Sophie Draper - Cuckoo - A haunting psychological thriller you need to read this Christmas

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Spooky and absorbing. I was gripped from the first page! CASS GREENThere’s a stranger in your house…When her stepmother dies unexpectedly, Caro returns to her childhood home in Derbyshire. She hadn’t seen Elizabeth in years, but the remote farmhouse offers refuge from a bad relationship, and a chance to start again.But going through Elizabeth’s belongings unearths memories Caro would rather stay buried. In particular, the story her stepmother would tell her, about two little girls and the terrible thing they do.As heavy snow traps Caro in the village, where her neighbours stare and whisper, Caro is forced to question why Elizabeth hated her so much, and what she was hiding. But does she really want to uncover the truth?A haunting and twisty story about the lies we tell those closest to us, perfect for fans of Ruth Ware and Cass Green.Readers love CUCKOO: ‘Spooky and absorbing. I was gripped from the first page’ CASS GREEN ‘A remarkably, taut and chilling debut. I absolutely loved it. Brilliant writing. All the creepiness. A heart-stopping ending’ CLAIRE ALLAN‘Sophie Draper is a remarkable new voice, combining beautiful writing with a gothic creepiness and a level of suspense which will keep the reader gripped to the end’ STEPHEN BOOTH'A brilliant, sinister debut that creeps under your skin and keeps you hooked until the shocking ending' ROZ WATKINS‘Wow! This is what a horror story is supposed to be! Super spooky and absolutely wonderful in all its gothic glory’ NETGALLEY REVIEWER‘The ending was amazing. Psychological fiction at its best. Five Stars’ NETGALLEY REVIEWER ‘I never use the term "jaw-dropping" but it best describes the rest of this spectacular read!’ NETGALLEY REVIEWER ‘Stands up there near to of the top of the pile with narratives like "The Woman in the Window" and of course "The Girl on the Train".’ NETGALLEY REVIEWER ‘The ending BLEW. ME. AWAY. I feel like I’m going to have a book hangover now. SO, SO GOOD’ NETGALLEY REVIEWER

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‘Outside Elizabeth’s house.’

The hairs on the back of my neck pricked up.

‘Well I suppose that makes sense, he’s got the field opposite, hasn’t he?’

‘Yes.’ The woman sighed, clutching her purse. ‘But the body was hidden in the verge – took a while to find it. Not much left of it either – the foxes had already had a go. Pete’s gone to fetch the trailer to shift it and ask his brother to help. But he’s annoyed with himself. It must have escaped the night before. Normally Elizabeth would have spotted it and given him a call.’

‘Well, she couldn’t have done that no more,’ said the assistant. ‘Twenty-one pounds seventy, love. Isn’t the house still empty?’

There was the chink of money and a rattle as it was stashed away in the till.

‘Pete said there was a car outside first thing this morning. Reckon one of the daughters has finally turned up.’

‘Really? Which one? The flashy one or the nutcase?’

I felt my ears burn, humiliation flooding my body. I lowered my head, fingers pushed deep into my jacket pockets. What was wrong with these people?

‘Don’t know, the car’s a bit crap, Pete said. Perhaps it was that car which hit our sheep?’

I ground my teeth. What right had they to make that assumption?

‘Oh, well, tell that lovely husband of yours how sorry I am when you see him.’

‘Sure. Thank you. See you tomorrow.’

The woman lifted a hand and left. I presented my basket and waited patiently. The assistant ignored me as she scanned the items but threw me a look when she got to the tins of cat food. My eyes dropped and I paid the bill as quickly as I could.

Back in the car, I pulled over when I got to the bottom of the drive to the house. On the roadside, they’d said. I told myself I needed to see what I’d been accused of, but perhaps the truth was that I’d always been drawn to the macabre, the visual trickery of the surreal, an artist’s fascination for the biological structures behind our physical façade. My car eased onto the verge and I stepped out.

The wind had picked up, with a bitter edge, bending the trees on either side of the road, already twisted and contorted from years of exposure on the hill. My hood whipped down and my hair caught in my eyes. One of the poppers on my coat was broken and I had to grasp the folds of it over my chest to keep the flaps from bursting open.

There it was. The feet were visible through the long grass and a tangle of briers growing in the hedge. It was just about recognisable as a sheep. The head was intact, but the body had been badly damaged, not just by a car. Entrails splayed across its woolly coat and something had tugged and pulled at the flaps of skin. The eyes were wide open, bulging from the skull, and its tongue lolled uselessly between its teeth. I couldn’t help but think of my stepmother, how her body must have looked lying on the floor at the foot of the stairs. I tried to push the image from my mind, gazing at the animal. Judging by the state of it, that hadn’t happened today.

I thought – what if it had been me? Yesterday, as I’d arrived? I’d been tired those last few miles, not particularly alert. What if I’d hit the sheep myself? No, I didn’t believe that. I would have felt the impact. And there was that car behind me. The driver would have noticed too. Surely, he’d have reacted if either one of us had hit an animal that big.

I reached out with my foot, giving the carcass a nudge. A bevy of flies rose up from the body, flying in ever decreasing circles before settling down to their business again. I felt my stomach flip. It was disgusting. But a sheep was just a sheep, wasn’t it? Another animal bred for consumption, its death inevitable one way or another. Like all of us, I thought.

I looked around me. I saw the last few leaves hanging on the trees, great piles of damp and blackened vegetation heaped on the verge below. I saw the remains of a pheasant cleaved to the tarmac further down the road, berries that clung shrivelled and inedible, rejected even by the birds. Already I’d alienated my neighbours without doing anything wrong at all. The strange looks at the butcher’s, the assumption of my guilt over this sheep, made without a shred of proof, and the vague gossip about Elizabeth’s two daughters.

‘The flashy one or the nutcase,’ they’d said – I certainly wouldn’t describe myself as ‘flashy’.

I’d only just arrived, after an absence of ten years. Why would they say that about me? I felt a sense of helplessness. Already it was as if I’d never left. This was meant to be a fresh start, wasn’t it?

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