Muriel Gray - The Trickster

Twenty years seems a long time ago. But just think. To something dark, something ancient, evil and indestructible, something that existed on earth long before the first fish crawled from the sea on its journey to evolve into mankind, it would seem no more than the sideways blink of an eye.

Muriel Gray, 2015

I’m very suspicious of people who read introductions.

In my experience the writer’s name in big, chunky letters is all I really need to pick up a book. If it’s a writer I don’t recognize, I’ll impulse buy on a title or a blurb or, if I’m being especially reckless, a beautifully painted cover. But if you’re still unsure whether or not to immerse yourself in the story ahead and need a further thousand words to completely convince you, then let me reassure even the most cautious buyer …

This is the best decision you’ve made lately and you’re in for an absolute treat.

Let’s go back in time ten years to when I first met Muriel Gray. No, scratch that. Turn the dial a further ninety degrees, crank up the handle and send your George Pal-era time machine back a full three decades and she’s starting her career as the coolest thing on the coolest show on television. She’s a presenter on the legendary music programme, The Tube , interviewing pretty much everyone you’ve ever heard of; fast-forward and she’s a kind of a famous TV producer and Britain’s most well-known mountain-climber and a member of the board at Glasgow School of Art (where she’s DOCTOR Muriel Gray) and an award-winning newspaper columnist and former rector of Edinburgh University. Oh, she’s also the patron of several Scottish charities, a respected art historian, an architecture buff, a professional illustrator, a marathon runner, a wife, a mother and a hugely successful business-woman too, in case you didn’t get the memo.

So when I first met Muriel ten years back and discovered she had a double life as a hugely successful horror novelist with three bestselling books to her name and deified by no less than Mister Stephen Edwin King of Portland, Maine, it really didn’t come as too much of a surprise.

The British are naturally suspicious of polymaths and we’re generally right. It’s hard enough to be wonderful at one thing and close to impossible to be brilliant at everything. Yet Muriel kind of is. Oh, and lest ye worry she’s jumping on some kind of genre gravy train when everyone is keen to flash their geek credentials let me assure you she’s very much the real deal. In an era where Hollywood pours money over precisely the kind of creative types they shunned and mocked for years, to the point where the word ‘Ferd’ has been created to identify ‘fake-nerds’, Muriel’s knowledge and love of all things horror is very close to unparalleled. This is a woman who knows her HP Lovecraft from her MR James and will liberally drop names like Machen, Matheson or Algernon Blackwood into even the most casual of dinner conversations. She’s as comfortable at a horror and fantasy convention in the rainy south-east of England as in a BBC studio in Television Centre, possibly even more so. You see, this is what she REALLY wanted to do while she was winning at all the amazing things she’s perhaps better known for and, trust me, it shows.

I remember sitting down to read The Trickster with that slight trepidation when you’re friends with the author. Two pages in and I was forty pages in. A hundred pages in and I was finished. How did that happen? It was so good I genuinely started Furnace the following day and finished off the week with the third of her excellent horror trio, The Ancient . Muriel is such a natural, her writing style so easy, that I can’t believe she hasn’t dipped her toe in these murky waters for precisely 1.5 decades. The Trickster was every weather-beaten paperback, every old comic book, every cult horror movie and every videotaped Hammer House of Horror she had ever stored away in the back of her brain and it literally exploded from her head into ours. She’d trained for it her entire life and she seemed to have a ball. I did too and, trust me, so will you as you read about Sam Hunt and his mysterious heritage and the thing beneath the mountains and all these terrible blackouts he’s been having at precisely the same time all these interesting corpses are showing up. Why in the name of Great Jehovah has this woman not written a horror novel in fifteen years? Why are you reading this introduction when there’s a monster of a book on the other side of the next page?

So if you only know Muriel from TV or radio or a familiar face up a Scottish mountain or that lady with the spiky blonde hair who sits across from you at the School of Art board meetings then you haven’t really, truly met the real her. This book in your hands is the closest thing to the Muriel her friends know and love and, to be honest, I’m slightly jealous you’re only just discovering what she’s really all about in this spanking new edition you’re holding right now.

She really is brilliant at everything, but the books, I would suggest, are her finest achievement and if you’re familiar with her in any way at all you’ll know that is a pretty damn fine recommendation.

Now stop reading the introduction. Turn the page and enjoy yourself.

Mark Millar

Glasgow, 2015

When he screamed, his lips slid so far up his teeth that the rarely exposed gum looked like shiny, flayed meat. Hunting Wolf’s eyes flicked open and stared. There was a semicircle of faces above him. Silent. Watching.

For a moment he stayed perfectly still, allowing himself to regain the feeling of being inside his body, that dull ache of reality after the lightness of the spirit’s escape. Then the numbing cold of the snow beneath his naked back stabbed at his skin, and mocked him with the knowledge that he was firmly back in the realm of the flesh.

Sweat was still trickling down his breast, beads of moisture clinging to his brown nipples like decoration, and he stared up at the grey, snow-laden sky in hot despair.

The faces looked on. They would not step forward to touch him or help him in this state. The shaman’s trance was sacred and they had no way of knowing when it would be over.

But it was over, now. He had looked into the thing’s face. Oh, Great Spirit, he had. And the filthy darkness, the bottomless malice he had seen there, had been nearly impossible to bear.

The white men gathered by the mountain were insane. He had seen that, too. Their madness, their folly.

And what could he do?

The shaman got up from the ground with a swiftness that surprised his audience of watchers, and walked away. The faces regarded him for a moment, and then, one by one, followed.

‘The living rock.’

If Wesley Martell had caught the look his engineer threw him, he might have regretted the remark. As it was, he shifted his huge bulk in the conductor’s chair, leaned a flabby arm, its hand dimpled like a baby’s, on the sill of the cab window and said it again.

‘Yes indeed. Liiiviiing rock.’

Joshua Tennent, to whom the remark was principally addressed, returned his gaze to the track in front of them, his forefinger caressing the throttle handle as though it could make toast of his corpulent colleague. As the mouth of the first tunnel slid into view from behind a cliff crusted by aquamarine ice, Joshua felt panic mash his guts again.

How many times had he done this, for Christ’s sake? He’d pulled freight back and forwards through the Corkscrew Tunnel for nearly three years, and just because of one foolish, possibly imagined incident, he found himself nearly caking his shorts like a toddler every time that black arch yawned in front of him.