Lionel Shriver - Checker and the Derailleurs

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From the Orange Prize winning author of We Need to Talk About Kevin this is a novel about what it takes to make it in music. How charisma is worth its weight in gold. And how jealously can grow until it has eaten away at a musician’s heart.He has that thing that they’d all pay for but can’t buy: on stage and off, the 19-year-old rock drummer Checker Secretti is electric. When he plays with his band The Derailleurs, the natives of Astoria, Queens clamour for a piece of him. But charisma comes at a price. A Salieri to Checker’s Mozart, the fiercely envious fellow drummer Eaton Striker is eager to sow discord among the Derailleurs, that he might replace the exasperatingly popular goody-goody in the close-knit neighbourhood’s affections.An examination of the passion, the jealousy and the friendship of young musicians trying to break out, Checker and The Derailleurs is also about cycling, rock lyrics, glass blowing, the marriage of convenience, and—most of all—the mystery of joy.

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Checker’s eyes were steady, neutral. “It was interesting.”

“You are toast, man,” said J.K.

“I am a little tired.” Checker turned. “Howard, you arranged a substitute. Good management.”

Howard envied Rahim’s leaping Virginia Reel, but could only swing an awkward, premeditated hug. “You look terrible!”

“Thanks, Howard.”

“No, I mean—”

“You mean I look terrible. Mr. Striker?” Checker pulled a tattered paper from his pocket and read, “ Drummer Extraordinaire .”

Eaton felt embarrassed by his own business card, and glared as if the pretentious tag was Checker’s fault. Checker only looked back at him with exposing directness. Eaton felt discovered. Yet when Eaton glanced away and back again, Checker’s expression no longer appeared incisive. There was a deadness or calm in the corners of his blue eyes—blind spots. If Checker were a car, it seems, Eaton Striker would be positioned perfectly behind the right back fender.

“Some drumming,” said Checker.

“It’s a battle, with these tubs.”

“The drums are supposed to be on your side.”

“These aren’t very responsive.”

“Calf heads are subtle.”

“I don’t think of drums as a subtle instrument.”

“Yes. I can see you don’t.”

Checker smiled slightly, and Eaton felt condescended to. His chin rose in the air. “Antiques, aren’t they?”

“’Forty-eight,” said Check. “A good year.”

“Might consider replacing them. The shells made now are smaller, tighter, sharper. These are muddy.”

“Thanks for the advice. But I’ve had these since I was nine. If I replaced them they’d be hurt.”

“And when you forget their birthday, do they cry?”

“I don’t know,” said Check mildly. “I’ve never forgotten their birthday.”

Check eased into a chair and leaned his neck over the back, closing his eyes. Rahim dipped a napkin into the ice remaining in a drink and wiped across Checker’s forehead. “Sheckair don sleep?”

“Not much, Hijack.” No one asked him where he’d been. No one asked him why he hadn’t slept.

While Check dozed, Rahim cooled the drummer’s neck and patted it dry with the tail of his shirt, rearranged Checker’s collar, and finally stood at attention beside him like a bodyguard, eyeing Eaton occasionally as a potential assassin. The rest of the band quietly packed up and helped the waitress clear drinks. No one talked, but gently the acid dispersed from the room, the heat clanking up from the basement with a fresh burst of steam. Shyly they found each other’s picks and spare strings. Sweeping up, Caldwell decided that fifty dollars wasn’t very much money, after all. J.K. realized that he’d only want to go to Jamaica if he could take Ceil and the kid with him; that people who counted on you were burdens or assets, all depending on how you looked at them. Carl helped wash the dishes and noticed how the waitress managed to talk to him in a way that didn’t demand he answer back, but still made him feel like part of a conversation. Wisps of childhood memories were still trailing through his mind, but he also recalled some other classmates—the girl with buck teeth, the little boy who smelled bad—who were tormented along with him. When he smiled at the waitress while she dried, she blushed.

Howard felt liked. Rahim felt American. Rachel felt sad, but Rachel always felt sad. And in the quiet, steamy closure of the dark club, surrounded by the sound of Checker’s breathing and the hollow expansion and contraction of the pipes below, Eaton Striker had to leave.

As Rahim walked him home Checker wheeled his bicycle between them, the clicking of the back hub ticking off the moments in precise, perfect points like the stars overhead, bright from cold.

Checker said, “I want to show you something.”

They detoured to a run-down industrial block of Astoria Boulevard. The sidewalk shook under their feet as they approached the building, whose sign said VESUVIUS, nothing more. Directly in front, they heard a dull ominous roar. Checker put his hands gently on the front door, like cracking a safe; it trembled under his fingertips. Putting his finger to his lips, he led Rahim down an alley and pointed to a small window. Rahim climbed a trash can to see.

The pane buzzed in its frame; the glass tickled his hand. Here the sound was louder, huge and ceaseless, like a lion that never inhaled. Through the muddy window Rahim could see dimly inside, though he didn’t understand what he was looking at. Fire framed a square of black like an eclipse. As he watched, the black square moved to the side, and a long stick plunged into pulsing vermilion.

Lit only by this hellish glow, an unearthly woman pulled the rod from the fire. She was tall, which always unnerved Rahim in women. She wore a long industrial apron and dark glasses that flashed yellow when they caught the light. Her hair was tied back carelessly, but most of it was escaping. Cut jaggedly in different lengths, it was the hair that made this figure so amazing. Thick and wild, it raged from her head like black flames. Rahim felt he was witnessing some satanic worship service, with a lean, terrible shaman prodding a dangerous god.

While he told himself she was only a woman, Rahim felt even at first glance that this one demanded a whole other word. Trying to rub the window cleaner, Rahim stood up on his toes and took a step closer; his foot missed and he tumbled off the can. The barrel itself fell and made a terrific crash, for it seems the whole container was filled to the brim with bits of broken glass.

Checker laughed softly and helped him up. Together they began to throw the glass back in the barrel.

“Sh-sh!” said Checker, still laughing, when Rahim tossed a piece in the can and it smashed loudly hitting bottom. It was hard to see, and grasping for hunks in the dark Check exclaimed, “Jesus!” and pulled back. Rahim didn’t have a chance to ask what had happened before he looked up to find a molten glob pointed menacingly at him on the end of a metal pole.

“Move and you’re fried,” said a voice. “A minute ago this lump was twenty-four hundred degrees. It may be cooling fast, but it’s still hot enough to turn your face into a pork chop.”

Rahim froze, crouching; Checker, despite the warning, stood up.

The woman pointed a flashlight at Checker like a second weapon.

“What is that?” asked Checker, not sounding very frightened. “It’s fantastic!”

All three of them turned to the glob, changing quickly from a rich yellow to a duller, more smoldering red. As Checker reached toward it, the woman jerked it away.

“Hot glass, toddler. And what have you done to your hand?”

In the beam of the flashlight was a second red glob, on the end of Checker’s arm. There was a quiet, regular patter-patter; the woman trained the light on the ground, where Checker’s blood was spattering onto the chunks of clear glass. The glass sparkled, and the red drops bounced and drizzled over its crystals like expensive rain. Strange. It was beautiful.

“Sheckair!” Quickly Rahim shed his jacket and tore off his shirt, and began to wrap Check’s hand.

“Don’t use your dirty shirt,” she said sharply. “I have medical supplies inside. I suppose you can come in.” She led them reluctantly in the door and smashed the rod against the cement floor. The glass, now black, cracked off; she tossed the rod in a barrel and went to get first aid. “Christ,” Check heard her mutter on the way, “I start to run off hoodlums and end up playing Sara Barton.”

“That’s Clara Barton,” he shouted after her. Unexpectedly, she laughed.

Checker didn’t seem very concerned with his hand, more delighted to have weaseled his way in here. He and Rahim approached the furnace. Inside, the roar was deeper, striking a broader range of tones. Checker couldn’t take his eyes off the fire though at a certain point he stood back from the heat. In fact, the whole room was sweltering, and recalled the febrile interior of Plato’s Bar.

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