Julie Shaw - Hidden Sin - When the past comes back to haunt you

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The explosive sequel to #1 Sunday Times bestseller Bad Blood.Set 18 years later, Hidden Sin is the story of Joey, his girlfriend Paula and Rasta Mo, the man he is to discover is his dad.Joey Parker is a young man with big dreams. Almost eighteen, he’s desperate to escape the shackles of his window cleaning round, so when’s offered the chance to try out as a drummer in a local Blondie tribute band he jumps at the chance. But it isn’t just the music that moves him. It’s also the fact that Paula Foster is the lead singer. The daughter of his mum’s old mate, Josie, she was once a childhood friend. They’ve not seen each other in years, and their mutual attraction is immediate.Meanwhile, notorious local drug overlord, Rasta Mo, has recently returned to Bradford after a spell inside and years in Marbella. He is instantly enamored with the good-looking drummer he discovers is his son. He decides that his new club is in need of a house band – and so begins his attempts to woo him.This book charts a journey between two men into a future neither visualized. And, in Joey’s case, into a dangerous criminal world he’s never known. And, while his mother and step-father can only look on in horror as Joey potentially becomes the one thing she’s always dreaded – his father’s son.Joey is oblivious to who Mo is. The truth has always been hidden from him. All he cares about is that his and Paula’s dreams are all starting to come true. But will the cost of achieving them be too high to pay?

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Copyright Certain details in this book including names places and dates - фото 1

Copyright

Certain details in this book, including names, places and dates, have been changed to protect the family’s privacy.

HarperElement

An imprint of HarperCollins Publishers

1 London Bridge Street

London SE1 9GF

www.harpercollins.co.uk

First published by HarperElement 2018

FIRST EDITION

© Julie Shaw and Lynne Barrett-Lee 2018

Cover layout design © HarperCollins Publishers Ltd 2018

Cover photographs © plainpicture/Valery Skurydin (young woman); © Romany WG/Trevillion Images (figure)

A catalogue record of this book is available from the British Library

Julie Shaw and Lynne Barrett-Lee assert the moral right to be identified as the authors of this work

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

Find out about HarperCollins and the environment at

www.harpercollins.co.uk/green

Source ISBN: 9780008228484

Ebook Edition © May 2018 ISBN: 9780008228491

Version: 2018-04-05

Dedication

This book is simply dedicated to our Alan Taylor. Rest in peace, Alan – you fought with every last breath to stay as long as you could with my lovely little cousin, Sue, AKA our Nipper, and your girls, Penny, Lou and Lindsay. They all did you proud, Alan, and always will do. You were everything a man should be and you’ll be sadly missed. x

Epigraph

‘Behold, I was brought forth in iniquity, and in sin my mother did conceive me.’

Psalm 51:5

Contents

Cover

Title Page

Copyright

Dedication

Epigraph

Prologue

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Acknowledgements

Further titles in this series

Moving Memoirs eNewsletter

About the Publisher

Prologue

Bradford, June 1997

Mo took a slow look around him and sniffed the air. Nothing had changed, he realised. The Sun Inn still delivered: its familiar cocktail of stale beer, cheap perfume and sweat. Did it feel good to be back? He wasn’t sure yet.

On balance, though, yes. Because he knew he still had it. Knew from the ripples of reaction that seemed to flow out when he moved. The odd stare. The covert nudge. The inevitable whispered conversations. Conversations that he knew were taking place in his wake. So on balance, yes. Yes, the weather was shit, obviously , but for the most part it felt good to be home.

He swayed – he couldn’t help it – to the rhythm of the music. A young band. Loud and fast. A little raw, but pretty good, currently banging out Blondie’s ‘Picture This’. He leaned in towards Irish Pete – well, as close as his nose allowed, anyway. ‘These are good, man,’ he shouted at his friend above the noise. ‘What they called?’

‘Parallel Lines,’ Pete said. ‘Blondie tribute band.’

‘I think I got that much.’

‘And that blonde tart’s a dead ringer for Debbie Harry, is she not? I know what I’d fucking like to do to her, too!’ Pete grabbed at his crotch and thrust his hips forward. ‘She wouldn’t have to picture this, eh? She’d get the whole ten fucking inches!’

Mo eyed his old friend with distaste. One thing he’d forgotten during his long years on the oh-so-much more civilised (well, at least in that sense) Spanish Costas was that the Petes of this world never changed. Dirty-tongued, always. And dirty-mouthed, too. The recipient of some very expensive dental work recently, Mo was the proud owner of a gleaming new set of teeth, which only served to highlight what a sewer Pete’s own mouth had become since he’d gone away. It stank like one every time he opened it, however sweet the words that issued forth, the rank-smelling interior fenced in by uneven rows of yellowy-brown, misshapen teeth.

‘In your dreams, Pete,’ he said, turning sideways to avoid the stench. ‘Ten fucking inches, my arse.’ He nodded back to the stage. ‘Seriously, you know anything about them? I’m on the lookout for some talent for when me and Nico’s place gets sorted. Decent house band. Something with a bit of class.’

And they did seem to have that. That sense of knowing their own worth. The blonde at the front, in particular – she had enough attitude to start a war. And the kid on the drums. There was definitely something special about him. Muscular. Mixed-race. Maybe twenty. Possibly younger. A whir of mesmerising movement beneath a cloud of chocolate curls, his hands moving in an expert blur across the whole drum kit.

‘Not sure about “class”,’ Pete was saying. ‘The bird’s Josie McKellan’s kid.’ He nudged Mo. ‘You know? Paula? Don’t you recognise her? Tidy wee fucker she’s turned out to be, eh?’

Mo looked more closely at the girl belting out the Blondie track. Of course. He’d been fooled by the bleached hair. If you took the peroxide out of the equation it was immediately obvious. That same familiar Hudson look. She was very like her mother. Taller than Josie, yes – hardly difficult, to be fair – but the same cocky expression. And a stark reminder of how times had changed in this particular corner of Bradford – like The Sun, which had reinvented itself from spit-and-sawdust to what was now obviously the thing: coloured-glass Tiffany light shades, lots of polished wood, dark, patterned carpets – like a migraine on the floor. He made a mental note, filing the look away for his latest venture.

The people had changed too. It no longer seemed such a man’s world. Not like Spain – well, his bit of it – which still clung to the old order. Where men were the bosses and women were mostly meek. He could hardly believe the amount of skirt that seemed to be out partying unaccompanied – and none of them seemed to look as if they cared less.

A fresh rum and Coke appeared in front of him. ‘Here you go, mate,’ said his friend Nico. ‘Lot to take in, isn’t it? A bit different to how it was when we were banged up, eh, my friend?’

Nico laughed – a big booming laugh that might grate if you didn’t know him. Ditto his usual moniker – the ridiculously unimaginative ‘Nic the Greek’. Still, it had served him well enough in prison, Mo decided, greasy Greek fucker that he was. And it was serving him well now. They’d do all right together in this new version of Bradford. Even if Nico couldn’t quite get his head around why Mo had wanted to return to it. After all, he’d been living the high life in Marbella since he’d come out of the nick, hadn’t he? But the pull had always been there. Even though sometimes Mo didn’t really understand why himself.

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