Marcel Moring - In Babylon

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In Babylon: краткое содержание, описание и аннотация

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Winner of two major European prizes, this funny, quirky chronicle of a family of Dutch clockmakers is a bestseller in the Netherlands.Sixty-year-old Nathan Hollander is stranded in a winter blizzard with his young niece, Nina, in the deserted house of his late Uncle Herman. As they wait for the weather to improve, Nathan tells Nina the story of their forefathers – a family of clockmakers who came to the Netherlands from Eastern Europe and then emigrated to America before WWII. An extraordinary and rich family history emerges.An epic family saga, a Gothic novel gone haywire, a very human story and a chronicle of the twentieth century, In Babylon is already set to be a classic European novel. A piece of very solid, traditional storytelling combined with a very funny, sensual magical realism. A brilliant merging of the lightness of popular American writing and the depth of European literature.

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Yankel looked at Rivka. She swallowed hard.

‘Rivka,’ he said, ‘never call a person what he seems. Try to hear his true voice, smell his true smell, and see his true face.’

The girl nodded.

‘And another thing,’ said Yankel, turning to his wife, ‘the kugel’s burning.’

Who’s There?

WHEN I AWOKE, the fire had died down to a smouldering heap. I got up from my chair and began piling wood on top of the remains. There was still enough life left in the red embers at the bottom of the hearth. The chimney drew the glow through the new layer of wood, and five minutes later the room was lit red once more by a roaring fire. I did my best to keep it low, but the draw was so strong that the flames shot into the chimney on the least provocation. In the hall, the door was still rattling. I picked up a few large chips of wood and walked out of the library to go and secure it. On the threshold, I stopped. The library had been heavy with the twilight of closed shutters and drawn curtains, so I hadn’t realized how dark it was outside. Here, in the hall, the sky behind the windows above the door was blackish-grey. An ominous, dull rumble echoed. From this close it was as if the wind itself had fists and was pounding on the door, demanding to be let in. Without knowing why, I looked up, at the barricade. I didn’t expect to see anything, no translucent ghost, no wild apparition in tattered robes with streaming black hair, yet my gaze was drawn to the first floor. Then I heard a voice. It came from far away, muffled. It was a voice that no longer had the strength to cry out, yet cried out all the same. I shook off my hesitation, ran to the door, and turned the key.

A vortex of snow and cold flew in, wrenching the door handle out of my hand. I was pushed backwards. The freezing air tore at my clothes, flakes whirled around my head and I heard nothing but the howling, raging, whistling and wailing of the wind. Just when I had got my foot behind the door and was about to push it closed again, a dark figure blew inside.

Nina lay on the marble floor like a fallen bird. She wasn’t moving. Her lips had a bluish sheen and her face was nearly as white as the snow that caked her jacket and legs. She had no shoes on and her stockings hung in shreds around her ankles. I took her in my arms and carried her into the library, where I lowered her into the armchair in front of the hearth. Then I ran to the hunting room. There, in the big linen cupboard, I found the sleeping bag Uncle Herman sometimes wrapped around his legs when he felt like sitting outside on a chilly night. The thing smelled strongly of mothballs. Back in the library I peeled Nina out of her coat and slid her into the downy envelope. She didn’t move; she didn’t even shiver. I threw more wood on the fire, took a candle and went into the kitchen, where I pushed open the outside door, filled the percolator with snow, and put it on the back of the stove. As the water bubbled up, gurgling and sputtering, I stared out the window. Now and then there was a lull in the endless storm and I saw the garden glowing blue in the moonlight. But then the wind would scoop up some snow and hurl it towards the kitchen and the dark hole above the lawn would turn white. I leaned over the sink and peered into the darkness. The drifts under the window and against the garden house were at least three feet high by now.

The water in the percolator began to turn brown. I got out mugs, spoons, and sugar and went into the hunting room. In the cupboard, Uncle Herman’s old clothes lay in neat piles waiting for someone who was never going to come back. I chose a pair of corduroy trousers, a jacket, thick woollen socks, and a jumper. Then, the clothes under my arm and mugs of hot coffee in my hands, I returned to the library. In the cabinet where Uncle Herman kept his liquor, I found a bottle of Irish whiskey. I poured a generous swig into the coffee. Nina was sitting in the chair by the fire, the sleeping bag up to her chin. Her eyes were open and her teeth were chattering loudly. I held the mug to her lips and helped her sip.

I had barely had time to think since she blew in. Now the first questions started coming. How, why? How long had she been pounding at the door? Why had she left? And then returned? What would have happened if I hadn’t heard her? I put the mug down on the table next to my half-eaten meal and looked her over.

‘Cold. I. Thought. I. Was. Going. To die,’ she said.

I kneeled down in front of her, unzipped the sleeping bag and pulled her feet towards me. ‘These stockings will have to come off.’

Her head sagged jerkily downward in slow, stiff arcs. Her eyes were open wide, the pupils deep holes in the sparkling green of the iris.

I slipped my hands under her skirt and tugged so hard on the pantyhose that she nearly slid off the chair. She kicked feebly and wriggled her way back up.

‘Can you put these on yourself?’ I asked. I held up Uncle Herman’s clothes.

‘Yes,’ she said. ‘Yes.’ She got to her feet, shakily, stepped into the trousers and pulled them up.

‘Better take off that skirt.’

She nodded.

‘That coat, too.’

When she had changed and was sitting in the chair with a fresh mug of coffee and whisky, I took hold of her feet. I slid her right foot under my jumper, next to my bare skin, and began rubbing the left one. It was like massaging a block of ice. The foot under my jumper was so cold, I could feel it burning against my skin. Nina dropped her head back and closed her eyes.

After a while I helped her out of the chair and sat down in her place. I pulled her onto my lap, laid the sleeping bag over us both, and clasped her tightly. She sat on my knee like a mannequin, cold and stiff. It wasn’t until she had warmed up and the whisky began to take effect that she relaxed.

Half an hour passed before the colour returned to her cheeks. Her forehead was beaded with sweat, her teeth had stopped chattering. The scent of her body rose from the sleeping bag. Her wet hair began to dry, the dark damp streaks grew lighter. I wriggled myself out from under her, tucked her back into the sleeping bag, and busied myself with the fire. It was a fire to be proud of, large pieces of wood that burned evenly and cast a fierce heat. In the library, black shadows danced against the orangey-red glow from the hearth.

‘What’s in this?’ she asked, after I had brought fresh coffee and sat down in the chair next to her.

‘Coffee in mine, coffee and whisky in yours.’

She smiled drowsily. Her cheeks were glowing now, her eyes were slightly moist, and they glittered. ‘I can’t,’ she said. ‘I’ll get drunk.’

I picked up the plate next to my chair and fixed her some crackers and cheese. She wolfed them down with the gusto of someone who hasn’t eaten for a very long time.

‘I thought you were going to rape me,’ she said with her mouth full.

I dug my cigarettes out of my jacket pocket and stuck one between my lips. ‘I always let my victims warm up first. I’m no necrophiliac.’

‘A cigarette. I must have a cigarette.’

Her voice was unsteady, the alcohol had set her adrift from the anchor of control. She leaned towards me and stared into my face. I lit her a cigarette, avoiding the piercing black pupils that were trying to bore their way into my eyes. She flopped back in the cracked leather and blew out smoke.

‘Why did you come back?’

At first she didn’t seem to understand my question. Then she raised her right hand and drew on her cigarette. She wrapped herself in a cloud of smoke and shook her head. A shiver ran through her. ‘I was nearly at the bottom of the Mountain. I drove into a snowbank.’

‘You walked back up? All the way to the top?’

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