King ADZ - Street Knowledge

But that said, Amsterdam is changing slowly from an open-air adult-orientated museum into a city of pure creativity. For a while, the city’s inspirational talents were jumping ship in favour of Rotterdam, but that is now over. The tourists are still arriving in droves but they seem to be contained to one or two areas of the ’Dam, namely the red light district and the coffee shops. These tourist areas are in the east and the south central area of the city. Just a few hundred feet east of the Centraal Station you’ll find the Warmoesstraat, the beginning of the red light and coffee shop area, in which to lose your mind. The sex and spliff aspect of the ’Dam has to be experienced before you can make up your mind about whether it’s cool or not. I’ve spent many trips to the ’Dam getting wasted back inna day and stumbling around the red light district, but these days I’m straight and the place still rocks. Remember that all the guys selling drugs on the street are just trying to rip you off. Okay, the first thing you gotta know is that all hard drugs are illegal, but if you’re determined to buy drugs then stick to the coffee shops. If you want something that isn’t on the menu then ask the dealers in the coffee shop if they have any info. There is a heavy heritage of culture within the city and all aspects of creativity are respected and encouraged. There are some killer advertising agencies here now (>p104) and the fashion and arts industries are gathering momentum.

If you go off the tourist route slightly you will find the real Amsterdam — a clean, civilized place, almost the opposite to the red light district.

Around the Spui (a square slap-bang in the centre of the ’Dam) is the place to be for book lovers, as there’s a ton of bookshops and a weekly book market on Fridays. There are some great places to eat and traditional style bars in which to spend the evening. Which is exactly where I was when I last hooked up with Michel van Rijn.

Amsterdam is home to my old pal Michel — one of the world’s last true adventurers: art expert, stolen antiquities hunter, multi-millionaire playboy. He’s a larger-than-life character with a heart of gold, and I’m truly happy to see him whenever I go to the ’Dam. We always mooch off to a pavement bar where Michel begins to tackle a long line of double bloody Marys without any visible effect. He then fills me in on his latest accomplishments, none of which I can speak about, let alone write about here. Let’s just say that he’s got his fingers in a lot of pies and one of the biggest and most complete collections of religious art in the world. A true bon viveur!

Best homemade fries in town: Vleminckx, Voetboogstraat

Wicked bookshop: The American Book Centre, Spui 12

Great ‘hood: De Pijp, take tram 16 or 24 or 25 to Albert Cyperstr then walk east

Good Bar: Café ‘t Spui-tje, Spuistraat 318 (old-school ’Dam bar)

Great Hotel: The Lloyd Hotel. Oostelijke

www.theartofasbestos.com

A few years ago I bumped into Asbestos while he was busy rubbing down one of his large-scale pieces of someone’s hand on somebody else’s wall in a suburb of Antwerp. I know his work but had never met the guy so I stopped to talk. It’s at moments like this that you know you’re gonna get on with someone and me and Asbestos click like a clockwork orange and that is it: Down for life, and so we hang out for a weekend doing the ‘street-art shuffle’ and generally getting down with some serious hang time and talk shop.

‘My art is defined by the people I meet and interpreting them, it’s about the human form and the environment that I live in’ he says. ‘I like to interact with the space that’s around me and the streets are ripe with opportunities to express yourself. Whether it’s a painting I’ve put up on a wall or a sticker on a lamppost, it all adds to the layers of dirt and personality of a city. My paintings are meant to become part of their environment and the longer they stay up, the more they blend in and integrate with the walls. Hopefully the odd passer-by will see the work and react to it. Positive or negative, any response is good for me — once work is out on the street it’s fair game to be loved or criticized, I release all control of it once I put it out there.’

What I like about Asbestos’ work is that his gallery pieces are all created on discarded material found in the streets, usually around where the show is taking place.

‘All my work is done on found objects, be it wood, plasterboard, metal or anything else I notice in a skip at 3 am. These objects have a history and a personality to them that cannot be faked. They’re a snapshot of the past and part of the fabric of the city which missed their chance of a quiet life in a landfill site.’

His art has evolved in a natural way. He has never jumped on any bandwagon or followed any trends in art whatsoever.

‘In the last year my work has been inspired by the use of the triangle and deconstructionist shapes that I’ve seen in architectural structures. The triangle has now become a central element in my work that ties together the dirty, random, found aesthetic that I’ve always loved with a hard and structured form of the triangle. Thinking about the triangle, I’ve come to realize it’s the coolest of all the shapes — circles and squares have nothing on it.’

The other side of Asbestos’ art is his Lost Series of stickers and posters that advertise random missing objects that are lost but may not need to be found.

‘This series has been a constant in my work over that last few years and provides me with a bizarrely fun outlet to interact with the public. I’m constantly getting amused and bemused mails from people who’ve spotted the stickers to tell me that they’ve found what’s lost or that they hope I find one of my errant objects.’

www.raf.se

Jonas Åkerlund is one of the world’s most visionary and consistently innovative film directors. He’s created some of the greatest, most memorable music videos for the likes of The Prodigy, Madonna, Blink 182, The Smashing Pumpkins and Ali-G (respect!) and made the transition to the big screen seamlessly with his debut feature Spun — a film so dope that it made me want to start taking drugs again (after being totally clean for at least five years) when I last watched it! His Swedish sensibilities ensure that his work is always original, and bacon-sandwich-droppingly controversial. Way back when, Jonas happened to be working for a production company when he was presented with an opportunity to step up his game.

‘I was working in other areas of production when Swedish TV went commercial. We were one of the last countries in the world to have commercial TV and when it happened every company wanted a commercial. So I just started shooting commercials. It was the most natural thing for me to do.’

He then began to make commercials in Europe and then gradually moved into music videos, which is where he found worldwide fame. He blew up with his brilliant and controversial ‘Smack My Bitch Up’ video, which is still the greatest music video — ever.

‘I think being Swedish I have a different shock level than the rest of the world, so I honestly try and bend the rules. I know that you can’t show certain things. With the Prodigy video, the most shocking thing was how big it became. This was before the Internet so everyone was passing around videotapes. Everyone saw it you know, Jay Leno made jokes about it on his show for five nights in a row… It was the first time that I made something that seemed to affect people…’