Bruce Dickinson - What Does This Button Do? - The No.1 Sunday Times Bestselling Autobiography

Grandma Dickinson was a formidable woman. Six foot tall, with intense, black curly hair and a gaze that would fell a tree at 20 paces, she’d worked as a servant girl, and had been purchased from the railway carriage where she lived with 18 other girls on the land. She was fleet of foot and might have had an athletic career, but she couldn’t afford shoes: 200 metres barefoot was no match for the opposition in spikes. She never forgot that humiliation till the day she died.

While Ethel baked cakes, Morris would emerge from the toilet with a half-smoked roll-up and lots of boxes ticked for the horses. ‘Here you are, sonny – don’t let on,’ he’d say, and he would slip me half a crown from his hand, clawed from years of laying bricks and handling trowels.

At a family summit spent drinking all afternoon in our hotel bar, my uncle Rod did me several favours, one of which was to persuade me never to have a tattoo. Uncle Rod (who was actually my uncle – my dad’s brother) was charismatic to say the least, and frankly looked a bit like one of these roguish gangsters who might be surrounded by women of easy virtue. Right now, though, I sat on his knee aged 10 as he explained the British film-certification system to me: ‘Now, yer ’ave yer X films and, basically, yer have your sex X and yer horror X …’

Whatever he said next faded into the background as I stared at the scars on the back of both of his hands. Uncle Rod had a habit in his youth of misplacing other people’s motorcars. Despite the family’s best efforts, he was so prolific that he was sent to a horrific young offender’s institution known as borstal. Self-tattooing with brick dust and ink was the thing in borstal, and it marked you for life as a product of that institution. Uncle Rod had spent what then would have been a considerable amount of money to get them removed. It was early skin-graft surgery, and these days it would qualify as a special effect in a low-budget horror movie. I just thought, I think I’ll stick with what I’ve got. That really doesn’t look like much fun.

Then Uncle Rod reverted to talking about war films. I had seen loads of them with Grandfather Austin: 633 Squadron , The Dam Busters , Battle of Britain , The Charge of the Light Brigade .

‘And what about Ice Station Zebra ?’ I piped up.

‘’Aven’t seen that one,’ he grunted, and he went back to his pint.

Ice Station Zebra was the movie that introduced me to my first rock ’n’ roll band. Yes, with a truck, electric guitars and gigs. The band were called the Casuals. They’d had a hit with a track called ‘Jesamine’ and were now playing residencies at clubs for a week or so at a time. They stayed in the hotel, and during the daytime – which for them, being creatures of the night, didn’t start till midday – they would surface, bleary-eyed and longhaired, in stack-heeled boots and white trousers, for a late breakfast of tea and toast provided by Lily, who was all of a twitter.

I am sure I must have appeared precocious with my questions about rockets and submarines, and it was probably a way of levelling the playing field that the guitarist brought down his electric guitar. I held it. It was surprisingly heavy. He explained carefully how it worked, and I just stared at the round steel discs under the strings and tried to imagine how sound really worked, produced from such tiny fragments with the tinniest-sounding twanging strings.

Like most bands, they were bored silly during the day, and they decided to go to the cinema. Ice Station Zebra was on at the Sheffield Gaumont. Popcorn in hand, aged 10, sitting in a cinema with a rock ’n’ roll band watching a war movie about nuclear submarines and rockets: I thought, This is living .

Dad expanded his empire and purchased a bankrupt petrol station. It was a huge property, an old tram garage with four ancient petrol pumps, no canopy, and workshops full of caked oil and dirt half an inch thick adhering to 50-year-old bricks. The motor trade started to dominate our lives. I pumped petrol in between falling off scaffolding (repurposing buildings), and polished cars and scrubbed wheels with wire wool until my fingers turned blue in winter. I washed windscreens, checked tyres and watched the growing number of cars coming and going as sales picked up.

Dad was an encyclopaedia of motor-car components. He was a natural engineer and would go straight to the heart of the problem. His diagnosis was seldom wrong. He could recount the provenance of the exhaust system of the Fiat whatever-it-was, and why it was superior to the gizmo of the Ford, but anyway, both of them were actually designed by an unknown Hungarian genius. That sort of thing. Get him started, it could go on for hours.

We sold up the hotel as he acquired the dealership for Lancia motor cars, and did rather well until they produced one that rusted faster than you could drive it. I expect money must have been made on the house transactions because there was a property boom, and a house was still an achievable objective for a working family. At one point we made the mistake of selling before we had anywhere else to live. It must have been a very good deal.

In the end we moved back into a terraced house only a hundred yards up from the hotel we’d vacated a year or so earlier. Some people are addicted to crack. We were addicted to moving house.

In the midst of all this I was relocated to a hothouse environment. I was being spirited away from the evil influence of mashed potato, spit and being straight-armed by the locals.

I was on my way to a private school: Birkdale preparatory school, alma mater of, among others, Michael Palin of Monty Python fame. It was one of the strangest, most eccentric educational institutions I have ever encountered and actually, in the end, I quite enjoyed it. I say in the end because in the beginning the bullying was fairly intense. I use the term ‘fairly intense’ only in comparison with what came later, at boarding school.

Bullying happens because weak people need to prop up their ego by beating up or humiliating others. Of course, if you are a new arrival, or just different, you become a prime target. I ticked all the boxes. Break time was the worst, up against the dustbins with 12 kids hitting you, watched over by a female teacher, whom I assume must have got some kind of power trip from not stopping it. In remembrance of both grandfathers I always refused to submit. The odds were ridiculous, but I still fought back. I wasn’t going away.

After a year or so it calmed down, and a year after that it was as if nothing had happened and my very own self was assimilated into the group mind – or so they thought.

I took refuge in books, the library, writing and drama. The angelic wings of yore came back to haunt me, and I got my first namecheck in a review of a school play in the Sheffield Star , no less.

‘Mole, besmudged of face, played by Paul Dickinson.’ (Bruce, of course, is my middle name, but then you knew that.)

I was a bit disappointed that they omitted to mention that I got a good, proper laugh from the audience. Early lessons in comic timing during our school production of The Wind in the Willows also included dropping my wooden sword during a pregnant pause, which corpsed the stalls, and delivering the correct line ‘I say Ratty, this chicken is delicious’ while clearly eating a lemon tart.

Further productions followed and I was sold on the stage, though, truthfully, actors seemed to take it awfully seriously.

Lessons proceeded normally. In other words, I don’t remember a thing, except that the Merino sheep has a spectacular coat, and a rather splendid view of Tolkien from my history teacher, Mr Quiney: ‘One bloody feast after another, a long dreary walk, a battle and some rubbish songs.’ I read The Hobbit and The Lord of the Rings when I was 12. Entertaining, but he had a point.