Steven Tyler - Does the Noise in My Head Bother You? - The Autobiography

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The long-awaited, no-holds-barred memoir from the legendary Aerosmith frontman. Finally, all the lurid tales of debauchery, sex, drugs and rock n' roll are told straight from the horse's lips as The Demon of Screamin' describes his unimaginable highs and unbelievable lows as lead singer of one of the biggest rock band in the world.Prolific frontman, rock icon and sex symbol, Steven Tyler is a living legend. With his raw, sharp-edged vocals, musical versatility and unprecedented song writing skills, Tyler has, as lead singer of Aerosmith, sold millions of records and played sell-out concerts to as many as 450,000 people. Now, at last, he tells his own story, taking us on a wild rollercoaster ride through the bust-ups, binges, orgies and good old American excess in the jaw-droppingly honest, in-your-face way that only Tyler can.Following a fateful meeting with his 'mutant twin' Joe Perry in the summer of 1970, Aerosmith was formed…and the rest, as they say, is rock history. They released their first album in 1973, and by 1976 Aerosmith had gone from being nobodies to massive to off the radar, making history as a multi-platinum, chart-topping band.But with great success comes great excess. Nicknamed the Toxic Twins for their insatiable appetite for drugs, booze and women, Tyler and Perry got caught up in the glamour of self-destruction - smashing each other up with guitars, having seizures and passing out on stage. By 1980 it seemed that the band and its members were set to implode, but after successful stints in drug rehab, Aerosmith were back on track and better than ever.But although he may have given up his wicked, wicked ways, Tyler still enjoys talking about the bad old days. He has so many outrageous stories to tell, and he's gonna tell them all. All the uncensored, head-spinning tales of debauchery, sex, booze, transcendence and chemical dependence you will ever want to hear. As raucous, intoxicating and edgy as his music, this is the most outrageous rock n' roll autobiography of all time.

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When I scaled the boulder, my first thought was Holy shit, I’m on the top of the world! This is MY ROCK. Then I ran down to the basement of Trow-Rico, grabbed a fucking chisel—an inch around, six inches long—got a big ball-peen hammer—a really fat one that we used for chipping away stone to make stone walls—and I carved “ST” into that rock, so when the aliens come—and someday they are gonna come—they’ll see my marking and know that I was here and needed to make contact, and that I was one of the humans who wanted to live forever. That was my kid thought. I visited that rock recently, wet my finger, and rubbed it on the place where I’d carved my initials—and they were still there! I took some cigarette ash and put it in the S so I could take a photograph of it. E.T. meet S.T.

That was my childhood. I read too much. I fantasized too much. I lived in the “what-if?” When I read Kahlil Gibran I recognized the same alien shiver of wildness: And forget not that the earth delights to feel your bare feet and the winds long to play with your hair.

Trow-Rico went the way of my childhood . . . lost and gone forever, my darling Clementine. It stopped being a summer resort somewhere around 1985.

You can’t go home again; you go back and it’s not the same. It’s all crazy, small. Gives you vertigo, trying to go back. Like if you went to visit your mom, walked into the kitchen, and she had a different face.

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