Doris Lessing - Martha Quest

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The opening book in the Nobel Prize for Literature winner’s ‘Children of Violence’ series tracing the life of Martha Quest from her childhood in colonial Africa to old age in post-nuclear Britain.When we first meet Martha Quest, she is a girl of fifteen living with her parents on a poor African farm. She is eager for life and resentful of the deadening narrowness of home, and escapes to take a job as a typist in the local capital. Here, in the ‘big city’, she encounters the real life she was so eager to know and understand. As a picture of colonial life, ‘Martha Quest’ succeeds by the depth of its realism alone; but always at its centre is Martha, a sympathetic figure drawn with unrelenting objectivity.Martha’s Africa is Doris Lessing’s Africa: the restrictive life of the farm; the atmosphere of racial fear and antagonism; the superficial sophistication of the city. And both Martha and Lessing are Children of Violence: the generation that was born of one world war and came of age in another, whose abrasive relationships with their parents, with one another, and with society are laid bare brilliantly by a writer who understands them better than any other.

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The closeness of this group expressed itself somewhere else, perhaps in the look of dogged self-sufficiency, the look of the inveterate colonizer; but in that case, they were colonizers in a country which considered itself past the colonizing stage. Not so easy to put flesh and blood on the bones of an intellectual conviction; Martha was remembering with shame the brash and easy way she had said to Joss that she repudiated race prejudice; for the fact was, she could not remember a time when she had not thought of people in terms of groups, nations, or colour of skin first, and as people afterwards. She stood on the veranda of Socrates’ store, and looked over the empty dusty space to the railway line, and thought of the different people who passed there: the natives, the nameless and swarming; the Afrikaans, whose very name held the racy poetic quality of their vigorous origins; the British, with their innumerable subgroupings, held together only because they could say, ‘this is a British country’ – held together by the knowledge of ownership. And each group, community, clan, colour, strove and fought away from the other, in a sickness of dissolution; it was as if the principle of separateness was bred from the very soil, the sky, the driving sun; as if the inchoate vastness of the universe, always insistent in the enormous unshrouded skies, the enormous mountain-girt horizons, so that one might never, not for a moment, forget the inhuman, relentless struggle of soil and water and light, bred a fever of self-assertion in its children like a band of explorers lost in a desert, quarrelling in an ecstasy of fear over their direction, when nothing but a sober mutual trust could save them. Martha could feel the striving forces in her own substance: the effort of imagination needed to destroy the words black, white, nation, race , exhausted her, her head ached and her flesh was heavy on her bones. She looked at the Van Rensbergs’ car, and thought that she had known them for years, and yet she was reluctant even to cross the dust and greet them. She walked off the veranda and towards the car, smiling rather queerly, for when it was too late to retreat it occurred to her that they might not wish to have their friendship with the Quests so publicly emphasized.

She came to a standstill at the car door, and said good afternoon to Mr Van Rensberg. He nodded at her, and went on reading the newspaper, having made a hunching movement with his shoulder towards the back of the car, where Marnie was sitting between two married sisters who held small babies. There was a young man beside Mr Van Rensberg, who greeted Martha, and she smiled at him hastily, thinking, This must be a cousin; for his face was the family face.

Marnie was smiling with constrained pleasure, and looked uncomfortably at her father’s back; and this made Martha wish she had not come. Over his shoulder, she could see the name of the most rabid nationalist journal from the south; while she did not know the language, there was hardly any need to, for the words and phrases of nationalism are the same in any tongue, but the knowledge that the brain behind the close-cropped black head beside her was agreeing with what was bound to be a violent complaint about the very existence of the British made her drop her voice like a guilty person as she said to Marnie, ‘Why don’t you come over and see me soon?’

‘I’d like to, man. I’d like to,’ agreed Marnie, in the same low tone, and with another glance at her father. ‘Your dress is the tops, Martha,’ she added. ‘May I have the pattern?’

‘Of course,’ said Martha, with an involuntary glance at Marnie’s matronly body. ‘Come over for the day …’ She had lowered her voice almost to a whisper; the absurdity of it made her angry. She and Marnie quickly said goodbye, smiling at each other like conspirators; she dropped another smile in the direction of the attentive young man in the front seat, and hastily retreated back to the store.

She had no lift home. She would have liked to walk; she intended to, but … She imagined that eyes would follow her, queerly, as she set off, on foot, along a road where a dozens cars might be expected to pass that afternoon. White girls do not … As she was hesitating on the veranda, she saw Joss approaching, and smiled with what was, had she known it, a tenderly amused appreciation of the figure he cut. He wore a respectable dark suit, he carried books under his arm, he moved in a careful, constrained way, eyes watching the direction of his feet, his shoulders a little hunched. He seemed, in fact, already the sober professional man he intended to become; he was altogether out of place among these khaki-clad, open-air people; and knew it, and approved. For these farmers, these men of the soil: when they approached, one saw first the exposed developed limbs, the body; one marked the hard muscled forearm perhaps, or the bronze knotted pillar of the thigh, or the stride, or the swing of the arms; they moved magnificently, at ease, slowly, to match the space and emptiness of the country – no suggestion here of limbs grown cautious and self-contained, against possible undesired contact. Yes, here one stands at a distance from a man, a woman, and sees them whole. First the way of walking, the stance of the body. Then lift your eyes to the face, and the first impression is confirmed: what fine, exposed, frank faces, wholesomely weathered, unafraid, open to every glance. And then (but lastly) the eyes, look straight at the eyes – which of course meet yours with the completest frankness. Nothing to hide here, they say; everything above-board, take it or leave it. But always, behind the friendly brown eyes, the welcoming blue ones, is the uneasiness; something not easily defined. but expressed best, perhaps, in a moment of laughter. The man laughs out loud, an infectious wholehearted laugh; but there is a faint sideways flickering movement of the eyes, the eyes are not altogether there, there is an absence, something blank and empty. Take, for instance, that contingent of fine young colonials marching down the Strand with their English cousins. What fine young men, what physique; a head taller than the rest, bronzed, muscled, strong as horses. Then look at the eyes. But the eyes seem to say, ‘What do you want with us? Aren’t our bodies enough for you?’ There is a pale and fretful look; the soft and luminous darkness that should lie behind the iris is simply not there. Something is missing.

And so it seems that one cannot have it both ways, one has to choose; and Joss chose, without any hesitation.

Martha, watching him approach, was conscious of the most perverse but definite feeling of pity. Why pity? She envied him almost to the point of bitterness, knowing exactly what he wanted, and how to get it. She saw how the compact, neat body, hidden under dark grey flannel, moved carefully across the sunlit, filthy dust, as if every nerve and muscle were connected direct to his will; she saw how his eyes were focused, steady and direct, the whole of himself behind them, so that it was only when one looked into his eyes that one saw him; she saw the great difference there was between Joss and these farmers, and she half envied, half pitied him. Pity? What for? One does not pity a person who knows what it is he chooses and why.

Martha was watching him in a way which would allow her to pretend, to herself at least, that she was not; she was afraid he might go past her with another of his formal nods. He came straight towards her, however, extended the books, and said brusquely, ‘I thought you’d like these.’

‘How did you know I was still here?’ – with feminine obliquity.

‘I can see the store through the trees.’

For a moment Martha was irrationally angry, as if she had been spied upon; then he asked, ‘How are you getting home?’ and she replied defiantly, ‘I’m walking.’ It seemed, however, that Joss could see no reason why she should not walk; and after a hesitation he merely said, ‘So long!’ and walked back across the dust. Martha was disappointed – he might have asked her back to his home, she thought. Then she understood that he was waiting for her to invite herself; and this confused her. She shrugged away the thought of Joss, who always made her feel deficient in proper feeling; and with the parcel of books under her arm, which gave her confidence, she walked away off Socrates’ veranda, and along the road home.

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