CATHERINE HUNT
This is a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental.
Harper
An imprint of HarperCollins Publishers
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
First published by HarperCollins Publishers 2015
Copyright © Catherine Hunt 2015
Catherine Hunt asserts the moral right to be identified as the author of this work
Cover layout design © HarperCollins Publishers 2015
Cover photographs © Shutterstock.com
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books
Ebook Edition © May 2015 ISBN: 9780008139667
Version 2015-11-06
Contents
Cover
Title Page CATHERINE HUNT
Copyright This is a work of fiction. Any references to real people, living or dead, real events, businesses, organizations and localities are intended only to give the fiction a sense of reality and authenticity. All names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and their resemblance, if any, to real-life counterparts is entirely coincidental. Harper An imprint of HarperCollins Publishers 1 London Bridge Street London SE1 9GF www.harpercollins.co.uk First published by HarperCollins Publishers 2015 Copyright © Catherine Hunt 2015 Catherine Hunt asserts the moral right to be identified as the author of this work Cover layout design © HarperCollins Publishers 2015 Cover photographs © Shutterstock.com A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books Ebook Edition © May 2015 ISBN: 9780008139667 Version 2015-11-06
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Chapter Thirty-One
Chapter Thirty-Two
Chapter Thirty-Three
Chapter Thirty-Four
Chapter Thirty-Five
Chapter Thirty-Six
Chapter Thirty-Seven
Chapter Thirty-Eight
Chapter Thirty-Nine
Chapter Forty
Chapter Forty-One
Chapter Forty-Two
Chapter Forty-Three
Chapter Forty-Four
Chapter Forty-Five
Chapter Forty-Six
Chapter Forty-Seven
Chapter Forty-Eight
Chapter Forty-Nine
Chapter Fifty
Chapter Fifty-One
Chapter Fifty-Two
Chapter Fifty-Three
Chapter Fifty-Four
Chapter Fifty-Five
Chapter Fifty-Six
Chapter Fifty-Seven
Chapter Fifty-Eight
Chapter Fifty-Nine
Acknowledgements
About the Author
Killer Reads Back Ad
About the Publisher
Laura was tired and she was late. Sarah had kept her talking in the office and then, because Sarah needed a shoulder to cry on, she’d gone with her to a wine bar to talk things through. Now it was almost nine o’clock and Laura just wanted to get home. The traffic lights stayed obstinately red. She drummed her fingers impatiently on the steering wheel. Rain lashed down on the windscreen.
A car drew up in the lane beside her. A four-wheel drive with tinted windows. Huge and dark and menacing. A monster. It loomed over her, music pumping – a heavy beat pulsing against her driver’s window, drowning out the rain.
It stopped very close to her, far too close, with its bonnet stuck out aggressively in front. She didn’t look across, kept her eyes straight ahead, but she had the feeling that the driver was staring at her. Another idiot, she thought, who’d seen a woman in a sports car and had decided to show her who was boss.
The lights changed and she didn’t try to race it. She would just sit back and let it burn up its tyres on the wet road.
Laura waited but the monster didn’t move. It sat there with the lights at green. A horn sounded from behind. It still didn’t move, just stayed close beside her, and that was when the alarm bell first began ringing in her head. Not much of one, no big deal, no more than a tinkle really.
She drove off then – fast, using every bit of the 0 to 60 in six-point-five seconds that the Audi TT’s engine had to offer. Off and away, leave all the trouble behind. She liked that thought; it fitted her new philosophy for life. She’d moved on, settled down with Joe, and given up the London rat race.
Out in front, she slowed down, back within the speed limit. She looked out for the four-wheel drive but it was nowhere in sight. Her mind went back to thinking about work and especially about the Pelham divorce case.
Her client, Anna Pelham, had rung that morning to say she’d had two emails threatening to kill her. She’d sent them on to Laura. They were vicious, explicit death threats and Anna was certain her husband had sent them, though they had not come from his email address. There had been other emails sent to Anna from the same address, ranting and blustering, but these were the first to threaten her life. These were in a different league altogether and it was a dangerous escalation.
Laura had reported the death threats to the police and pressed them to charge Harry Pelham with harassment. Anna was being incredibly brave. She refused to be intimidated, sticking to her guns over the divorce. In fact, the threats seemed to have made her more determined than ever to protect her interests and especially those of her eight-year-old daughter, Martha. Good for her. If Harry Pelham had hoped to beat her into submission, his plan had seriously backfired.
When Anna had first instructed Laura to act in the divorce, she had explained how jealous and controlling Harry was. His abuse and rages had got worse and worse and then he had started hitting her. She had not wanted to leave him, had tried to keep the family together, but in the end it got so bad she had no choice. On Easter Day, after he’d slapped her hard in the face and said he’d hated her for the last six years, she walked out of the family home taking Martha with her.
Читать дальше