me, she ends up eating dinner on her lap in front of the television when her husband’s away – or skipping dinner because cooking for one’s such a depressing activity – but she nods.

‘Okay.’

‘Then the sofa really looks like it should go there,’ I say, pointing where it currently is, ‘and I had mine there for, like, forever but if it’s there the light from the window means you always have to close the curtains to watch TV. Not an issue if you only watch it at night, but if you’re partial to a little daytime TV – though you probably aren’t since you work,’ I look at Anna, suddenly embarrassed, ‘then it’s better to put the sofa here.’ I point to the mid-section of the long room. ‘You can create a divide if you put the bookcase behind it so it backs onto it. What do you think?’

Anna’s shaking her head with a big smile on her face. ‘It sounds amazing. Shall we give it a go?’

Eight

‘What do you think?’ I ask when we’ve finished moving the furniture. I’m standing with my hands on my hips, still slightly out of breath from all the exertion, and instinctively I arch my back gently, my hand on my bump, to stretch it out. It’s odd to see a room that looks like ours, with furniture in the same position as ours, but with such different pieces. Nothing of Anna and Rob’s actually matches; there’s no unifying theme. A lot of it looks like it might have come from second-hand shops or have been passed down from friends or family. It’s not a problem, though. If Anna wants, I can easily pull it together with soft furnishings and accessories.

‘It’s awkward because it’s such a long, thin room,’ I say, ‘but it works like this. If you want it even more streamlined and can stretch to it, a flat-screen TV fixed to the wall will save you floor space. We have one. It just means the room’s less cluttered.’ I look around for my coffee and take a sip, grimace and put it back down.

‘Gone cold?’ Anna asks. ‘Can I get you anything else?’

‘Some water would be great, thanks.’ I flop onto the sofa, suddenly aware of how physically worn out I am. It’s only half eleven – too early for lunch – but I don’t want the day to end now. I’m looking forward to going out for lunch with her.

‘Do you want me to help with anything else?’ I ask when Anna returns with the water.

‘Umm.’ She frowns. ‘I know. Could you help me decide where to put my pictures? I think they’re in this box…’ She opens a box and pulls out three or four framed prints. They’re pretty nondescript and I’m kicking myself for being a snob about them when Anna sighs. She’s holding one out at arm’s length. It’s a stylized picture of some colourful flowers that I know was from Ikea ten or more years ago.

‘I don’t know,’ Anna says. ‘They’re a bit tired, aren’t they? We’ve had them for years. They were mine before we got married. Maybe it’s time for something new.’

‘It’s up to you.’ I pause, aware that I mustn’t come across as desperate. ‘The sales are on at the moment…’ I cock my head. ‘If you fancy doing a bit of shopping, I’d be happy to come and help you choose?’

Anna smiles. ‘Really? You wouldn’t mind?’

‘Absolutely! I love shopping. Even better when it’s not my money! When do you want to go? This afternoon?’ She looks taken aback and I suddenly think I’ve been too forward. ‘Unless you have something planned?’

‘No. I… no, that’s fine.’

‘Okay. Great!’ Lunch! Shopping! ‘So,’ I rub my hands together. ‘What about upstairs? Do you need any help there?’

She hesitates for a beat, which stretches, then she says, ‘Sure. Come and have a look.’

I follow Anna up the narrow stairs. The master bedrooms aren’t big in these houses but Anna and Rob’s seems more spacious than ours. It takes me a minute to figure out why: our king-sized bed takes up most of the available floor space, but Anna’s standard double leaves more carpet space. Apart from two small bedside tables, it’s the only piece of furniture in the room.

‘It’s the same as mine,’ I tell her. ‘If you just turn the bed this way…’ I mime it with my arms, ‘then you’ll open up this area, which means you get better access to the wardrobes and can use this area here. Shall we?’

Pushing and pulling, we move the bed and stand back, pleased with our work.

‘It looks great. Thank you,’ Anna says. She follows my eyes, which are looking at a photo on the bedside table. It’s of her and the man I saw on Instagram.

‘Is that Rob?’ I ask.

She picks it up and hands it to me. Anna looks a lot younger and her hair’s a few shades darker.

‘That was when we first got together,’ she says.

‘Aww, you look good together.’

‘I hope he likes the house,’ Anna says, taking the picture back. ‘He hasn’t seen it yet. There’s not a lot of storage space. I tried to get his stuff in here but it’s a bit of a squash.’ She opens the wardrobe door. ‘I’ve had to give him a load of the hanging space for his shirts. Good job I don’t like dresses!’

‘I know,’ I say. ‘It’s brutal.’

I step out onto the landing where there’s another door. I put my hand on the knob. ‘Is this the…?’ I raise my eyebrows, remembering the picture of the white cot she’d put on Instagram hashtagged ‘#wishlist’.

‘Yes. But I’m not showing anyone.’ She puts her hand on her bump. ‘I don’t want to jinx anything.’

‘I get that. Completely. I was the same. Nothing until the baby’s completely viable, right?’

She smiles at me. ‘Exactly. Rob thinks I’m superstitious,’ Anna says, ‘but still.’ We go down the stairs to the hallway, where we stand awkwardly for a moment, then she pulls her phone out of her pocket.

‘Oh no,’ she says, looking at the screen. ‘I know we talked about lunch but some urgent work’s come up. I’m not going to be able to make it after all.’ She looks up at me with an apologetic smile. ‘Why don’t we postpone lunch to Monday? Do the shopping then? My treat.’

The empty day suddenly yawns ahead of me and there it is: the blackness that’s been kept at bay all morning. It trickles coldly around my heart, trying to find a way in, but I push it back.

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