Barbara Taylor Bradford - Barbara Taylor Bradford’s 4-Book Collection

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Four novels from the master storyteller, Barbara Taylor Bradford, bestselling author of A WOMAN OF SUBSTANCEVOICE OF THE HEART tells the story of two brilliant women and the men to whom they ransomed their hearts. With her stunning beauty, brilliant talent, and almost magical allure, irresistible Hollywood legend Katherine Tempest has the world at her feet. But Katherine irrevocably changes the lives of her closest friends: the two men who love her, and the woman who trusts her implicitly. She never looks back until she needs the one thing they alone can give her – forgiveness.ACT OF WILL tells the story of three generations of beautiful women and their journey from rags to riches. Moving from the bleak Yorkshire Dales, through London, to the glamorous world of haute couture, this classic novel sparkles as it entertains.THE WOMEN IN HIS LIFE is a glittering tale of a billionaire tycoon and the women that define him. Maximilian West appears to have everything. But in reality Maximilian is riven with internal conflict and torn apart by personal doubts. Many women have strived to reach his fortress heart, but only one woman holds the key that will unlock Maximilian’s secret – and set his soul free…DANGEROUS TO KNOW is a compelling story of old loves and old secrets. Sebastian Locke is handsome, charismatic, a man of immense charm and intelligence and head of the philanthropic Locke Foundation. But now, he is dead – murdered in mysterious circumstances that have the police at a loss. Who would want to kill the world’s greatest philanthropist? Could such an upstanding man have enemies? Vivienne Trent, his ex-wife and close friend, sets out to find the truth about his death – and about Locke himself.

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A scene enacted two decades before leapt out of her mind, was projected onto the mirror with such blinding accuracy and clarity that Francesca was propelled instantly backwards into the past. And she saw herself from a long distance, as she had once been.

A night sky. Smooth. Still. Flashed with brilliant stars. A perfect Mediterranean sky. A balmy breeze. The brinish smell of the sea mingling with the scent of honeysuckle and night-blooming jasmine and eucalyptus. Candlelight glowing. Francesca sitting on the long white marble terrace of the Villa Zamir, on the promontory at Cap Martin. Francesca weeping. Katharine hovering solicitously. Katharine apologizing over and over again for being clumsy. Katharine doing nothing to help, but hovering, always hovering. Francesca barely listening. Francesca gazing in stupefied horror at the wine Katharine had spilled on her. Watching the stain seep down from the bodice on to the skirt, a red and violent stain, like fresh blood on the peach organza evening frock. A floating, romantic, dreamlike frock her father could scarcely afford. Ruined before the dance had even begun. Kim, handsome in his dinner jacket, hurrying to her with salt and soda water. And Nick Latimer arriving. Nicky mopping up Francesca’s tears, trying to be jocular and making a bad joke about tragic heroines. Her father. Sweet, consoling, concerned, but quite helpless. Doris Asternan. Her face cold with anger. Doris camouflaging the damage with a trailing spray of honeysuckle entwined with roses quickly picked from the garden. The flowers. Hardly covering the stain and wilting too soon. Francesca’s tears. Dripping on to the dress to mingle with the stain. Francesca weeping inconsolably because she had wanted to be beautiful for Victor. Francesca waiting. Waiting for Vic, who did not come. Francesca’s heart breaking …

Francesca snapped her eyes tightly shut to block out the scene, not wanting to remember any more about the past. The past was irrelevant, it no longer mattered to her. An instant later she opened her eyes and stepped swiftly away from the mirror, and she saw again a woman of forty-two, the woman she had become in the intervening years. Attractive, elegant and coolly poised. And infinitely wiser than she had been then.

She turned on her heel and left for Nelson’s dinner party.

Sleep eluded her.

Since her return from Nelson’s house several hours ago she had restlessly tossed around in the bed, unable to find repose, her eyes wide open and staring into the filtered greyness of the room. Finally, in exasperation, she sat up, turned on the light and got out of bed. Slipping into her robe, she went downstairs to the kitchen. She made herself a cup of hot milk and carried it back upstairs to the bedroom, where she sat drinking it, huddled in a chair near the fireplace, enveloped in introspection, unaware of the time or the chill in the air.

Slowly, and with some deliberation, Francesca reviewed the events of the afternoon, carefully weighing and analysing all that had happened, all that had been said. And inevitably her mind came to rest on Katharine Tempest, for she had begun to realize, during these long dawn hours, that she had over-reacted to the news of the woman’s impending return to New York and request for a meeting.

She did not want anything to disrupt or threaten her orderly and contented life. The life she had so painstakingly created with Harrison and his family. A life she enjoyed, and was comfortable living, and one she was determined to protect at all cost. Nelson was correct in his assessment of her former friend. Wherever Katharine Tempest went she dragged trouble in her wake. No, Katharine could not be permitted to enter her life again.

A sigh of deep sadness broke the heavy silence in the shadow-filled room. She and Katharine had been so very close once, inseparable for years, until that ugly denouement when everything had erupted so explosively and the loving friendship had ended abruptly, and with acrimony. They had not seen each other since that day, over ten years ago, and during this time Francesca had schooled herself not to think of Katharine, and eventually, as the years passed, she had succeeded in achieving her goal. And she had forgiven Katharine long ago, forgiven her for so many things, in the wisdom of her own growing maturity. But seemingly she had not forgotten. She understood that now.

Memories began to assail her. Memories of other times, other places, other people. She endeavoured to push them aside, clearly recognizing that memories were ineluctably treacherous. Particularly memories of Katharine, for they were shrouded in a web of turbulent emotions and raw feelings, and they evoked pain, the pain of Katharine’s own treachery and betrayal of her. But Katharine had not always been like that. Not in the beginning. She had been different then. They had all been different at that point in time.

At that point in time . Francesca repeated the phrase to herself, and she thought: There is no past, no present, no future. Time is not circumscribed. Albert Einstein proved that time is a dimension. The fourth dimension. Therefore all time exists now .

The decades dissolved. It was a gradual dissolve, like a film running in slow motion before her eyes, and everyone was in perfect focus, and brilliantly captured on the film of her memory – the way they were then. And the year 1956 was as real to Francesca as it had been twenty-three years ago.

It was now .

Act One Downstage Right 1956

‘The most decisive actions of our life … are most often unconsidered actions.’

ANDRÉ GIDE

Конец ознакомительного фрагмента.

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