Ray Bradbury - Golden Apples of the Sun

“Look what you’ve done!”

Tom ran up.

“Look what you made me do!”

He wiped her shoes with a kerchief, laughing.

“Get away!” She kicked at his hands, but he laughed again, and gazing down on him from miles away, Cecy saw the turn of his head, the size of his skull, the flare of his nose, the shine of his eye, the girth of his shoulder, and the hard strength of his hands doing this delicate thing with the handkerchief. Peering down from the secret attic of this lovely head, Cecy yanked a hidden copper ventriloquist’s wire and the pretty mouth popped wide: “Thank you!”

“Oh, so you have manners?” The smell of leather on his hands, the smell of the horse rose from his clothes into the tender nostrils, and Cecy, far, far away over night meadows and flowered fields, stirred as with some dream in her bed.

“Not for you, no!” said Ann.

“Hush, speak gently,” said Cecy. She moved Ann’s fingers out toward Tom’s head. Ann snatched them back.

“I’ve gone mad!”

“You have.” He nodded, smiling but bewildered. “Were you going to touch me then?”

“I don’t know. Oh, go away!” Her cheeks glowed with pink charcoals.

“Why don’t you run? I’m not stopping you.” Tom got up. “Have you changed your mind? Will you go to the dance with me tonight? It’s special. Tell you why later.”

“No,” said Ann.

“Yes!” cried Cecy. “I’ve never danced. I want to dance. I’ve never worn a long gown, all rustly. I want that. I want to dance all night. I’ve never known what it’s like to be in a woman, dancing; Father and Mother would never permit it. Dogs, cats, locusts, leaves, everything else in the world at one time or another I’ve known, but never a woman in the spring, never on a night like this. Oh, please—we must go to that dance!”

She spread her thought like the fingers of a hand within a new glove.

“Yes,” said Ann Leary, “I’ll go. I don’t know why, but I’ll go to the dance with you tonight, Tom.”

“Now inside, quick!” cried Cecy. “You must wash, tell your folks, get your gown ready, out with the iron, into your room!”

“Mother,” said Ann, “I’ve changed my mind!”

The rig was galloping off down the pike, the rooms of the farmhouse jumped to life, water was boiling for a bath, the coal stove was heating an iron to press the gown, the mother was rushing about with a fringe of hairpins in her mouth. “What’s come over you, Ann? You don’t like Tom!”

“That’s true,” Ann stopped amidst the great fever.

But it’s spring! thought Cecy.

“It’s spring,” said Ann.

And it’s a fine night for dancing, thought Cecy.

“… for dancing,” murmured Ann Leary.

Then she was in the tub and the soap creaming on her white seal shoulders, small nests of soap beneath her arms, and the flesh of her warm breasts moving in her hands and Cecy moving the mouth, making the smile, keeping the actions going. There must be no pause, no hesitation, or the entire pantomime might fall in ruins! Ann Leary must be kept moving, doing, acting, wash here, soap there, now out! Rub with a towel! Now perfume and powder!

“You!” Ann caught herself in the mirror, all whiteness and pinkness like lilies and carnations. “Who are you tonight?”

“I’m a girl seventeen.” Cecy gazed from her violet eyes. “You can’t see me. Do you know I’m here?”

Ann Leary shook her head. “I’ve rented my body to an April witch, for sure.”

“Close, very close!” laughed Cecy. “Now, on with your dressing.”

The luxury of feeling good clothes move over an ample body! And then the halloo outside.

“Ann, Tom’s back!”

“Tell him to wait.” Ann sat down suddenly. “Tell him I’m not going to that dance.”

“What?” said her mother, in the door.

Cecy snapped back into attention. It had been a fatal relaxing, a fatal moment of leaving Ann’s body for only an instant. She had heard the distant sound of horses’ hoofs and the rig rambling through moonlit spring country. For a second she thought, I’ll go find Tom and sit in his head and see what it’s like to be in a man of twenty-two on a night like this. And so she had started quickly across a heather field, but now, like a bird to a cage, flew back and rustled and beat about in Ann Leary’s head.

“Ann!”

“Tell him to go away!”

“Ann!” Cecy settled down and spread her thoughts.

But Ann had the bit in her mouth now. “No, no, I hate him!”

I shouldn’t have left—even for a moment. Cecy poured her mind into the hands of the young girl, into the heart, into the head, softly, softly. Stand up, she thought.

Ann stood.

Put on your coat!

Ann put on her coat.

Now, march!

No! thought Ann Leary.

March!

“Ann,” said her mother, “don’t keep Tom waiting another minute. You get on out there now and no nonsense. What’s come over you?”

“Nothing, Mother. Good night. We’ll be home late.”

Ann and Cecy ran together into the spring evening.

A room full of softly dancing pigeons ruffling their quiet, trailing feathers, a room full of peacocks, a room full of rainbow eyes and lights. And in the center of it, around, around, around, danced Ann Leary.

“Oh, it is a fine evening,” said Cecy.

“Oh, it’s a fine evening,” said Ann.

“You’re odd,” said Tom.

The music whirled them in dimness, in rivers of song; they floated, they bobbed, they sank down, they arose for air, they gasped, they clutched each other like drowning people and whirled on again, in fan motions, in whispers and sighs, to “Beautiful Ohio.”

Cecy hummed. Ann’s lips parted and the music came out.

“Yes, I’m odd,” said Cecy.

“You’re not the same,” said Tom.

“No, not tonight.”

“You’re not the Ann Leary I knew.”

“No, not at all, at all,” whispered Cecy, miles and miles away. “No, not at all,” said the moved lips.

“I’ve the funniest feeling,” said Tom.

“About what?”

“About you.” He held her back and danced her and looked into her glowing face, watching for something. “Your eyes,” he said, “I can’t figure it.”

“Do you see me? ” asked Cecy.

“Part of you’s here, Ann, and part of you’s not.” Tom turned her carefully, his face uneasy.

“Yes.”

“Why did you come with me?”

“I didn’t want to come,” said Ann.

“Why, then?”

“Something made me.”

“What?”

“I don’t know.” Ann’s voice was faintly hysterical.

“Now, now, hush, hush,” whispered Cecy. “Hush, that’s it. Around, around.”

They whispered and rustled and rose and fell away in the dark room, with the music moving and turning them.

“But you did come to the dance,” said Tom.

“I did,” said Cecy.

“Here.” And he danced her lightly out an open door and walked her quietly away from the hall and the music and the people.

They climbed up and sat together in the rig.

“Ann,” he said, taking her hands, trembling. “Ann.” But the way he said the name it was as if it wasn’t her name. He kept glancing into her pale face, and now her eyes were open again. “I used to love you, you know that,” he said.

“I know.”

“But you’ve always been fickle and I didn’t want to be hurt.”

“It’s just as well, we’re very young,” said Ann.

“No, I mean to say, I’m sorry,” said Cecy.

“What do you mean?” Tom dropped her hands and stiffened.

The night was warm and the smell of the earth shimmered up all about them where they sat, and the fresh trees breathed one leaf against another in a shaking and rustling.