‘What on earth do you do in there all day?’ he would recall his mother asking him, as he rubbed his eyes in the hall.
‘The boy just likes to be quiet,’ Nan Burnett answered for him.
‘Odd thing for a boy,’ said his mother.
‘Don’t fuss, Irene. He’s a happy lad. Aren’t you, Alexander?’ Nan Burnett asked.
‘Yes,’ he said, blushing, because he did not know if he was telling the truth.
Nan Burnett would never call him from the front room until his mother returned, but sometimes she called him from the yard to run an errand for her. He was on an errand when Megan arrived.
‘Take this round to Mrs Solomon, will you, pet,’ said Nan Burnett. She gave him a piece of paper full of numbers, with a drawing of a pullover on one side.
Mrs Solomon was putting a saucer of milk at the top of the stairs; one of her cats sprinted between Alexander’s legs and the banisters; he stroked the cat a few times, handed over the pattern, and no more than five minutes after leaving he was back in the hall of Nan Burnett’s house, his hand outstretched to open the door of the front room. Startled to hear his mother call his name, he jumped and looked to his left, and saw Megan for the first time.
His mother and Mrs Beckwith were advancing towards him down the hall, pushing the girl before them. Her eyes were the same colour as Gisbert’s had been, but they were wider and brighter, like marbles, and her hair was red, exactly the red of the stain under the tap in Nan Burnett’s bathroom. More than fifty years later, Alexander would be able to describe to Megan the outfit she was wearing: the white cotton blouse with the scallops around the neck; the blue-checked pinafore; the sandals with the pattern of petals cut over the toes. His mother said: ‘Alexander, this is Megan. She will be living with Mrs Beckwith now.’
The girl looked at him as if she was the one who lived in the house and Alexander was the one who had never been there before.
‘You’ll be friends, Alexander. That’ll be nice, won’t it?’ said his mother.
Megan held out her right hand like a man. ‘Hello, Alexander,’ she said.
‘Come on, say hello,’ said his mother.
Alexander stared at the girl. Silently he repeated her name. The word had a taste and a texture, a bit like toffee.
‘Pleased to meet you,’ said Megan, jerking her hand as if she were already holding his.
‘Come on, Alexander,’ his mother chivvied, but still Alexander stared. ‘Buck up, boy. Show some manners.’ Over his mother’s shoulder, Nan Burnett made a mock frown at him; she wagged a finger and mouthed the words ‘bad boy’. And then Alexander kissed the girl, who took a step back and put a hand to the place where his mouth had touched her. ‘You’re an impossible child,’ said his mother, taking hold of an arm.
A few minutes later Alexander and his mother were at the door, ready to leave. ‘Next week,’ she said as she reached for the handle. Alexander took one last look down the hall. Nan Burnett was standing in the kitchen with her hands on Megan’s shoulders and smiling as if the girl’s arrival were a treat she had arranged for him.
That was the face Alexander saw on the day on which, three years and five months after this one, he came back to Number 122 with his parents, to say goodbye to the house. His mother and father went upstairs, up the bare staircase, past the three white rectangles on the wall. He heard their feet on the floor above him, and when they moved into the room that had been Nan Burnett’s bedroom he pushed open the door of the front room. As the door gave way to his touch, he heard his mother’s voice in the hall say ‘Alexander’ softly, and he saw his grandmother in her kitchen, alone, but smiling as she had smiled when she had stood on that spot with Megan in front of her. A cold terror doused his body; he flinched and sucked in a breath without meaning to, and she was no longer there. And then it was like putting a finger in water and expecting it to be very cold and feeling it very cold when in fact it is warm, as it quickly becomes. He was not frightened, he realised. He had the sensation of being absolutely alone in a pleasant place, like a big garden that everyone else has left.
His mother saw a tear on his cheek. ‘Are you all right, Alexander?’ she asked him. ‘We are a pair,’ she said, and she put her handkerchief to the corners of her eyes and then to his.
‘You’re all right, aren’t you?’ asked his father.
‘Yes,’ said Alexander honestly, but he knew he must not mention what he had seen.
A nightlight, set on a saucer which had a crack across its pattern of blue willow leaves, burned on the stool between Alexander’s bed and the window, casting the hilly shadow of his body across the wall. The short yellow flame, batted by the draught, nodded on the surface of the molten wax, in which tiny tadpoles of cinder swam about in circles, drifting close to flame, darting away to the edge of the pool, drifting back. Sometimes he would pluck a hair from his head and feed it into the flame to watch it become a wisp of smoke before it could enter the body of the fire, or hold his hand over the candle until the heat felt like a nail driven through his palm. Then he would lie motionless again, his arms folded on his chest, his face to the ceiling, watching the steam of his breath roll off into the room. At last he heard his mother’s footsteps on the stairs, and the creak of the floorboards as she came to the landing. Downstairs the doors were being shut, always in the same order, ending with the clunk of the kitchen door and the rattle of its tall pane. His father’s slower tread followed, becoming even slower as he reached the top of the stairs, making a louder creak. And on the nights when the electricity was off he would twice see the candlelight rise and fade under his door as first his mother and then his father went by, and then the door of his parents’ room would close with a small thump and the light was gone. He lay listening to the rustling of the gardens and the dwindling grumble of his father’s voice, keeping his eyes open until only the sounds of the wind remained.
In the mornings the glass was caked with ice on the inside, and often the night’s fall of snow sloped high up the pane. When he opened the curtains the walls of his room were the tone of chicken flesh, and clammy as the disc of white wax that the nightlight had become. On the back of the chair beside the door a clean white shirt hung in the shadowless light like a big strip of cold fat. The tin bomber that was parked on the chest of drawers looked wet, like a car in fog. Rather than get out of bed, he would often daydream of Nan Burnett’s garden, where the snow was so deep he could tunnel through it, crawling on his hands and knees into the hollow that had once been the pond, and lying down under the radiant white roof, with no idea which way the house was, and then digging on until the floor of the tunnel changed from grass to bare earth, when he would leap upright, diving up into the world again. And sometimes, lying like an effigy on a tomb, he would send himself on an imaginary walk across the ceiling of his room, around and around the twisting stalk of the lightbulb’s flex, over the bulge of plaster that looked as if it should yield like a pillow, and then stepping over the dam below the door to gaze up at the stairwell, which he could see so clearly it was as if his door were not closed.
When his mother called from the foot of the stairs he dressed and went down. ‘Rip Van MacIndoe, awake at last,’ she often said, and this was how she greeted him on the one morning that he would always be able to recall from this winter.
The smell of the previous evening’s fish was still in the room. Every windowpane was streaming, and strings of water lay in the cracks of the windowframes between the sashes. Frozen clothes were stacked against the wall at an angle of forty-five degrees, the stiff cuffs and shirt-tails resting on the floor. He picked up a shirt and bent it across his knee; it cracked softly, like the rending of a dead branch.
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