Jermaine Jackson - You Are Not Alone - Michael, Through a Brother’s Eyes

Acceptance of this was to know him in its limited way, and as much as Michael struggled to accept the way Joseph was, he always had compassion for him, not judgement. The sad thing is that I don’t think he knew the back-story I have just shared. I guess many people only know their parents as ‘Mother’ and ‘Father’ and not as people prior to that role but if we understand more about our parents when they were young, then maybe we have a better chance of knowing who we become. I like to think that the stories about Joseph’s schooldays explain quite a lot.

JOSEPH DIDN’T NEED TO DAY-DREAM ABOUT a life in California, like most working men in Indiana: he had already whetted his appetite by living there. That was why his horizons were set somewhere between the sunsets on the Pacific and dreams of the Hollywood sign. Aged 13, he moved from Arkansas to Oakland on San Francisco Bay, via Los Angeles, by train. He moved with his father, who quit teaching for the shipyard after discovering that Joseph’s mother, Chrystal, had had an affair with a soldier. Initially, Samuel Jackson went alone, leaving Joseph behind. Three months later, after pleading letters from son to father had gone back and forth, Joseph made the ‘toughest of choices’ and moved west. More letters went back and forth, this time between Joseph and his mother. Our father must have been persuasive even as a kid because some months later, Chrystal Jackson left her new man and returned to the husband she had recently divorced.

The arrangement lasted a year before she headed back east to set up a new life with another man in Gary, Indiana. I suspect Joseph felt like the rope in a tug-of-war being pulled by both parents. For a man who has forever preached ‘togetherness and family’, I don’t know how he stood it. All I know is that he first pitched up in Gary after taking the bus all the way from Oakland. On arrival, he thought the city ‘small, dirty and ugly’ but his mother was there and reading between the lines, I think he detected a small sense of ‘celebrity’ around him. Here was a kid not from Arkansas but from California, and his stories of West-Coast life brought a lot of attention from the local girls. So, aged 16, Joseph moved to be with his mother in Gary, Indiana but in his mind, he would one day return to California. ‘We’ll go out West. Wait till you see it out West,’ he used to say to us – an explorer on stopover from some great adventure he had yet to resume.

Joseph’s face was lined and furrowed by his years of hard work, and he had thick eyebrows that seemed to cement a permanent frown, hardening the hazel eyes that looked right through you. One glare was enough to make us wobble as children. But talk of California softened his features. He remembered ‘the golden California sunshine’, the palm trees, Hollywood and how the West coast ‘was the place to be in life.’ No crime, tidy streets, opportunities to get on top. We watched the television series Maverick and he pointed out streets he knew. Over the years, we constructed this city into a fictional paradise – a distant planet: when man could walk on the moon, we could also perhaps visit LA. Whenever the sun was setting in Indiana, we always said to each other, ‘The sun will be setting in California soon’: we always knew that there was some place, some life, that was better than what we had.

LONG BEFORE MICHAEL WAS BORN, AND while Mother was pregnant with me, Joseph first conceived a plan of ‘making it’. As a guitarist, he formed a blues band named the Falcons with his brother, Luther, and a couple of friends. By the time I came along, they had built up a slick act, performing at local parties and venues to put some extra dollars in their pockets. While he was working the crane, Joseph composed songs, shifting steel beams on auto-pilot and conjuring lyrics as a singer-songwriter.

In 1954, the year I was born, he claims to have written a song called ‘Tutti Frutti’. One year later, Little Richard released a same-titled hit. When we were growing up, the story of how Little Richard ‘stole’ our father’s song became legendary. It was never true, of course. But all that was important was that a black man from the middle of nowhere had created a song that redefined music – ‘the sound of the birth of rock ’n’ roll’. It was that possibility that locked deep in our minds every time the story was told.

I don’t remember vividly the Falcons rehearsing, certainly not when measured against what ‘rehearsing’ would come to mean for us! But I have a vague memory of Uncle Luther – always smiling – arriving with packs of beer and his guitar, then riffing with Joseph as we sat around, sucking it all in. Uncle Luther played the blues and Joseph switched between his guitar and the harmonica. Those were the sounds that sometimes helped us drift off to sleep.

Joseph’s musical dream floundered when the Falcons disbanded after one of them, Pookie Hudson, quit to form a new group. But Joseph still came home and unwound by playing his guitar, then putting it away in its usual spot at the back of his bedroom closet. Tito, the first budding guitarist among us, eyed that closet like an unlocked safe containing gold but we all knew it was Joseph’s pride and joy. As such, it was untouchable. ‘And don’t even think about getting out my guitar!’ he warned us all before leaving for work.

WE FIVE BOYS SHARED ONE BEDROOM – the best dressing room we ever shared. Within this confinement, we grew up as best friends. Brotherhood grows stronger each year. We are the only ones who can ever say to one another, ‘Remember how we were. Remember what we shared. Remember where and what we came from.’

Or, as Clive Davis would later tell me, ‘Blood is thicker than mud.’ We were inseparable in Gary, forever together, night and day. We shared a metal-framed three-tiered bunk-bed. Its length was just big enough to fit against the back wall and its height meant that Tito and I slept head to toe, about four feet from the ceiling. In the middle were Michael and Marlon, and Jackie had the lowest bunk all to himself. Jackie was the only brother who didn’t know what it was like to wake up with a foot in his eyes, ear or mouth. The girls, Rebbie and La Toya, slept on the sofa-bed in the living room (later joined by our brother Randy and baby sister Janet) so every room was crammed to its limit. Imagine being Rebbie – the eldest child – and never once having a bedroom to herself!

As brothers, we spent a lot of time in our bedroom, with its one window looking out on to 23rd Avenue. Every night felt like a sleepover. We went to bed at roughly the same time – 8.30 or 9pm – regardless of age and hurled pillows, wrestled and talked up a storm for a good hour before sleep, planning on what we’d be doing the next day.

‘I got the skates, so I’m the one roller-skating!’

‘I got the bat and ball, who’s playing?’

‘We’re building a go-kart. Who’s in?’

We ripped the sheets from the bed and threw the mattresses on the floor, and built Greek columns out of books, draping sheets over them to create a tented roof. We loved sleeping on the floor in our self-built ‘dens’. We loved sleeping on the floor even when we hadn’t built a den – it felt like camping out.

Come the morning we were each other’s alarm clocks. ‘You awake, Jermaine?’ I’d hear Michael ask in a loud whisper. ‘Jackie?’ We’d wait for the reply that rarely came because he always liked his extra ZZZZ.

Then came the chaos of the ‘15-minute bathroom’ rule. As one brother or sister darted out, another darted in and then we heard Mother shout: ‘JERMAINE! Your 15 minutes is up!’

I loved mornings at home. I loved the chaos in the kitchen, and I loved making harmonies in bed when we woke. We didn’t need to see each other’s faces, we just lay there singing. We always sang, even during chores like painting the house, doing the laundry, cutting the grass, or ironing. Our self-entertainment eased the tedium and we ‘covered’ hits from sounds we heard at home: Ray Charles, Otis Redding, Smokey Robinson and the Miracles, and Major Lance (whose keyboardist was an unknown man called Reggie Dwight, nowadays better known as Sir Elton John).