Melissa Marr - Made For You

Somewhere in my mind, I remind myself that this is not me, that I am Eva Elizabeth Tilling. I am only seventeen, and I have no children or grandchildren.

I try to pull myself out of her skin, but I’m stuck here. My heart hurts. It feels like the beats are going too fast, like I’ve been drinking nothing but caffeine for days, and somehow it keeps going faster and faster. My hands tighten on the arms of the chair. I need to get up, to call someone, to do something. Ethan isn’t here, and I can’t drive, and I think my heart is going to pound out of my chest.

I hear footsteps. He comes into the room. I look up to see a boy standing there.

His hands are on me, helping me not to fall so fast to the ground. I try to say something, but my heart stops racing. I feel it stop.

“Eva?” Grace’s voice interrupts my death, pulling me back into my own skin with a snap, making me try to squirm away from the nurse who holds my wrist in her hand.

I feel her hand like it’s burning me. I try to look to see if the skin is red, but I still can’t focus my eyes.

“You’re awake,” the nurse says, before releasing my wrist to write something on the folded-up paper in her hand.

“Heart attack.” I’m shaking all over and cold like I’ve just been wrapped in icy sheets. Every part of me, other than my wrist, feels frigid.

“No, sweetie. You’re fine . ”

“Heart attack,” I manage to say, even as I notice that my heart isn’t aching now. Just a dream. It was a dream. I’m not a mother, much less a grandmother. I don’t know anyone named Ethan either. I can’t remember what he looked like. I only remember the voice, the fear in it, and the way his hands felt strong while he helped slow my fall. I can see the whole thing playing over in my mind, can catalogue everything but his face.

“Your pulse is fine,” the nurse says as she puts medicine into the tube that hangs from an IV bag beside the bed. “Your heart is fine, Eva.”

“I don’t want to die. So cold.” I feel like I’m drifting again, and I’m scared, so I grab the nurse’s hand. “Freezing.”

“I’ll get a warm blanket,” she promises.

I’m cold, and I hurt all over. I close my eyes. I’m not sure how long I float in that nebulous state between awake and dreaming. When I hear the sound of footsteps, squeaky soles on the tile floor, I wonder if the pain or the footsteps woke me.

I look over at the white-clad woman. She moves a tube that hangs on the side of my bed and stretches to me. It’s obviously an IV line, but I don’t know why it’s there—or why I’m here.

I feel the cold start to crawl up my arm as the medicine travels through my vein from my wrist upward. It’s a disturbing feeling, one I’d like to stop, but by the time I force my lips open to ask the nurse about it, I’m alone in my room. My mind is encased in an ever-increasing fog, and I’m pretty sure the fog is because of that tube in my arm.

I’m not sure if moments or minutes pass before I ask, “Where am I?”

If someone answers, I don’t hear it. Sleep or drugs make the fog and weight stronger, and I’m out again. When I wake the next two times, I try again to ask questions, but if anyone answers—or hears me—I’m not aware of it. All I know is that I hurt, and then I’m drifting away. Maybe that’s why I dreamed of dying: I hurt from my legs to my head. Vaguely, I realize that between the hurt, the IV, and the nurse, I’m obviously in a hospital. I’m just not sure why.

In one of my moments of lucidity, I realize that I can’t move my arms or right leg, but I’m not sure if it’s from the medicine pumping into my veins or if there’s another reason.

“I’m right here,” Grace says from somewhere nearby. I can’t see her, but I’d know her voice anywhere.

“Grace?” With far too much effort, I try to focus on the shape in the chair that is apparently my usually hyper friend.

“Rest. You’re safe, sweetie. We’re here,” Mrs. Yeung says, and I realize that Grace’s mother is somewhere beside her. “You just came out of surgery.”

Grace hurries over to stand beside the bed. “You’re going to be okay, though, and I’m here with you.”

“Don’t leave me, Gracie.”

“I won’t,” she promises, and I am relieved. There’s no one in this world I trust more than Grace Yeung.

“Everything is okay now,” Grace says. She reaches out one hand as if she’s going to brush it over my face, but she doesn’t actually touch me. It’s only the shadow of her hand that lands on me.

“You’re going to be okay,” Mrs. Yeung repeats.

I glance at her and then look back at Grace. She nods in agreement, and then I’m out again.

This time my dreams are a strange mix that may be a series of wakeful moments and unconsciousness. If not, I’m dreaming about nurses and Grace sliding a chair near the bed with a horrible screeching noise—which seems a bit unlikely.

“Why am I here?” I ask, possibly again, possibly for the first time. I don’t remember if I’ve asked, but it’s the most reasonable question after “where am I?”

As promised, Grace is still here. Mrs. Yeung isn’t with her now, but that doesn’t matter. The chair is beside the bed, and her voice is quiet as she answers, “They had to bring you to Durham. You’re in Mercy Hospital. You were unconscious; ‘head trauma,’ they said, but you woke up late last night. This morning, you had surgery on your leg for a broken femur.”

I nod.

“They had to delay the surgery a day, but they operated today. It went well,” Grace says. “You’re in a new room now. You were in ICU.”

“Hazy.”

“You’re still coming out of the anesthesia. Plus, they gave you sedatives,” she explains.

Time passes, and eventually, my head feels clearer. I swallow, trying to speak with a tongue that feels too thick and a mouth that feels too dry, before repeating, “ Why am I here?”

Grace doesn’t answer for a moment, so I watch her face for answers. People are more transparent than they think. Even with whatever medicines pump through the IV tubes, I have enough clarity of mind to see the worry and the anger in Grace’s face. Whatever happened to land me in this bed sent my best friend into a mix of emotions that she’s trying to hide.

“Your parents really should be here to tell you this,” Grace starts. Her lips press together in a judgmental way that’s very familiar when my parents are mentioned. She’s far more judgmental about my parents than I am. I like the independence I have because of their travel and work schedule.

I glance at the giant vase of flowers in the room and know that it’s from them. There are other smaller arrangements, but the big one is orchids, my favorite flower. It’s huge and overflowing. “They sent those.”

“These were waiting when we got to your new room,” Grace says, but she scowls again. Orchids don’t make up for their absence in her book, but I’m sure they have a reason for being away. They always do. Most of the reasons boil down to them forgetting that I’m not actually an adult yet—not that I’m complaining.

“Why did I need surgery?”

“There was an accident,” Grace says, her expression going from angry to gentle in a blink.

I grab her hand and tug.

She straightens her arm so our clasped hands rest on the edge of the hospital bed. She looks almost as tired as I feel. She squeezes my hand and stares at me. Her eyes are red and puffy, and I can tell she’s been crying a lot and sleeping only a little. “I’m glad you’re okay,” she whispers. “I was so scared. You must’ve been terrified.”

“I don’t think I … I don’t remember anything,” I tell her. My voice wavers a little, but I’m not as upset as I probably should be. I feel sort of like I’m in a haze, which raises another question. “What am I on?”