Jax Miller - Freedom’s Child

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Freedom’s Child: краткое содержание, описание и аннотация

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A heart-stopping debut thriller about a woman named Freedom, who will stop at nothing to save the daughter she only knew for two minutes and seventeen seconds.Call me what you will: a murderer, a cop killer, a fugitive, a drunk…Freedom Oliver has spent the last eighteen years living a quietly desperate life under Witness Protection in a backwater of Oregon after being exonerated of her husband’s murder.But now Freedom’s daughter Rebekah is missing, the same one who was wrenched from her arms just moments after birth. Freedom slips her handlers and embarks on an epic journey across the US to Kentucky, determined to find her child.No longer under the protection of the U.S. Marshalls, Freedom is tracked by her late husband’s psychotic brothers, who will stop at nothing in their quest for vengeance. But they are not the only threat she faces as she draws nearer to the horrifying truth behind Rebekah’s disappearance…

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“Yes, Ma, but it’s my revenge too,” Matthew says as he puts his hands on hers. “As much mine as yours.”

“They should make a saint out of me for waiting so fucking long.”

“Yes, Ma. And you waiting for me to get out so this revenge could be mine means more to me than you’ll ever know.” Lynn bats her eyes at his appreciation.

Peter starts to object but stutters over his own words. Matthew shoots him a glare so ferocious and hateful that it paralyzes him in his own wheelchair. With a flat, soulless tone he says, “And we’re all in this together.”

Peter gets his first good look at Matthew. He notices the thin threads of white at the edges of his black hair only make him look more monstrous than before, like a mane beginning to ice over. His blue eyes are still too light to match the rest of his face, those eyes that nearly turn to white when he’s doing something evil. He looks more like Lynn than ever, except he’s lean and hard. Prison hard.

“But how the hell are we supposed to find her and the kids? We know she’s been a protected witness since she killed Mark,” says Luke as he rolls another joint.

“O ye of little faith. In prison, everything is accessible for a price. Information is no exception.” Matthew taps his finger on his temple. “Everything you need to know about Nessa Delaney is in here.” He looks over to Lynn and smiles.

Lynn Delaney has never been prouder of her sons in all her years. At the sight of Matthew, the long wait almost seems worth it. In this way, her Matthew can guide the rest, be Lynn’s eyes and ears on their journey to kill her ex-daughter-in-law. “I only ask that you do things to Nessa that no mother would want to hear about until she begs to die. And I don’t need to tell you to be sure none of it gets back to this family, do I?” She sighs. “And as for your niece and your nephew, just … break the news slowly to them. Show them love. Tell them Grandmother has waited patiently for twenty years and looks forward to hugging them.” She takes a cigarette from Luke and puffs away. Her teeth are burned.

“She goes by Freedom Oliver these days,” says Matthew.

“Freedom?” Lynn scoffs. “Fucking clever.”

“Let’s leave in the morning, then.” Luke smiles at the thought of bloodshed.

“Fuck that.” Lynn kicks the bottom of the refrigerator from the motor scooter. “I’m not waiting any longer.” The steam seems to rise from her, liable to ignite the Aqua Net if she gets too angry. She brushes black cat hair from her sleeves, composes herself with a wheezing from the throat, and puts her cigarette out on the kitchen counter, no ashtray or anything. “My boys, my boys …” From her sleeve, she pulls out two fifty-dollar bags of cocaine and cuts five lines with her driver’s license in front of them, a driver’s license long expired since she hasn’t left the house in more than three years. The boys’ spines become a little more erect. When she’s done, she licks the edge of the card before turning a twenty-dollar bill into a straw. Peter can’t help but wonder how a habitual coke addict could be such a morbid size. “You don’t want to keep your mother waiting, do you?” She inhales a line through her left nostril before handing the twenty-dollar bill to Matthew. Her jaw sways back and forth, her pinkies twitch with the mechanical taste.

Matthew stares straight ahead before he snorts the next line. “No, you never have to wait for us, Mother.” The others nod, agreeing with anything to get a turn at the coke. They watch as her nose starts to bleed, as it usually does, down her face and landing on the remaining orange cupcake, the white drizzle of frosting now spotted with crimson. But Lynn doesn’t mind her warm blood falling down on her dessert, and she stuffs it in her gob anyway. She stares each one of her sons in the eyes. “Let John drive.” Lynn throws a set of keys on the table. “The plates are fake and the E-ZPass is stolen, so tolls for the bridges and turnpikes are free. You guys better head off to avoid rush hour.”

With their hearts racing with drugs, anticipation, and obedience, they leave.

Lynn watches Matthew, Luke, and John take off from the window. This is payback for Mark, you stupid bitch , she says to her reflection. She is a queen, releasing her wolves into the wild, on the hunt. As the car leaves the driveway, she sees the next-door neighbor. An old man from Puerto Rico, he paces in circles in an old and ragged green dress with black polka dots. His daughter’s mentioned before that he was showing signs of dementia. Is anyone normal anymore?

She licks the blood from her lips, hears the creak of Peter’s wheelchair turning toward her. He stammers, as if his vocal cords are trying to disconnect from his body.

“Yu, yu, you’re … a … f-f-fucking ba-ba-bitch,” Peter says.

Lynn uses the back of her hand to wipe the blood across her face, up her cheeks like war paint. She leers and says, “And here I was thinking you my-my-my-might want to eat ta-ta-ta-today …”

5

The Need to Know

Today

My name is Freedom and I hate this woman’s looks. Yeah, it’s an antipsychotic, just give it here so I can go. Walkers Pharmacy, the Botox bitch, I call her. Too much collagen in the lips. Maybe she’s not giving me a dirty look after all. That might just be her face.

Seeing a psychiatrist is not my idea. Whippersnappers make me do it. Every week for the past eighteen years. That’s 936 hours. What good has it done? I grab my prescription and leave.

* * *

My name is Freedom and I’ll be happy the day I never have to hear ZZ Top again. As always, I leave myself about half an hour to hang out in the back before my shift starts. I sit in the office where we keep the safes, computers, security cameras, accounting and inventory records, cluttered manuals, and magazines. It’s where I take advantage of the Internet, being that I don’t actually own a computer and the service on my cell phone sucks like an eager Vietnamese prostitute.

Carrie stands behind me, but she isn’t the nosy type at all, just eyeballs the office.

“What are you doing?” I ask. I already know the answer and say it with her: I’m moving things with my mind . She’s always rearranging something. Carrie’s my boss, but a good boss. A husky lesbian, she’s one of my only friends here in Oregon. She’s rough around the edges but has a huge heart and never makes a pass at me, aside from the occasional “If you were a lesbian, my God!” She’s the gay pride-ish type, too, with tats of rainbows and naked pinup girls all over her thick arms.

I return to the computer screen and open three windows after I log in to Facebook. On one page is Mason Paul, attorney-at-law. On the second is Rebekah Paul. The third is a young girl named Louisa Horn, but I suspect it’s a fake profile: one friend, and the only activity is random posts on Rebekah’s wall. My money is on Mason, since he and his sister aren’t Facebook friends. On Facebook maps, Louisa’s locations match Mason’s. And by the looks of things, Mason has little, if any, connection anymore with his adoptive family, with the church.

I look up Galatians 5:19–21 in another tab. Above it, from yesterday, is a post from Louisa Horn that reads: “My sister in Christ, where have you been? I miss you.” It’s been a couple days since she’s posted anything or there’s been any activity from her account. It’s unlike her. “She hasn’t posted anything in a while,” I say to Carrie. I’m not supposed to talk to anyone of my past life, my life before I was Freedom Oliver. But I do. She knows who I am, who I was, who I’m looking at. I trust her. Nothing I disclose to her goes anywhere else. She even knows the things I can’t disclose to the whippersnappers.

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