Giorgio Locatelli - Made in Sicily

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Made in Sicily: краткое содержание, описание и аннотация

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In the follow-up to his acclaimed Made in Italy, Britain's favourite Italian chef embarks on a gastronomic tour of Sicily, a beautiful, sun-drenched isle with a rich and unique culture.When Giorgio Locatelli was about ten years old, and had scarcely holidayed outside his native northern Italy, he was captivated by tales of beautiful seas, idyllic beaches and a different way of life, recounted by the few intrepid local friends who had been to Sicily.Some twenty years later he finally visited the island for the first time and, seeing it through the eyes of a chef, he recalls, ‘I was completely blown away. It was so green and gorgeous, the whole island was a garden of wheat and vegetable fields, orange and lemon groves, olive groves and vineyards…’ Now he is producing his own olive oil on the island and the Locatelli family spend a part of every summer there. ‘Sicily has had a big influence on the way I cook,’ says Giorgio. ‘I have always loved simplicity, but there, you have true simplicity. You have no preconceptions, you have a knife and some salt and pepper and then you go out and see what is in the market. It is such a natural way of cooking that makes you feel so free.’This follow-up book to ‘Made in Italy’ explores the ingredients and history and introduces you to some of the cooks, fishermen and growers that make Sicily what it is, with regional recipes ranging from Insalata di Rinforzo, a famous island salad made with cauliflower, to four kinds of caponata, pasta with anchovies and breadcrumbs, Sicilian couscous, and the celebrated dessert, cassata. ‘When people talk about Sicilian cooking,’ says Giorgio, ‘they always speak about the influences from the Greeks, the Arabs, the Spanish… but I really believe the biggest influence is the land and the sea. They determine the produce, which has stayed the same, throughout all the cultural changes. What grows together, goes together, as my grandmother used to say, and it is the simple combinations of beautiful ingredients that makes Sicilian food special.’

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Even if the Arabs introduced oranges and lemons, sugar and spices all those centuries ago, it is the territory that ultimately decides what grows. We are talking about food from a very special, particular land, especially the volcanic area around Mount Etna (where the mythological Cyclops lived), all the way down the plain of Catania to Pachino where they produce the tomatoes that taste like no others, and the arid groves that produce the most beautiful olives and grapes. And then there is the profusion of fish and shellfish that throughout most of Sicily is prized above meat. Especially swordfish and tuna, which were once abundant around the Straits of Messina but are now sadly overfished, and the beautiful red prawns that come from the cold waters off Mazara del Vallo.

The quantity of traditional recipes that the Sicilians have is enormous, but they are all based on the same set of ingredients. As always throughout Italy, a dish with the same name will be made in a slightly different way in every town, every village and even every house, with everyone claiming the authentic version, but in Sicily these are only small variations on the same simple but beautiful combinations: broccoli and anchovies, capers, sultanas and pine nuts, olives and lemons, oranges and fish, almonds, pistachios and wild fennel, aubergines and breadcrumbs, and in desserts fresh ricotta, candied fruit and peel, and chocolate. Somebody, some day, a long time ago, put certain combinations of these ingredients together in a way that the Sicilians found pleasing, and, like the ancient Saracen olive trees that have stood resolutely on the island for thousands of years, the people have remained resilient in the face of any influences that feel false to the flavours they love.

The whole production of food has a harmony and a natural seasonal rhythm, but above all, there is this idea that what comes from the same land and sea can be put together on a plate. What grows together, goes together, as my grandmother used to say about the vegetables and herbs in our garden in Corgeno. I find it very inspiring as a chef to understand the way ingredients like swordfish, sultanas, breadcrumbs, capers and cheese can come together in something that tastes fantastic – particularly as in most of Italy we have an unwritten rule that you never put fish and cheese together, something that the Sicilians happily do all the time, and that works. The dishes are not about clever transformations, they are about conducting and expressing the taste of the ingredients to the maximum, in the simplest way.

We talk a lot about fusion these days, but in a city like London or New York, fusion means you can have ingredients from different cultures all over the world brought to you, so you can put them together on a plate. In Sicily, that idea of fusion is turned upside down, in that it is the different cultures that have come and gone over the centuries, but the ingredients have stayed still.

Salt, pepper and a knife …

This idea of simple meal-making with a limited set of incredible ingredients has had a big influence on the way I cook. I have always valued simplicity – and anyway the nature of Italian food is to be less complicated than other cuisines – but in Sicily you encounter a true simplicity that I have never experienced anywhere else.

After my visit to Planeta I returned in the summer with the family and we rented a house near Menfi, where we have been spending Easter and summer holidays ever since, close to the sea and the ruins of the Greek temples at Selinunte. Plaxy remembers seeing the place for the first time: dusty roads and tumbleweed; it was like stepping back in time, but we feel so at home there. Everyone has been so sweet and welcoming; and whenever you arrive, people are really happy to see you; and if you don’t go around and say hello to everyone they will be offended. It reminds me so much of Corgeno, because everyone knows the business of everybody else. The first time I went into the butcher’s shop the butcher already knew who I was and where I was staying.

On the first morning I went for a walk into the village in search of ingredients, because when we are there I cook lunch every day, and some times dinner, though mostly in the evening we go out to eat. That walk has now become my daily routine in Sicily. I buy a newspaper and stop for a coffee and maybe a pastry in the local bar, then I buy some vegetables, and usually some meat for Margherita, because she is allergic to fish. I go to one of the ten or twelve bakers to buy some of the beautiful local bread, and then home.

On that first holiday I had no preconceptions about what I was going to cook, and I was in that relaxed holiday mood of not having to organise a restaurant kitchen, or prepare dishes according to a menu. I had no time to build up a larder with spices or condiments, but I had a kitchen full of fresh ingredients – of course, I bought way too much, because I couldn’t resist the boxes of artichokes and tomatoes and peppers – and I had some salt and pepper and a knife. That was it.

In London we live in such an organised way, with so many ingredients at our fingertips, but in a Sicilian village you don’t leave home with a list, you just have to go out and see what there is. It limits you in a way, but it also makes you feel so free and inspired, because it is such a natural way of cooking, and it has become something I look forward to every time I go there. The ingredients are in charge. You see what ingredients you have, and they decide what it is that you are going to cook. This is the Sicilian way.

Very little in this book is complicated, because in Sicily the ingredients are so special, they speak for themselves. If you have been to Sicily you will understand. If you haven’t been to Sicily, then you must go …

Antipasti Insalata di mare Insalata di gamberi ai pomodori Insalata calda di - фото 4

Antipasti

Insalata di mare

Insalata di gamberi ai pomodori

Insalata calda di polpo

Calamari fritti

Fritto misto alla piazzese

Polpettine di tonno o pesce spada

Chiocciole a picchi pacchi

Arancini

Arancini al sapore di mare

Arancini di carne

Pane

Pangrattato

Cáciù all’argintéra

Ramacché

Pizza alla siciliana

Pizza arrotolata

Torta di sambuco

Schiacciata con salsiccia

Prezzemolo e aglio, oli e condimenti

Prezzemolo e aglio

Olio all’aglio

Olio di limone

Olio di peperoncino

Giorgio’s dressing

Salsetta, salmoriglio e pesto

Salsa salmoriglio

Zogghiu

Salsa verde

Mandorle

Pesto trapanese

Salsetta di mandorle e acciughe

Salsa di pomodoro

A city that leaves you breathless

soon a saucer of green olives and anchovies was sitting on the table and - фото 5

… soon a saucer of green olives and anchovies was sitting on the table, and some bread, and some mineral water. A small woman with dark hair and dark eyes and precise features whirled up like a woodland bird. She perched lightly at the table and rattled off a long list of antipasti, first courses and seconds, and every single one of them came out of the sea. This was Palermo in summer for you.

– Peter Robb, Midnight in Sicily

The best way to have a good meal in a restaurant in Sicily is not to ask for the menu; just let them bring you whatever the guys in the kitchen want to prepare for you, which of course will begin with the antipasti.

Everyone everywhere in Italy eats antipasti, the plates of shared food that arrive with the bread, before the pasta. They are the signal to relax, eat, discuss and enjoy, and the quality of the antipasti is a sign of what is to come. If the antipasti sets a high tone, you can be hopeful that more good things will follow with the pasta course, the fish or meat, and finally, the fruit or dessert. But what I see in Sicily, which marks it out from other regions of Italy, is that the abundance and the kinds of dishes that are put down also owe something to the influence of the Arabs who occupied the island from the ninth century. When the antipasti comes out I am reminded of a mezze: suddenly the table is full of little plates, and people hate the idea that they have not put out enough food. Whenever I have eaten out in Lebanese restaurants, if there is some food left at the end of the mezze, the waiter says nothing, but if all the plates are empty, they are anxious to know if they can bring you some more, and the same philosophy seems to apply in Sicily.

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