Jonathan Buckley - Ghost MacIndoe

Alexander would follow his father back through the house, bearing the shears blade-downwards past the coat-stand and the oval mirror and the line of Nan Burnett’s shoes, with their toe caps turned up like heads, watching the goings-on in the hall. When his father had rolled his sleeves up above his elbows and loosened his tie, Alexander would present the shears and then stand back in attendance, while his father sliced long cords of ivy from the wall and lopped hanks of foliage off the hedge that separated the garden from the street.

‘Remove please, toot sweet,’ his father said, glancing back over his shoulder first at his son and then at the tangle of cuttings, which Alexander scooped into his arms and carried out to the yard, where his father would burn them. If ever he was left alone to keep an eye on the smouldering leaves, Alexander would step into the blue, stripy smoke that streamed from the fire, so that his clothes that evening would be soaked with a smell that had come from Nan Burnett’s garden.

On days when Alexander’s mother had to go up to town or do something else that she had to do without him, she would usually take him to Nan Burnett’s house, and often another visitor would arrive while he was there. Sometimes it was Dot, whose surname he never knew; she lived somewhere further down the street, past the newsagent’s shop, and from time to time she would hand him a twist of paper in which four or five boiled sweets were wrapped. Or it might be Mrs Solomon, Nan Burnett’s neighbour, who brought one of her cats with her in a wicker basket, and had a hairy mole in the centre of her cheek. On a Wednesday it was likeliest to be Beryl Stringer, a woman of his mother’s age, whom he was to remember only for her turquoise woollen bonnet. If he were at Nan Burnett’s on a Saturday he might see Nurse Reilly, who had violet hair and thick legs that had no ankles, and always brought two things with her: a paper bag full of wool and knitting needles, and a small bale of magazines, tied up with rough yellow twine. Always Nan Burnett would place the magazines on a stool beneath the table before taking her own piece of knitting from the basket on the shelf above the oven, and then the two women would sit on opposite sides of the table and the only sounds would be the ticking of the big clock beside the hall door and the jittery clicking of the needles. And once in a while the caller would be Miss Blake, whose name perplexed Alexander, as Miss Blake was no younger than Nan Burnett. Neither her name nor any feature of her appearance lasted long in Alexander’s mind, but one image of her presence did persist, in a scene in which Nan Burnett and another old lady were seated at the kitchen table, each with one elbow on the tabletop, each facing the window that looked onto the yard. There was a pot of tea between them, under a knitted tea-cosy, and they were listening to a tennis match on the radio. Alexander was listening too, but intermittently, for what engrossed him was the intentness and pleasure of the two old women, whose eyes flickered back and forth as they listened, as if the game were visible to them on the glass of the kitchen window.

But the visitor whom Alexander was to remember most fully was the one whose heavy tread down the hallway made the boards creak in the front room, where Alexander was, and whose laugh – a laugh so like a scream that momentarily he thought Nan had scalded herself – raised his curiosity to a pitch that forced him out to see who this person was. It was a short fat woman, and she was sitting in the chair that Nan Burnett normally sat in. She was dressed all in black but for a band of shiny white material above her eyes, below the black scarf that covered her hair. Her skirt was made of stuff that was like a tablecloth and it came down to the laces of her highly polished shoes, which were men’s shoes and also black. Instead of a blouse or a cardigan she wore a sort of cape that hung from her shoulders down to her waist. Her arms, tightly covered in black fabric, rose from the folds of the cape as she gave Alexander her hand.

‘So this will be Alexander MacIndoe?’ she said. Her fingernails were so perfectly trimmed and so white and so clean they made him feel queasy. ‘Alexander the tiny, is it?’ she laughed, clapping her palms on her knees.

‘Don’t be shy, Alexander,’ said Nan Burnett. ‘Say hello to Sister Martha.’

He did not speak. He looked at Sister Martha’s faintly creased pink cheeks; they reminded him of marshmallows.

‘Let’s take a view of you,’ said Sister Martha, resting her hands on his shoulders. ‘You’re a fine young specimen of a boy, I must say,’ she said. ‘A handsome young man. You watch out for the ladies now,’ she warned him, and when she laughed her cheeks bunched into little globes right under her eyes. ‘Are you at school yet?’ asked Sister Martha, and Alexander replied that he was.

‘And are there other Alexanders at your school?’ she asked.

‘I don’t think so.’

‘Do you like your name, Alexander?’

‘Yes,’ he replied, beginning to be troubled by the idea that his name bore some significance of which he was unaware.

‘And so you should, young fellow. It’s a distinguished name,’ said Sister Martha. ‘A very distinguished name. Lots of great men have been called Alexander. Alexander the Great, he goes without saying. There have been Russian kings and Scottish kings called Alexander, too. Mr Alexander Fleming, he’s a great man. There was Alexander Pope the poet, though I’m not so sure about him. And there have been many Alexander popes as well, of course,’ she chuckled.

Alexander looked at Nan Burnett, who winked at him and passed him a sandwich she had made. The sliver of brown meat lay between slices of bread that were as grey as her hair.

‘There have been many popes called Alexander,’ Sister Martha said. ‘There was Mister Borgia, who was from Spain and a very bad man, it must be admitted. Not a great one at all. But then there was Mr Chigi, who was Italian and a good man, though he was very rich. And a long time before him there was a young Pope Alexander, who was made a martyr in Rome on the third of May.’ Sister Martha wiggled her eyebrows at him. ‘You look astonished. Your birthday wouldn’t be the third of May, would it, by any chance?’

‘No,’ said Alexander, lifting the sandwich to his mouth.

‘No. That would have been a strange thing,’ Sister Martha told him. Putting her fists on her hips she looked up at the ceiling and said to it: ‘And we mustn’t overlook another young Pope Alexander, one of the seven sons of Felicitas.’ Her attention returned to the boy. ‘Another saint,’ she smiled, as if to encourage him. ‘Also made a martyr in Rome.’

When he was alone again, in the front room, he repeated to himself the mystifying phrase. ‘Made a martyr in Rome,’ he muttered, imagining something that was like being knighted, but more important, and very pleasing to the people who saw it happen.

He enjoyed sitting on the kitchen floor and scanning the pictures in the magazines that Nurse Reilly had brought. He might pass an hour bowling a ball at a line of milk bottles in the alley out the back, or shunting his Dinky van around the streets defined by the cracks between the bricks in the yard. Most of all, however, he enjoyed being in the front room of Nan Burnett’s house. The room had a rich and sleepy smell, a smell of varnished wood and old rugs, a smell that no other room had and was always the same. There were pictures in every corner of the room, hanging on nails midway up the walls, attached to the picture rail by slender brass chains, displayed in cardboard frames that stood on the sideboard, on the china cabinet and the mantelpiece above the fireplace, which had not been lit in years. To the left of the fireplace the miracles were gathered: The Loaves and the Fishes, The Bath at Bethesda, The Wedding at Cana, The Woman of Samaria, all in shades of cream and brown. To the right was Moses, tipping a dog-sized calf off its pedestal, standing aghast before a burning bush, dividing a sea that curled back onto itself like drying leaves. The pictures on the cabinet were photographs of his mother’s father and two other men, all in tones of brown and cream but with a chalky finish that made it seem as if everything in the pictures – the men’s skin, their jackets, the walls behind them – were made of the same stuff. Alexander once asked Nan Burnett who the other men were, expecting to hear that they were relatives, but they were friends of her husband, who had died with Stanley Burnett at a place Alexander never forgot because Nan Burnett swore when she said it. ‘Wipers,’ he would repeat as he regarded the dead men. ‘That bloody place,’ he would whisper, echoing his grandmother’s curse, and sometimes he would take the red glass stopper from the perfume bottle that Nan Burnett kept with the china and put it over one eye while he looked at them. And having looked at them, he would draw the thick brown curtains all the way across the window, then take the wide cushions from the brown velvet armchairs and lay them in front of the fireplace. Lying in the silence that seemed to come out of the walls of Nan Burnett’s front room, Alexander would close his eyes and see the handsome women balancing the pitchers on their heads, the men with smooth beards and the children in striped gowns, walking down roads that were strewn with stones shaped not like real stones but more like miniature boxes. As clearly as if his eyes were open he would see The Last Supper, with the figure of Jesus looking straight at him, and the picture of the nameless woman holding her chest on a crumpled bed, her head thrown back as if she felt sick, and the rigid faces of Stanley Burnett and his two dead friends.