Agatha Christie - Hercule Poirot - The Complete Short Stories

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All 51 Hercule Poirot short stories presented in chonological order in a single volume – plus a bonus story not seen for more than 70 years.‘My name is Hercule Poirot and I am probably the greatest detective in the world.’The dapper, moustache-twirling little Belgian with the egg-shaped head, curious mannerisms and inordinate respect for his own ‘little grey cells’ has solved some of the most puzzling crimes of the century. Appearing in Agatha Christie’s very first novel in 1920 and her very last in 1975, Hercule Poirot became the most celebrated detective since Sherlock Holmes, appearing in 33 novels, a play, and these 51 short stories.Arranged in their original publication order, these short stories provide a feast for hardened Agatha Christie addicts as well as those who have grown to love the detective through his many film and television appearances.This edition now also includes Poirot and the Regatta Mystery, an early version of an Agatha Christie story not published since 1936!

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‘“Hullo, Cronch!” he called. “Come down and be sociable! What are you moping about up there for like a boiled owl? Come along; there’s a good old rag coming on now.”

‘“Right!” responded Cronshaw. “Wait for me, or I’ll never find you in the crowd.”

He turned and left the box as he spoke. Captain Digby, who had Mrs Davidson with him, waited. The minutes passed, but Lord Cronshaw did not appear. Finally Digby grew impatient.

‘“Does the fellow think we’re going to wait all night for him?” he exclaimed.

‘At that moment Mrs Mallaby joined them, and they explained the situation.

‘“Say, now,” cried the pretty widow vivaciously, “he’s like a bear with a sore head tonight. Let’s go right away and rout him out.”

‘The search commenced, but met with no success until it occurred to Mrs Mallaby that he might possibly be found in the room where they had supped an hour earlier. They made their way there. What a sight met their eyes! There was Harlequin, sure enough, but stretched on the ground with a table-knife in his heart!’

Japp stopped, and Poirot nodded, and said with the relish of the specialist: ‘ Une belle affaire ! And there was no clue as to the perpetrator of the deed? But how should there be!’

‘Well,’ continued the inspector, ‘you know the rest. The tragedy was a double one. Next day there were headlines in all the papers, and a brief statement to the effect that Miss Courtenay, the popular actress, had been discovered dead in her bed, and that her death was due to an overdose of cocaine. Now, was it accident or suicide? Her maid, who was called upon to give evidence, admitted that Miss Courtenay was a confirmed taker of the drug, and a verdict of accidental death was returned. Nevertheless we can’t leave the possibility of suicide out of account. Her death is particularly unfortunate, since it leaves us no clue now to the cause of the quarrel the preceding night. By the way, a small enamel box was found on the dead man. It had Coco written across it in diamonds, and was half full of cocaine. It was identified by Miss Courtenay’s maid as belonging to her mistress, who nearly always carried it about with her, since it contained her supply of the drug to which she was fast becoming a slave.’

‘Was Lord Cronshaw himself addicted to the drug?’

‘Very far from it. He held unusually strong views on the subject of dope.’

Poirot nodded thoughtfully.

‘But since the box was in his possession, he knew that Miss Courtenay took it. Suggestive, that, is it not, my good Japp?’

‘Ah!’ said Japp rather vaguely.

I smiled.

‘Well,’ said Japp, ‘that’s the case. What do you think of it?’

‘You found no clue of any kind that has not been reported?’

‘Yes, there was this.’ Japp took a small object from his pocket and handed it over to Poirot. It was a small pompon of emerald green silk, with some ragged threads hanging from it, as though it had been wrenched violently away.

‘We found it in the dead man’s hand, which was tightly clenched over it,’ explained the inspector.

Poirot handed it back without any comment and asked: ‘Had Lord Cronshaw any enemies?’

‘None that anyone knows of. He seemed a popular young fellow.’

‘Who benefits by his death?’

‘His uncle, the Honourable Eustace Beltane, comes into the title and estates. There are one or two suspicious facts against him. Several people declare that they heard a violent altercation going on in the little supper-room, and that Eustace Beltane was one of the disputants. You see, the table-knife being snatched up off the table would fit in with the murder being done in the heat of a quarrel.’

‘What does Mr Beltane say about the matter?’

‘Declares one of the waiters was the worse for liquor, and that he was giving him a dressing down. Also that it was nearer to one than half past. You see, Captain Digby’s evidence fixes the time pretty accurately. Only about ten minutes elapsed between his speaking to Cronshaw and the finding of the body.’

‘And in any case I suppose Mr Beltane, as Punchinello, was wearing a hump and a ruffle?’

‘I don’t know the exact details of the costumes,’ said Japp, looking curiously at Poirot. ‘And anyway, I don’t quite see what that has got to do with it?’

‘No?’ There was a hint of mockery in Poirot’s smile. He continued quietly, his eyes shining with the green light I had learned to recognize so well: ‘There was a curtain in this little supper-room, was there not?’

‘Yes, but –’

‘With a space behind it sufficient to conceal a man?’

‘Yes – in fact, there’s a small recess, but how you knew about it – you haven’t been to the place, have you, Monsieur Poirot?’

‘No, my good Japp, I supplied the curtain from my brain. Without it, the drama is not reasonable. And always one must be reasonable. But tell me, did they not send for a doctor?’

‘At once, of course. But there was nothing to be done. Death must have been instantaneous.’

Poirot nodded rather impatiently.

‘Yes, yes, I understand. This doctor, now, he gave evidence at the inquest?’

‘Yes.’

‘Did he say nothing of any unusual symptom – was there nothing about the appearance of the body which struck him as being abnormal?’

Japp stared hard at the little man.

‘Yes, Monsieur Poirot. I don’t know what you’re getting at, but he did mention that there was a tension and stiffness about the limbs which he was quite at a loss to account for.’

‘Aha!’ said Poirot. ‘Aha! Mon Dieu ! Japp, that gives one to think, does it not?’

I saw that it had certainly not given Japp to think.

‘If you’re thinking of poison, monsieur, who on earth would poison a man first and then stick a knife into him?’

‘In truth that would be ridiculous,’ agreed Poirot placidly.

‘Now is there anything you want to see, monsieur? If you’d like to examine the room where the body was found –’

Poirot waved his hand.

‘Not in the least. You have told me the only thing that interests me – Lord Cronshaw’s views on the subject of drug taking.’

‘Then there’s nothing you want to see?’

‘Just one thing.’

‘What is that?’

‘The set of china figures from which the costumes were copied.’

Japp stared.

‘Well, you’re a funny one!’

‘You can manage that for me?’

‘Come round to Berkeley Square now if you like. Mr Beltane – or His Lordship, as I should say now – won’t object.’

We set off at once in a taxi. The new Lord Cronshaw was not at home, but at Japp’s request we were shown into the ‘china room’, where the gems of the collection were kept. Japp looked round him rather helplessly.

‘I don’t see how you’ll ever find the ones you want, monsieur.’

But Poirot had already drawn a chair in front of the mantelpiece and was hopping up upon it like a nimble robin. Above the mirror, on a small shelf to themselves, stood six china figures. Poirot examined them minutely, making a few comments to us as he did so.

Les voilà ! The old Italian Comedy. Three pairs! Harlequin and Columbine, Pierrot and Pierrette – very dainty in white and green – and Punchinello and Pulcinella in mauve and yellow. Very elaborate, the costume of Punchinello – ruffles and frills, a hump, a high hat. Yes, as I thought, very elaborate.’

He replaced the figures carefully, and jumped down.

Japp looked unsatisfied, but as Poirot had clearly no intention of explaining anything, the detective put the best face he could upon the matter. As we were preparing to leave, the master of the house came in, and Japp performed the necessary introductions.

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