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David Means: The Secret Goldfish

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David Means The Secret Goldfish

The Secret Goldfish: краткое содержание, описание и аннотация

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An extraordinary collection of short stories from an author who is set to become one of America’s leading literary voices.In the tradition of Raymond Carver or Tobias Wolff, these are all-encompassing stories of the American psyche, of love and loss and of the landscape and its people.A goldfish circles in its bowl, refusing to die, becoming the silent focus of a difficult family life; a pianist loses his talents as he is forced to question the meaning of love and commitment. Through a blend of lyricism and humour, these stories of ordinary human dilemmas take flight and become mythical and universal. David Means is a rare writer who transports us to the heart of what it is to be human.

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A few minutes later, when Ernie shot the guy named Tull in the parking lot, the gun produced a tight little report that bounced off the side of the freighter that was sitting up in the lock, waiting for the go-ahead. The weight line along the ship’s hull was far above the visitor’s station; below the white stripe, the skin of the hull was shoddy with flakes of rust and barnacle scars. The ship looked ashamed of itself exposed for the whole world to see, like a lady with her skirt blown up. The name on the bow, in bright white letters, was Henry Jackman. Looking down at us, a crew member raised his hand against the glare. What he saw was a sad scene: a ring of blue gun smoke lingering around the guy Ernie shot, who was muttering the word fuck and bowing down while blood pooled around his crotch. By the time we scrambled to the truck and got out of there, he was trembling softly on the pavement, as if he were trying to limbo-dance under an impossibly low bar. I can assure you now, the guy didn’t die that morning. A year later we came face-to-face at an amusement park near Bay City, and he looked perfectly fine, strapped into a contraption that would—a few seconds after our eyes met—roll him into a triple corkscrew at eighty miles an hour. I like to imagine that the roller coaster ride shook his vision of me into an aberration that stuck in his mind for the rest of his earthly life.

For what it’s worth, the back streets of Sault Ste. Marie, Michigan, were made of concrete with nubs of stone mixed in, crisscrossed with crevices, passing grand old homes fallen to disrepair—homes breathing the smell of mildew and dry rot from their broken windows. Ernie drove with his hand up at the noon position while the police sirens wove through the afternoon heat behind us. The sound was frail, distant, and meaningless. We’d heard the same thing at least a dozen times in the past three weeks, from town to town, always respectfully distant, unraveling, twisting around like a smoke in a breeze until it disappeared. Our river of luck was deep and fed by an artesian well of fate. Ernie had a knack for guiding us out of bad situations. We stuck up a convenience store, taking off with fifty bucks and five green-and-white cartons of menthol cigarettes. Then a few days later we hog-tied a liquor store clerk and made off with a box of Cutty Sark and five rolls of Michigan Scratch-Off Lotto tickets. Under Ernie’s leadership, we tied up our victims with bravado, in front of the fish-eyed video monitors, our heads in balaclavas. We put up the V sign and shouted: Liberation for all! For good measure, we turned to the camera and yelled: Patty Hearst lives! The next morning the Detroit Free Press Sunday edition carried a photo, dramatically smudgy, of the three us bent and rounded off by the lens, with our guns in the air. The accompanying article speculated on our significance. According to the article, we were a highly disciplined group with strong connections to California, our gusto and verve reflecting a nationwide resurgence of Weathermen-type radicals.—A place to launch the boat will provide itself, Ernie said, sealing his lips around his dangling cigarette and pulling in smoke. Marsha rooted around in the glove box and found a flaying knife, serrated and brutal-looking, with a smear of dried blood on the oak handle. She handed it to me, dug around some more, and found a baggie with pills, little blue numbers; a couple of bright reds, all mystery and portent. She spun it around a few times and then gave out a long yodel that left our ears tingling. Marsha was a champion yodeler. Of course we popped the pills and swallowed them dry while Ernie raged through the center of town, running two red lights, yanking the boat behind us like an afterthought. Marsha had her feet on the dash and her hair tangled beautifully around her eyes and against her lips. It was the best feeling in the world to be running from the law with a boat in tow, fishtailing around corners, tossing our back wheels into the remnants of the turn, rattling wildly over the potholes, roaring through a shithole town that was desperately trying to stay afloat in the modern world and finding itself sinking deeper into squalor beneath a sky that unfurled blue and deep. All this along with drugs that were swiftly going about their perplexing work, turning the whole show inside out and making us acutely aware of the fact that above all we were nothing much more than a collection of raw sensations. Marsha’s legs emerging beautiful from her fringed cutoff shorts—the shorts are another story—and her bare toes, with her nails painted cherry red, wiggled in the breeze from the windows. The seaway at the bottom of the street, spread out in front of a few lonely houses, driftwood gray, rickety and grand, baking in the summer heat. They crackled with dryness. They looked ready to explode into flames. They looked bereft of all hope. In front of a Victorian, a single dog, held taut by a long length of rope, barked and tried to break free, turning and twisting and looping the full circumference of his plight. We parked across the street, got out of the truck, and looked at him while he, in turn, looked back. He was barking SOS. Over and over again. Bark bark bark. Bark bark bark. Bark bark bark. Bark bark bark. Bark bark bark. Until finally Ernie yanked his gun from his belt, pointed quickly, with both hands extended out for stability, and released a shot that materialized as a burst of blooming dust near the dog; then another shot that went over his head and splintered a porch rail. The dog stopped barking and the startled air glimmered, got brighter, shiny around the edges, and then fell back into the kind of dull haze you find only in small towns in summer, with no one around but a dog who has finally lost the desire to bark. The dog sat staring at us. He was perfectly fine but stone-still. Out in the water a container ship stood with solemnity, as if dumbfounded by its own passage, covered in bright green tarps.—We’re gonna drop her right here, Ernie said, unleashing the boat, throwing back restraining straps, trying to look like he knew what he was doing. The water was a five-foot fall from the corrugated steel and poured cement buttress of the wall. The Army Corps of Engineers had constructed a breakwall of ridiculous proportions. We lifted the hitch, removed it from the ball, and wiggled the trailer over so that the bow of the boat hung over the edge. Then without consultation—working off the mutual energies of our highs—we lifted the trailer and spilled the boat over the edge. It landed in the water with a plop, worked hard to right itself, coming to terms with its new place in the world, settling back as Ernie applied the rope and urged it along to some ladder rungs. To claim this was anything but a love story would be to put Sault Ste. Marie in a poor light. The depleted look in the sky and the sensation of the pills working in our bloodstreams, enlivening the water, the slap and pop of the metal hull over the waves. The super-freighter (the one with green tarps) looming at our approach. To go into those details too much would be to bypass the essential fact of the matter. I was deeply in love with Marsha. Nothing else in the universe mattered. I would have killed for her. I would have swallowed the earth like an egg-eating snake. I would have turned inside out in my own skin. I was certain that I might have stepped from the boat and walked on the water, making little shuffling movements, conserving my energy, doing what Jesus did but only better. Jesus walked on water to prove a point. I would have done it for the hell of it. Just for fun. To prove my love. Up at the bow Ernie stood with his heel on the gunwale, one elbow resting on a knee, looking like the figurehead on a Viking ship. I sat in the back with Marsha, watching as she held the rubber grip and guided the motor with her suspiciously well-groomed fingers. I could see in the jitteriness of her fingers that she was about to swing the boat violently to the side. Maybe not as some deeply mean-spirited act, but just as a joke on Ernie, who was staring straight ahead, making little hoots, patting his gun, and saying,—We’re coming to get you. We’re gonna highjack us a motherfucking superfreighter, boys. I put my hand over Marsha’s and held it there. Her legs, emerging out of the fringed grip of her tight cutoff jeans, were gleaming with spray. (She’d amputated the pants back in a hotel in Manistee, laying them over her naked thighs while we watched, tweaking the loose threads out to make them just right.) Tiny beads of water clung to the downy hairs along the top of her thighs, fringed with her cutoff jeans, nipping and tucking up into her crotch. Who knows? Maybe she was looking at my legs, too, stretched against her own, the white half-moon of my knees poking through the holes in my jeans. When I put my hand over hers I felt our forces conjoin into a desire to toss Ernie overboard.

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