Annabel Kantaria - Coming Home - A compelling novel with a shocking twist

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An ordinary family. A devastating betrayal.‘An utterly compelling story of loss and betrayal – I loved it’ – Judy FinniganEvie has been away from home long enough to bury the pain that shaped her childhood.Now, with the sudden death of her father, she must return. Back to the same house. Back to the memories. Back to her mother.At first, coming home feels unexpectedly comforting. But, as she goes through her father’s files, Evie uncovers a secret that opens old wounds and changes her life forever.That’s only the beginning. As Evie’s world starts to shatter around her, she realises that those she loves most are also those capable of the deepest betrayal.A powerful, poignant novel, Coming Home is perfect for fans of Jodi Picoult and Liane Moriarty. Praise for Annabel Kantaria‘An utterly compelling story of loss and betrayal – I loved it’ – Judy Finnigan'A gripping debut. You won’t be able to turn the pages quick enough.' - Bella magazine‘Compelling … fans of Jodi Picoult and Liane Moriarty will enjoy this powerful new book’ - Candis' clever, tense thriller about a family falling apart' - Heat

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Born in 1971 ANNABEL KANTARIAis a British journalist whos written - фото 1

Born in 1971, ANNABEL KANTARIAis a British journalist who’s written prolifically for publications throughout the Middle East. She’s been The Telegraph ’s ‘Expat’ blogger since 2010 and lives in Dubai with her husband and two children. Coming Home is her first novel.

Coming

Home

Annabel Kantaria

Coming Home A compelling novel with a shocking twist - изображение 2

For Mum

ACKNOWLEDGEMENTS Table of Contents Cover About the Author Title Page Dedication ACKNOWLEDGEMENTS CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 CHAPTER 7 CHAPTER 8 CHAPTER 9 CHAPTER 10 CHAPTER 11 CHAPTER 12 CHAPTER 13 CHAPTER 14 CHAPTER 15 CHAPTER 16 CHAPTER 17 CHAPTER 18 CHAPTER 19 CHAPTER 20 CHAPTER 21 CHAPTER 22 CHAPTER 23 CHAPTER 24 CHAPTER 25 CHAPTER 26 CHAPTER 27 CHAPTER 28 CHAPTER 29 CHAPTER 30 CHAPTER 31 CHAPTER 32 CHAPTER 33 CHAPTER 34 CHAPTER 35 CHAPTER 36 CHAPTER 37 CHAPTER 38 CHAPTER 39 CHAPTER 40 CHAPTER 41 CHAPTER 42 CHAPTER 43 CHAPTER 44 CHAPTER 45 CHAPTER 46 CHAPTER 47 CHAPTER 48 CHAPTER 49 CHAPTER 50 CHAPTER 51 CHAPTER 52 CHAPTER 53 CHAPTER 54 CHAPTER 55 CHAPTER 56 CHAPTER 57 CHAPTER 58 CHAPTER 59 CHAPTER 60 CHAPTER 61 CHAPTER 62 CHAPTER 63 CHAPTER 64 CHAPTER 65 CHAPTER 66 CHAPTER 67 CHAPTER 68 CHAPTER 69 CHAPTER 70 CHAPTER 71 CHAPTER 72 CHAPTER 73 CHAPTER 74 CHAPTER 75 Extract Endpages Copyright

It’s taken the support of many to get this book to publication.

My deepest thanks go to my brilliant and patient agent, Luigi Bonomi, who picked my manuscript as a winner and offered his unwavering support at every turn, and to Alison Bonomi for her nurturing support and spot-on editorial advice.

Enormous thanks to the Emirates Airline Festival of Literature (EAFOL) and to Montegrappa for making the Montegrappa Prize for First Fiction a reality. Thanks in particular to Isobel Abulhoul, Yvette Judge and the entire EAFOL team; to Charles Nahhas; and to my talented editor, Sally Williamson, and the marvellous team behind the scenes at HQ.

To the first two readers of the first draft of Coming Home , Jane Andrew and Rachel Hamilton, I’d like to say thank you for being so polite.

Heartfelt thanks to the many friends who supported me along the journey, in particular to those who believed in me long before I truly believed in myself: Sarah Baerschmidt, Arabella Pritchett, Claire Buitendag, Vicki Page, Belinda Freeman, Rohini Gill, Julia Ward Osseiran, Sophie Welch and Sibylle Dowding. Special thanks, too, to Ghazwa Dajani and Valerie Myerscough—without your help, I may never have made my deadlines.

And, finally, thanks to my family, who have stood by me every step of the way: to my parents, David and Kay, for making me believe anything was possible; to my children, Maia and Aiman, for their patience when my study door was closed; and to my husband, Sam, for his love, pep talks and fabulous plot ideas, as well as for making me laugh when I most needed to.

Table of Contents

Cover

About the Author Born in 1971, ANNABEL KANTARIA is a British journalist who’s written prolifically for publications throughout the Middle East. She’s been The Telegraph ’s ‘Expat’ blogger since 2010 and lives in Dubai with her husband and two children. Coming Home is her first novel.

Title Page Coming Home Annabel Kantaria

Dedication For Mum

ACKNOWLEDGEMENTS

CHAPTER 1

CHAPTER 2

CHAPTER 3

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

CHAPTER 30

CHAPTER 31

CHAPTER 32

CHAPTER 33

CHAPTER 34

CHAPTER 35

CHAPTER 36

CHAPTER 37

CHAPTER 38

CHAPTER 39

CHAPTER 40

CHAPTER 41

CHAPTER 42

CHAPTER 43

CHAPTER 44

CHAPTER 45

CHAPTER 46

CHAPTER 47

CHAPTER 48

CHAPTER 49

CHAPTER 50

CHAPTER 51

CHAPTER 52

CHAPTER 53

CHAPTER 54

CHAPTER 55

CHAPTER 56

CHAPTER 57

CHAPTER 58

CHAPTER 59

CHAPTER 60

CHAPTER 61

CHAPTER 62

CHAPTER 63

CHAPTER 64

CHAPTER 65

CHAPTER 66

CHAPTER 67

CHAPTER 68

CHAPTER 69

CHAPTER 70

CHAPTER 71

CHAPTER 72

CHAPTER 73

CHAPTER 74

CHAPTER 75

Extract

Endpages

Copyright

CHAPTER 1 Table of Contents Cover About the Author Born in 1971, ANNABEL KANTARIA is a British journalist who’s written prolifically for publications throughout the Middle East. She’s been The Telegraph ’s ‘Expat’ blogger since 2010 and lives in Dubai with her husband and two children. Coming Home is her first novel. Title Page Coming Home Annabel Kantaria Dedication For Mum ACKNOWLEDGEMENTS CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 CHAPTER 7 CHAPTER 8 CHAPTER 9 CHAPTER 10 CHAPTER 11 CHAPTER 12 CHAPTER 13 CHAPTER 14 CHAPTER 15 CHAPTER 16 CHAPTER 17 CHAPTER 18 CHAPTER 19 CHAPTER 20 CHAPTER 21 CHAPTER 22 CHAPTER 23 CHAPTER 24 CHAPTER 25 CHAPTER 26 CHAPTER 27 CHAPTER 28 CHAPTER 29 CHAPTER 30 CHAPTER 31 CHAPTER 32 CHAPTER 33 CHAPTER 34 CHAPTER 35 CHAPTER 36 CHAPTER 37 CHAPTER 38 CHAPTER 39 CHAPTER 40 CHAPTER 41 CHAPTER 42 CHAPTER 43 CHAPTER 44 CHAPTER 45 CHAPTER 46 CHAPTER 47 CHAPTER 48 CHAPTER 49 CHAPTER 50 CHAPTER 51 CHAPTER 52 CHAPTER 53 CHAPTER 54 CHAPTER 55 CHAPTER 56 CHAPTER 57 CHAPTER 58 CHAPTER 59 CHAPTER 60 CHAPTER 61 CHAPTER 62 CHAPTER 63 CHAPTER 64 CHAPTER 65 CHAPTER 66 CHAPTER 67 CHAPTER 68 CHAPTER 69 CHAPTER 70 CHAPTER 71 CHAPTER 72 CHAPTER 73 CHAPTER 74 CHAPTER 75 Extract Endpages Copyright

I hated seeing the grief counsellor, but I couldn’t get out of it. My teachers, unsure of how to handle me, had contacted social services and I’d been assigned weekly meetings with Miss Dawson, a sensible-looking lady to whom I was reluctant to speak. I blamed her for that: she should have known better than to tell me to think of her as my favourite auntie; everyone knew I didn’t have any aunties .

Every week, Miss Dawson arranged a couple of chairs to one side, near a window that looked out over the playing field. I could see my classmates kicking about in the drizzle. As far as I was concerned, the best bit about the counselling was that I was allowed access to the staff biscuit tin .

I didn’t have much to say to Miss Dawson, though. We’d spent the first two sessions locked in silence as I’d eyed the biscuits. Sometimes under the digestives I could see the edge of a custard cream—once, even a Jammie Dodger. But Miss Dawson didn’t like me rummaging in the tin, so I had to be sure I picked right the first time. A biscuit lucky dip .

Miss Dawson doodled flowers on the clipboard she kept on her knee .

‘Why won’t you talk to me?’ she sighed after we passed the first twenty minutes of our third session together marked only by my munching. I looked at her. How stupid was she?

‘You can’t change what happened, can you?’ I hadn’t realised I was going to shout, and biscuit crumbs sprayed from my lips. ‘You can’t stop it from happening! So what’s the point of all this?’ I jumped up and hurled my biscuit at the wall. The sudden violence, the release, felt good. ‘It’s just to make the adults feel like they’re doing something! But don’t you get it? You can’t do anything! It’s too late!’

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