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David Means: The Secret Goldfish

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David Means The Secret Goldfish

The Secret Goldfish: краткое содержание, описание и аннотация

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An extraordinary collection of short stories from an author who is set to become one of America’s leading literary voices.In the tradition of Raymond Carver or Tobias Wolff, these are all-encompassing stories of the American psyche, of love and loss and of the landscape and its people.A goldfish circles in its bowl, refusing to die, becoming the silent focus of a difficult family life; a pianist loses his talents as he is forced to question the meaning of love and commitment. Through a blend of lyricism and humour, these stories of ordinary human dilemmas take flight and become mythical and universal. David Means is a rare writer who transports us to the heart of what it is to be human.

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Two nights later we were alone in an old motel, far up in the nether regions of the Upper Peninsula, near the town of Houghton, where her friend Charlene had ODed a few years back. Same hotel, exactly. Same room, too. She’d persuaded me that she had to go and hold a wake for her dead friend. (—I gotta go to the same hotel, she said.—The same room.) The hotel was frequented mainly by sailors, merchant marine types, a defiled place with soggy rank carpet padding and dirty towels. In bed we finished off a few of Tull’s pills. Marsha was naked, resting on her side as she talked to me in a solemn voice about Charlene and how much they had meant to each other one summer, and how, when her own father was on a rage, they would go hide out near the airport, along the fence out there, hanging out and watching the occasional plane arrive, spinning its propellers wildly and making tipping wing gestures as if in a struggle to conjure the elements of flight. Smoking joints and talking softly, they poured out secrets the way only stoner girls can—topping each other’s admissions, one after the other, matter-of-factly saying yeah, I did this guy who lived in Detroit and was a dealer and he, like, he like was married and we took his car out to the beach and spent two days doing it. Listening to her talk, it was easy to imagine the two of them sitting out there in the hackweed and elderberry on cooler summer nights, watching the silent airstrips, cracked and neglected, waiting for the flight from Chicago. I’d spent my own time out in that spot. It was where Marsha and I figured out that we were bound by coincidence: our fathers had both worked to their deaths in the paint booth at Fisher Body, making sure the enamel was spread evenly, suffering from the gaps in their masks, from inhaled solvents, and from producing quality automobiles.

I was naked on the bed with Marsha, slightly buzzed, but not stoned out of my sense of awareness. I ran my hand along her hip and down into the concave smoothness of her waist while she, in turn, reached around and pawed and cupped my ass, pulling me forward against her as she cried softly in my ear, just wisps of breath, about nothing in particular except that we were about to have sex. I was going to roll her over softly, expose her ass, find myself against her, and then press my lips to her shoulder blades as I sank in. When I got there, I became aware of the ashen cinder-block smell of the hotel room, the rubber of the damp carpet padding, the walls smeared with mildew, and the large russet stains that marked the dripping zone inside the tub and along the upper rim of the toilet. Outside, the hotel—peeling pink stucco, with a pale blue slide curling into an empty pool—stood along an old road, a logging route, still littered with the relics of a long-past tourist boom. The woods across from the place were thick with undergrowth, and the gaps between trees seemed filled with the dark matter of interstellar space. When we checked in it was just past sunset, but the light was already drawn away by the forest. It went on for miles and miles. Just looking at it too long would be to get lost, to wander in circles. You could feel the fact that we were far up along the top edge of the United States; the north pole began its pull around there, and the aurora borealis spread across the sky. I like to think that we both came out of our skin, together, in one of those orgasmic unifications. I like to think that two extremely lonely souls—both fearing that they had just killed another human being—united themselves carnally for some wider, greater sense of the universe; I like to think that maybe for one moment in my life, I reached up and ran my hand through God’s hair. But who knows? Who really knows? The truth remains lodged back in that moment, and that moment is gone, and all I can honestly attest to is that we did feel a deep affection for our lost comrade Ernie at the very moment we were both engaged in fornication. (That’s the word Ernie used: I’d like to fornicate with that one over there, or I’m going to find me some fornication.) We lay on the bed and let the breeze come through the hotel window—cool and full of yellow pine dust—across our damp bellies. The air of northern Michigan never quite matches the freshness of Canada. There’s usually a dull iron ore residue in it, or the smell of dead flies accumulating between the stones on shore. Staring up at the ceiling, Marsha felt compelled to talk about her dead friend. She lit a smoke and took a deep inhalation and let it sift from between her teeth. (I was endlessly attracted to the big unfixed gap tooth space between her two front ones.) Here’s the story she told me in as much detail as I can muster: Charlene was a hard-core drifter, born in Sarnia, Ontario, across the lake from Port Huron. Her grandmother on her mother’s side raised her, except for a few summers—the ones in our town—with her deranged auto-worker father. She was passed on to her grandfather on her father’s side for some reason, up in Nova Scotia. Her grandfather was an edgy, hard drinker who abused her viciously. Along her ass were little four-leaf-clover scar formations. She ran away from her grandfather, back to her grandmother in Sarnia, and then ran away from her and crossed the International Bridge to Detroit, where she hooked up with a guy named Stan, a maintenance worker at a nursing home, who fixed air conditioners and cleared dementia-plugged toilets. Stan was into cooking crank in his spare time. They set up a lab in a house near Dearborn, in a pretty nice neighborhood, actually. Then one day there was an explosion and Stan got a face full of battery acid. She left him behind and hooked up with another cooker, named King, who had a large operation in a house near Saginaw. She worked with him and helped out, but she never touched the stuff and was angelic and pious about it. Even King saw a kind of beauty in Charlene’s abstinence, Marsha said. For all the abuse she had suffered she had a spiritual kind of calm. Her eyes were, like, this amazingly deep blue color. Aside from her scars and all, she still had the whitest, purest skin, Snow White skin, the kind that you just want to touch, like a cool smooth stone. She just got more and more beautiful until eventually the guy named King couldn’t stand the gentleness in her eyes and, maybe to try to change things around, he started to beat her face like a punching bag. One afternoon, under the influence of his own product, he had a couple of friends hold her down while he struck her face with a meat pounder, just hammered it, until she was close to death—maybe actually dead. Maybe she left her body and floated above herself and looked down and saw a guy with long shaggy hair and a silver meat hammer bashing her face in and decided it just wasn’t worth dying in that kind of situation and so went back into her body. (Marsha was pretty firm in her belief about this part.) Charlene’s cheekbones were broken, her teeth shattered. It took about twenty operations on her jaw and teeth just to chew again. Even then, chewing never felt right; her fake teeth slipped from the roof of her mouth, she talked funny, and a ringing sounded in her ears when she tried to smile. When she laughed too hard, her mouth would clamp up and she’d hear a chiming sound, high in pitch, like bells, and then the sound of windswept rain, or wind in a shell, or wind through guy wires, or a dry, dusty windswept street, or the rustling of tissue paper, or a sizzling like a single slice of bacon in a pan, or a dial tone endlessly unwinding in her eardrum. Forever she was up over herself looking down, watching King go at her, the two guys holding on to her shoulders, her legs scissor-kicking, the flash of the hammer until it was impossible to know what was going on beneath the blood. When Marsha met her again—a year or so later, in the break room at Wal-Mart—she had this weirdly deranged face; the out-of-place features demanded some thought to put straight. I mean it was a mess, Marsha said. Her nose was folded over. The Detroit team of plastic and oral surgeons just couldn’t put poor Charlene back together again. A total Humpty Dumpty. No one was going to spend large amounts of money on a face of a drifter, anyway. Marsha forced herself to look. Then Charlene told her the story of King, the reasons for the damage, and the whole time Marsha didn’t remove her eyes from the nose, the warped cheeks, the fishlike mouth. She tried as hard as she could to see where the beauty had gone and what Charlene must’ve been like before King mashed her face, the angelic part, because she kind of doubted her on that aspect of the story. As far as she could remember, from their nights together getting stoned outside the airport fence, Charlene had been, well, just a normal-looking kid. But listening to her talk, she put the pieces together and saw that, yeah, yeah, yeah, maybe this mishmash of features had once been beautiful. Her eyes were certainly bright blue, and wide, and she had pale milky skin. That night after work they decided to go out together, not to a bar where she’d get hassled but just to buy some beer and go to Charlene’s apartment and drink. She had some little pills she called goners, good God goners, something like that. So they went to her apartment, took the pills, drank some beer, and decided to watch Blue Velvet. Whatever transpired next, according to Marsha, was amazing and incredibly sensual; they were stoned together, watching the movie, and suddenly between them there grew a hugely powerful sense of closeness; when Marsha looked down at her on the couch, Charlene appeared to her too gorgeous not to kiss (that’s how she put it, exactly). Her mouth was funny because her teeth were out, so it was just softness and nothing else and then, somehow, they undressed—I mean it wasn’t like a first for either of us, Marsha said—and she fell down between Charlene’s knees, and drove her to come, and then they spent the night together. A few days later, Charlene quit her job and split for Canada, back over the bridge, and then the next thing Marsha heard she was up north at this hotel with some guys and then she ODed.

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