Sophie Draper - Cuckoo - A haunting psychological thriller you need to read this Christmas

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Spooky and absorbing. I was gripped from the first page! CASS GREENThere’s a stranger in your house…When her stepmother dies unexpectedly, Caro returns to her childhood home in Derbyshire. She hadn’t seen Elizabeth in years, but the remote farmhouse offers refuge from a bad relationship, and a chance to start again.But going through Elizabeth’s belongings unearths memories Caro would rather stay buried. In particular, the story her stepmother would tell her, about two little girls and the terrible thing they do.As heavy snow traps Caro in the village, where her neighbours stare and whisper, Caro is forced to question why Elizabeth hated her so much, and what she was hiding. But does she really want to uncover the truth?A haunting and twisty story about the lies we tell those closest to us, perfect for fans of Ruth Ware and Cass Green.Readers love CUCKOO: ‘Spooky and absorbing. I was gripped from the first page’ CASS GREEN ‘A remarkably, taut and chilling debut. I absolutely loved it. Brilliant writing. All the creepiness. A heart-stopping ending’ CLAIRE ALLAN‘Sophie Draper is a remarkable new voice, combining beautiful writing with a gothic creepiness and a level of suspense which will keep the reader gripped to the end’ STEPHEN BOOTH'A brilliant, sinister debut that creeps under your skin and keeps you hooked until the shocking ending' ROZ WATKINS‘Wow! This is what a horror story is supposed to be! Super spooky and absolutely wonderful in all its gothic glory’ NETGALLEY REVIEWER‘The ending was amazing. Psychological fiction at its best. Five Stars’ NETGALLEY REVIEWER ‘I never use the term "jaw-dropping" but it best describes the rest of this spectacular read!’ NETGALLEY REVIEWER ‘Stands up there near to of the top of the pile with narratives like "The Woman in the Window" and of course "The Girl on the Train".’ NETGALLEY REVIEWER ‘The ending BLEW. ME. AWAY. I feel like I’m going to have a book hangover now. SO, SO GOOD’ NETGALLEY REVIEWER

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I risked another look at my sister. I felt a kindling of old fear. She lifted her head and our eyes met and I drew a staggered breath.

Steph.

The back room of the pub was half empty, the walls a dank musty brown, the ceilings punctuated by low beams riddled with defunct woodworm holes. Decorative tankards hung like dead starlings from their hooks and beneath, a cold buffet was laid out on white linen with the usual egg mayonnaise sandwiches and hollowed-out vol-au-vents. An elderly neighbour cruised down the table with its foil trays, prodding this and that as she loaded up her plate.

My sister kept her distance, nibbling on a sandwich, talking to the vicar. A stack of blackened logs in the grate behind them spat and hissed without any sign of a flame. Her blue eyes fluttered across me as I stood on the other side of the room. She was waiting, I realised. Waiting to see what I would do.

I felt my chest tighten, the hands at my side clench. I thought perhaps I should forgive her, that I should be the one to go over and talk to her . Beyond the function room, I could hear the bellow of a man at the bar, the recurrent beeps of a slot machine by the entrance and the slash of rain battering the front door as it juddered open and closed again.

‘Hello,’ I said as I approached. My voice was husky and unsure.

‘Caro.’

Her voice surprised me. It had a distinctive New York drawl. The tone was gentle. If it was meant to encourage me, it had the opposite effect. I didn’t reply. I could hardly bear to meet her eyes. The vicar moved on, scarcely acknowledging me.

Then Steph put her glass down. Her body relaxed, her arms opened. I wanted to step closer, but my feet refused to move. We hugged, a loose, cautious kind of hug, her pale, flawless cheek brushing cool against my skin.

‘I didn’t think you’d come,’ I said.

‘I almost didn’t, but then I thought, why should I let her stop me? She’s gone.’ Those long vowels again, so alien to me. But then it had been many years since I’d last heard her voice. ‘And I wanted to see you. You’re my sister.’ Steph’s expression was cautious, assessing my response.

‘I … I …’ Now I was her sister?

‘I’ve seen your website, your illustrations. They look amazing!’

‘Really?’ I said. I pulled myself up, keeping my tone light and neutral.

‘Yes, really. I love The Little Urchin , with her spiky hair, her nose pressed up against the window.’

My latest book. It was a compliment. I hadn’t remembered her ever giving me a compliment, not when I was little. But Steph’s face was open and sincere. She was different to how I remembered. I wanted to believe.

‘You’re very talented, you know, I always knew you would be creative,’ she said.

‘Oh, well, um …’ Praise indeed, to hear that from my big sister.

‘I mean it. I could never do something like that.’ She smiled. Her arms waved expansively and her coat parted, another glimpse of red.

I shrugged. ‘Thank you.’

She’d cared enough to look me up, when had she done that? It was unexpected. I was suddenly conscious that I knew very little about her, what she did for a living. Was she married? Did she have children? I didn’t even know that. She was seven years older than me and it was quite possible that she had a family of her own by now. I eyed her flat stomach, the clothes. No, I thought, no children. Somehow, I couldn’t see her with children.

A movement caught at the corner of my eye, the curtains at one of the windows flapping in a draught from a broken pane.

‘Can we go somewhere else?’ Steph’s voice dropped. ‘Anywhere you like, but not here.’

I swallowed. It made sense to refuse, my head screaming at me to walk away. It was almost twenty years since she’d left home, when I was nine. She’d been sixteen. We’d had no contact at all since then, despite all my attempts to stay in touch. Christmas, birthdays, they’d meant nothing. Perhaps my early cards had ended up at the wrong address.

But I wanted to. I really did.

‘Yes,’ I said.

‘I got a job at a hotel in London, manning reception.’

My sister’s voice was measured and quiet. I could imagine her smart and sleek behind a desk.

We’d found a café in the small town of Ashbourne a few miles away. The smell of freshly ground coffee beans and vanilla seedpods cut across the muted chatter in the room and I lifted my cup to hold its warmth against my fingers.

‘Then they offered me a job in the marketing department.’

She flicked her hair across her shoulders. Blonde, but no roots – it had been brown when we were young. She must have dyed it, I thought.

‘I moved to Head Office and worked my way up. Then I joined the US team. I’ve been based in New York now for six years.’

There was a pause. Her eyes travelled across my thin, gawky frame. Six years. In New York. Yet there had been so many more years when she’d been in London, in the UK. Close enough and yet so far. I didn’t reply, struggling to find a common ground.

We both took another sip from our respective drinks. The traffic beeped through the glass window, a sludge of rainwater washing onto the pavement, green and red traffic lights reflected in the puddles. Colours, I saw everything in colours.

‘And you? Where did you study?’ Steph leaned in over her cup.

‘Manchester. Art and Creative Design.’ I tucked my fingers into the palms of my hands, feeling my short nails scratch against my skin.

‘Really? I somehow thought you’d have gone as far as possible from Derbyshire.’

I bristled. Manchester was only an hour and a half from the village by car, but by bus and coach it was much longer, and you still had to get from the house at Larkstone Farm to the village bus stop. Manchester had seemed a million miles away. The bustling big city, new people, a whole new life.

‘Did you enjoy it?’ she asked.

‘Yes, I did. The course was brilliant.’

I side-stepped the truth: my self-imposed isolation; my lack of confidence; my distant manner.

‘I’m glad.’ Steph stretched out the fingers of her hand, wriggling each one before folding them back into her palm.

There was another silence.

‘And now you’re in London. Bet it’s nice being self-employed, working whenever you want.’ She smiled encouragingly.

‘Hmmm, depends how you look at it. There are so many other illustrators out there, vying for the same jobs for not much pay. It’s not an easy way to make a living.’

Already I was saying too much, filling the space with words, justifying my own ineptitude. Why should I feel defensive?

‘I can imagine.’ My sister nodded, sipping her coffee again. There was a soft chink as she placed the cup carefully back on its saucer. A waft of perfume made me lift my head up. I wasn’t a fan of any kind of perfume.

‘How did it happen?’ Steph’s voice broke.

I flashed a look of surprise at her. Did she even care? I scanned her face, the perfect arch of her eyebrows, the smooth forehead, no lines, as if she never frowned, or even smiled. Like a Greek statue, head turned away, poised in her indifference. Except … the voice was at odds with her face.

‘They didn’t tell me anything,’ she said.

It had been the family lawyer who’d made the call to her. I felt a pang of guilt.

‘I’m sorry I didn’t ring. But I didn’t have your address or a telephone number. It was the lawyers that tracked you down.’

They’d organised the whole thing, the funeral, the reception, much to my relief. They’d rung me too.

‘That’s alright, I understand.’ Steph watched me still, ignoring the implied criticism, waiting for an answer.

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