Barbara Taylor Bradford - Where You Belong

Published by HarperCollins Publishers Ltd 1 London Bridge Street London SE1 9GF

www.harpercollins.co.uk

Special overseas edition 2000

First published in Great Britain

by HarperCollins Publishers 2000

This edition published in 2010.

Copyright © Barbara Taylor Bradford 2000

Barbara Taylor Bradford asserts the moral right to be identified as the author of this work

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Ebook Edition © MARCH 2010 ISBN: 9780007371990

Version: 2017-11-16

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

TO BOB, AS ALWAYS, WITH ALL MY LOVE

Cover Page

Title Page

Copyright

Dedication

PART ONE A Matter of Integrity

CHAPTER ONE

CHAPTER TWO

CHAPTER THREE

CHAPTER FOUR

CHAPTER FIVE

CHAPTER SIX

CHAPTER SEVEN

CHAPTER EIGHT

PART TWO The Value of Truth

CHAPTER NINE

CHAPTER TEN

CHAPTER ELEVEN

CHAPTER TWELVE

CHAPTER THIRTEEN

CHAPTER FOURTEEN

CHAPTER FIFTEEN

CHAPTER SIXTEEN

CHAPTER SEVENTEEN

CHAPTER EIGHTEEN

CHAPTER NINETEEN

CHAPTER TWENTY

CHAPTER TWENTY-ONE

CHAPTER TWENTY-TWO

CHAPTER TWENTY-THREE

CHAPTER TWENTY-FOUR

CHAPTER TWENTY-FIVE

CHAPTER TWENTY-SIX

PART THREE A Question of Trust

CHAPTER TWENTY-SEVEN

CHAPTER TWENTY-EIGHT

CHAPTER TWENTY-NINE

CHAPTER THIRTY

CHAPTER THIRTY-ONE

CHAPTER THIRTY-TWO

About the Author

By the same author

About the Publisher

The three of us sat in a small copse at the far end of the village, taking shelter from the blistering heat in the leafy bower, bosky, cool, on this scorching summer’s day.

The jeep was parked out on the road nearby, and I peered towards it, frowning slightly, wondering what had happened to Ajet, our adviser, guide, and driver. He had gone on foot to the village, having several days ago arranged to meet an old school friend there, who in turn would take us to see the leaders of the K.L.A. According to Ajet, the Kosovo Liberation Army had their main training camp near the village, and Ajet had assured us in Péc and then again on the drive here, that the leaders would be in the camp, and that they would be more than willing to have their photographs taken for transmission to newspapers and magazines around the world. ‘Everyone should know the truth, should know about our cause, our just and rightful cause,’ Ajet had said to us time and again.

When he had left the copse a short while ago he had been smiling cheerfully, happy at the idea of meeting his old friend, and I had watched him step out jauntily as he had walked down the dusty road in a determined and purposeful manner. But that had been over two hours ago, and he had still not returned, and this disturbed me. I could not help wondering if something unforeseen, something bad, had happened to the friendly young Kosovar who had been so helpful to us.

Rising, I walked through the copse and, shading my eyes with my hand, I stood looking down the dirt road. There was no sign of Ajet; in fact, there was very little activity at all. But I waited for a short while, hoping he would appear at any moment.

My name is Valentine Denning, and I’m a New Yorker born and bred, but now I base myself in Paris, where I work as a photojournalist for Gemstar, a well-known international news-photo agency. With the exception of my grandfather, no one in my family ever thought I would become a photojournalist. Grandfather had spotted my desire to record everything I saw when I was a child, and bought me my first camera. My parents never paid much attention to me, and what I would do when I grew up never seemed to cross their minds. My brother Donald, to whom I was much closer in those days and tended to bully since he was younger, was forever after me to become a model; but I’m not pretty enough. Donald kept pointing out that I was tall, slim, with long legs and an athletic build, as if I didn’t know my own body. At least I don’t look bad in the pictures Jake and Tony have taken of me. But I’m not much into clothes; I like T-shirts, khaki pants, white cotton shirts and bush jackets, workmanlike clothes that are perfect for the life I lead.

I’m thirty-one years old, constantly travelling, living out of a suitcase, and then there are the crazy hours, the lack of comfort, even the most basic of amenities, when I’m on the front lines, covering wars and other disasters, not to mention the danger I often find myself facing. But I prefer this life to walking down a catwalk showing off Paris couture.

Turning away from the road at last, I went back to rejoin Jake Newberg and Tony Hampton, comradesin-arms, as Tony calls us. I think of these two men as my family; we’ve worked together for several years now and we’re inseparable. Jake is my best friend, and Tony has graduated from best friend to lover in the past year. The three of us go everywhere together, and we always make sure we are on the same assignments for our news-photo agencies.

I gazed at Tony surreptitiously for a moment, thinking how fit and healthy he looked as he sat on part of a felled tree trunk, loading two of his cameras with rolls of new film. Tony, who is Irish, is ten years older than me. Stocky and muscular, he has inherited his mother’s Black Irish good looks, and is a handsome and charismatic man. But it’s his masculinity, his potent sexuality that women found most appealing, even overwhelming, and certainly irresistible, as I have discovered.

Consideredtobeoneofthe world’s great war photographers, of the same ilk as the late Robert Capa, he is something of a risk taker when it comes to getting his pictures. This does not unduly worry me, although I know it gives Jake Newberg cause for concern; he has discussed it with me frequently of late.

I eyed Jake, sitting on the grass with his back to a tree, looking nonchalant as he made notes in the small blue leather notebook he always carried with him. Jake is also an American, ‘a Jew from Georgia’, is the way he likes to describe himself. At thirty-eight, he is also one of the top war photographers, a prize-winner like Tony. I’ve won many awards myself but I’ve never attempted to put myself in their league, although Tony and Jake say I belong there, that I’m just as good as they are.

Jake is tall, lean, with a physical toughness about him that makes him seem indestructible – anyway, that is the way I view him. He’s an attractive man, with an expressive face, blondish curly hair and the most vivid blue eyes I’ve ever seen. Yet despite his puckishness and the mischievous twinkle that often glints in those eyes, I long ago discovered that Jake is the most compassionate of men. And I’ve come to appreciate his understanding of the complexities of the human heart and the human frailties we are all afflicted with.